Sculpture is arguably more present in people’s day-to-day lives than many art forms. Frequently found in public places, it transforms our surroundings and enriches the community. At times it polarises the public, challenging society and creating controversy. This collection celebrates distinguished New Zealand sculptors, both nationally and internationally recognised: including Paul Dibble, Chris Booth, Greer Twiss, Neil Dawson and the legendary Len Lye. The controversial ‘Virgin in a Condom’ also features (in the first episode of Backch@t).
This National Film Unit production records the making of four large-scale sculptures for a 1971 international symposium to commemorate Auckland City’s centennial. Helen Escobedo (Mexico) nodded to the skyline’s masts and cranes with Signals in Parnell Rose Garden; Opened Stone by Hiroaki Ueda (Japan) was balanced near Auckland Art Gallery for 35 years; and American Fred Loopstra's Homage to Will still ploughs Victoria Park. A central city scrap metal work by Canadian Tom Burrows was removed in 1977, perhaps achieving his stated aim: to “disturb” its viewers!
Flip & Two Twisters is Shirley Horrocks' documentary about New Zealand-born artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor, and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are being realised in New Zealand.
Pacific Monarch by New Zealand sculptor Paul Dibble was installed in front of the Manawatu Art Gallery, Palmerston North, in 1995. This film documents the production of this large scale bronze sculpture, and in doing so reveals something of its maker. Dibble's knowledge and skill in manipulating the process of bronze casting to produce his delicately balanced sculptures is evident - the casting, the welding together of all the parts, and the assembling of a team of sympathetic experts.
The capture and release of the French agents who bombed the Greenpeace ship, Rainbow Warrior was not the end of the affair. This film documents the circumstances of the crime, but is focused on efforts by Greenpeace, and artist Chris Booth to create a sense of emotional closure. Booth worked with the Ngati Kura people of Matauri Bay to create a sculpture marking the Warrior's last resting place. The film interweaves the back story of the bombing with sequences showing the efforts to finish the sculpture in time for commemorations.
This final episode from series two of the arts series is presented by Taika Cohen (aka Taika Waititi) and his alter ego, silly German Gunter Schliemann. Taika makes short film Tama Tū, performs as vampire Diego (later reborn in What We Do in the Shadows) and performs Taika’s Incredible Show at Bats Theatre. Included are scenes from his early, little-seen short film John & Pogo. Also featured are artist Siren Maclaine (aka Siren Deluxe) and her feminist erotica; Caroline Robinson’s large-scale Auckland motorway sculptures; and comics artist Colin Wilson (Judge Dredd, Blueberry).
In this documentary, artist Helen Pollock discusses her sculpture Falls the Shadow. Using clay from the Coromandel and the Passchendaele (Netherlands) battlefield, she created a grove of arms reaching up against a background of trees stripped bare by gunfire in World War I. The work was inspired by her father, a wartime signaller. Pollock discusses her installation and the effect of combat on New Zealand troops in the war (846 Kiwis died in two hours during the 1917 battle of Passchendaele). The work is now on permanent display at Passchendaele Memorial Museum.
This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".
This episode of arts show Frontseat visits the inaugural edition of the Māori Film Festival in Wairoa, with Ramai Hayward and Merata Mita making star turns, alongside a tribute to teenage filmmaker Cameron Duncan. Elsewhere, Deborah Smith and Marti Friedlander korero about their She Said exhibition, and about photographing kids and staging reality; and Auckland’s St Matthew in the City showcases spiritual sculpture. A ‘where are they now’ piece catches up with Val Irwin, star of Ramai and Rudall Hayward's interracial romance To Love a Māori (1972).
This BBC2-screened film is a look at the European art world of the late 1960s, and a meditation on the nature of art and the pricing of art, shot by Tony Williams. The origins of this film are suitably cosmopolitan. It was initiated by an Iranian student – and underwritten by Jeremy Fry from Cadbury Fry Hudson. Its focus is Takis, a Greek artist who creates kinetic sculptures out of discarded electronic objects (at times reminiscent of Len Lye’s work), and plans to mass produce cheaper versions of his work to make his art accessible. But will it still be art?