This sketch comedy series screened over two years in the early 90s. Many of the Gibson Group show's skits were tested and filmed in a theatre, in front of a paying audience. This first episode sees laughs come from Watties spaghetti and a roll call of emerging comic talent of the era. Danny Mulheron and Hori Ahipene act up, Tim Balme plays Trivial Pursuit, Kevin Smith gets his vernacular on negotiating NZ customs, Peta Rutter crushes on Steve Parr, and Facial DBX comedians Jon Bridges and David Downs are teenage skaters who talk digital watches while wearing day-glo.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
Before turning to directing, Barry Barclay did more than five years training to become a priest. That experience surely percolates through his film Ashes, with its reflections on identity, spirituality and living (or feeling) apart from others. The film centres on the thoughts of four people: an artist, a woman struggling with her identity as a high achiever, an actor, and a priest. Are all of them acting, or only Sam Neill? The film features readings from Ash Wednesday, the poem written by TS Eliot after converting to anglicanism. Ashes screened on NZ television on 17 March 1975.
Robyn Scott-Vincent, MNZOM, is longtime producer of Attitude, the globetrotting series that focuses on people living with a disability. Scott-Vincent has an extensive background as a journalist. Since 1992 she has headed her own production company, Attitude Pictures.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
A documentary about author Janet Frame based on the eponymous biography by Michael King. It travels through the familiar Frame themes - her alleged mental illness, family tragedies, overseas stays, how she began writing. Its value, and fresh insight, lies in the interviews with Frame's close friends and key figures in her life. They shed light on her personality and achievements. King in particular provides a considered, often-amusing account of Frame's life. This was his last interview for film; he was killed in a car accident in 2004.
Shirley Horrocks, ONZM, is one of New Zealand’s leading directors of documentaries about the arts. Her work has chronicled the work and lives of artist Len Lye, photographer Marti Friedlander, writer Albert Wendt and playwright Roger Hall. Her films have won awards, and screened at festivals from France and Italy to the United States.
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.
Martin Blythe’s work as a publicist includes the Transformers and Shrek franchises. Long ago he directed cult car culture film Queen Street, before deciding filmmaking was far too egotistical an exercise. Kiwi-born Blythe went on to gain a PhD in film and TV, review films for The Listener, and write 1994 book Naming the Other: Images of the Māori in New Zealand Film and Television. He has been based in LA since 1984.