Kicking off with his hero Elvis Presley's song 'That's Alright,' the late Prince Tui Teka delivers a classic performance in this TVNZ-filmed variety show (one of three specials). The Yandall Sisters back-up on the smoky, Vegas-inspired set. Tui sings his hit 'E Ipo' with wife Missy, and they pay tribute to the song’s Māori lyricist Ngoi (‘Poi-E’) Pewhairangi. The songs are peppered with warmth, humour and poi action (led by a young Pita Sharples), as Tui Teka confirms his reputation as one of Aotearoa's great entertainers. The classy Bernie Allen-led band includes legendary guitarist Tama Renata.

Prince Tui Teka was born in Ruatahuna in 1937. He joined a circus in the early 1950s and moved to Australia. A multi-instrumentalist with a big personality and an infectious sense of humour, he established himself as a cabaret musician with The Maori Troubadours and then The Maori Volcanics. A solo career followed in the early 70s. He moved back to Tokomaru Bay in 1981 and co-wrote his greatest hit ‘E Ipo’ with Ngoi (‘Poi E’) Pewhairangi when he was courting her niece (and his future wife) Missy. It was NZ’s first te reo chart topper. He died in 1985. 

This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade  — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.  

On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.   

NZ On Screen has selected this collection of 30 Kiwi love songs, which spans 50 years of music. The list ranges widely — from an early Loxene Golden Disc winner for Ray Columbus and the Invaders, to Dragon in the 70s, and in the 80s, everyone from Blam Blam Blam to Prince Tui Teka. Entries from later decades include Tiki Taane and Unknown Mortal Orchestra. That's not even the half of it: along the way, check out a trio of classics whose take on romance is positively oceanic: 'Anchor Me', 'Sway' and 'Not Given Lightly'. 

Music legend Prince Tui Teka performs his greatest hit ‘E Ipo’ in this excerpt from a TVNZ special recorded at Auckland’s Mandalay Ballroom. Based on a traditional Indonesian folk melody, ‘E Ipo’ was written by Teka with Ngoi (‘Poi E’) Pewhairangi, when he was courting her niece (and his future wife) Missy. The two join Tui Teka on stage (along with Pita Sharples’ Te Roopu Manutaki cultural group) for a rousing rendition performed with his trademark verve and humour. The song reached number one, following te reo-dominated chart-toppers 'The Bridge' (sung by Deane Waretini) in 1981, and Howard Morrison's 1982 version of 'How Great Thou Art'.

This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.

Nearly mammal free, pre-human New Zealand was a land of birds, many of them found nowhere else. In Birdland, Jeremy Wells (Eating Media Lunch) explores all things avian in Aotearoa. In this opening episode he visits Hauraki Gulf island sanctuary Tiritiri Matangi and Christchurch’s Peacock Springs. Putting the wry into wrybill, Wells muses on manu matters from twitching to tākahe poop. Dominion Post’s Linda Burgess praised Mike Single's "marvellous camera work", and Wells’ celebration of ordinary people "who work to protect and enhance what we still have".