After adapting the slimy transmogrifying Wilberforces of Maurice Gee novel Under the Mountain for the small screen, scriptwriter (and future sci-fi novelist) Ken Catran returned with his own tale of kids and extraterrestrial contact. The series follows holidaying teen Gretchen (Sarah Dunn) trying to unravel the mystery of a weathervane — a "daisy rod" which seems to have otherworldly powers — and curious objects found in a tapu swamp. Backing up this girl-power sci-fi adventure are Catherine Wilkin, Roy Billing and Utu star Zac Wallace.
Directed by Tony Williams, this documentary is a strong example of how to make engaging television out of a brief that might easily have been overly earnest. Nominally “a history of service clubs in New Zealand”, the footloose film explores a rich variety of organisations created to bring people together: from accordion players and air hostesses to flying saucer believers and Rotarians. The film celebrates a fundamental human need to ‘get together’. Poet Denis Glover provides sardonic commentary. It won the best programme of year Feltex Award.
After adapting Maurice Gee classic Under the Mountain for TV, writer Ken Catran wrote his own tale of teen extraterrestrial contact. While holidaying with relatives in the country astronomy-mad Gretchen discovers that a farm weathervane has mysterious powers. In this second episode of the girl-power sci-fi series, the weathervane does strange things to cars and appliances; and Gretchen and local scallywag Ronny discover a secret in a tapu swamp threatened by development. Actors Zac Wallace and Roy Billing feature, and future weatherman Jim Hickey cameos.
This was created as part of the 2010 creative collaborations edition of the Orcon Great Blend. The fanciful clip is a suitable match for the moody minimalism of the track. Planned and shot in a day it achieves an eerily cohesive finish, belying the fact director Jesse Taylor Smith hadn’t heard the song prior to filming, and Gilmour was in the dark as to shooting plans. The ‘actors’ were crowd-sourced and harassed into hair and make-up; from there the footage was developed, the song was 'properly' recorded and all the pieces thrown into place – UFOs included.
Nearly two decades before Mighty Boosh comes this loopy confection. With its missing visage line "I left my face, in outer space" you know this is going to be one trippy song — and the wild and spacey video is totally in keeping with the track. There’s UFO imagery and all sorts of other mad things thrown in, including a dinosaur skeleton and a vacuum cleaner played like a guitar. And it must be one of the few music videos to feature a band member wearing a peggy squares crochet poncho. The clip won Best Music Video at the 1993 NZ Music Awards.
This live-action CGI short attempts to find the answer as to why UFO sightings have been in decline recently. The truth is indeed out there, but in this sci-fi spoof, it turns out to be the result of alien bureaucratic cover-ups, outsourcing and an unorthodox use of space probes The film was made by students in the 3D Productions course that director James Cunningham teaches at Media Design School — a one day green screen shoot, 14 weeks of post-production. Written by Nick Ward, First Contact won selection to computer graphics conference SIGGRAPH 2011.
As a director Gregory King has mined dark, sometimes darkly comic tales both in shorts, and in award-winning digital features Christmas and A Song of Good. He has also written shorts for other directors (including festival success Brave Donkey) and is developing further features.
Producer Mhairead Connor's career encompasses a stint at production company Sticky Pictures (where she wrangled the creatives on acclaimed arts show The Gravy), and two features: drama Little Bits of Light, and science fiction tale Existence.
Luke Nola is the creator of madcap children’s show Let’s Get Inventin’, which over seven seasons spawned awards, dozens of inventions — and 11 successful patents. The show screened in more than 30 countries. Nola began as a graphic designer, and the advertising world soon led him to television; he has also directed children’s shows Life on Ben and The Goober Brothers, in which he played one of the Goobers.
Former Fair Go presenter Kevin Milne ranks as one of New Zealand television's longest-serving reporters. After joining the Fair Go team in 1984, he presented or co-presented the show from 1993 until 2010. Milne has also appeared on TVNZ lifestyle shows Production Line, Then Again, Holiday and Kev Can Do.