It was a case of sisters doin' it for themselves in 1994 when Hassanah Iroegbu and Brenda Makamoeafi's (aka Sisters Underground) single, ‘In The Neighbourhood', lingered in the charts for 12 weeks; peaking at number six. The song - produced by song-writing maestro Alan Jansson - was also used in an ad for TV2. The urban-r'n'b duo didn't release an album in their six-year life span but featured on several compilations, including In The Neighbourhood.

Arts Icon Geoff Murphy is the trumpet-player who got New Zealand yelling in the movie aisles. His road movie Goodbye Pork Pie was the blockbuster hit of the NZ film renaissance, and he completed an unsurpassed triple punch with Utu and Bruno Lawrence classic The Quiet Earth. From student heists to hobbits this collection pays tribute to the laconic wild man of Kiwi film.

More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here. 

As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise. 

Photographer Greg Semu was offered the first residency at the Musée du quai Branly, Paris in 2006. Over a decade earlier, his debut solo exhibition was showing at Auckland Art Gallery, and he was shooting a music video for the Sisters Underground with veteran promo director Kerry Brown. Set around Mangere Bridge, their clip exudes a palpable warmth. Even if the lyrical references to MAC-10s and a hot and cruel June morning are nods to MC Hassanah’s northern (Nigeria via NYC) origins rather than the South Auckland neighbourhood (Four Square, PI church day n’all). 

Former Velvet Underground member John Cale’s first visit to New Zealand in 1983 is marked with this Radio with Pictures special. Indie legends Tall Dwarfs opened for Cale, and part of their performance is captured too. The venue is Christchurch's Hillsborough Tavern, where the cameras catch Cale's intense solo readings of classic songs including VU's ‘Waiting for the Man’, and Cale’s own ‘Leaving it up to You’. The Welshman also reflects briefly on his early years in New York, meeting Lou Reed, and his then most recent album, Music For a New Society.

This NFU short features the first 'official' colour footage of the Waitomo Caves. Perhaps wary of playing its ace card too early, Waitomo finds time to showcase local beaches and hotel ping-pong tables before moving underground. A wave of Phantom of the Opera-style organ music accompanies the tour party as they enter Waitomo’s limestone grottos, then float down an eerie underground river. Meanwhile the narrator condenses earlier cave explorations — by English surveyor Fred Mace and local chief Tane Tinorau — into a tale of one lone white man and his candle.

The South Tonight was a Dunedin-filmed regional news show. In these excerpts, Martin Phillipps and The Chills return home from London, and find album Submarine Bells is number one; legendary local band Sneaky Feelings play a last gig; Velvet Underground muse Nico plays Orientation Week; a ball is filmed at Larnach Castle for TV series Hanlon; rhododendron nuts ramble at the Dunedin Botanic Gardens, and Jim Mora visits the Danseys Pass Hotel. Finally there’s a survey of dingy student digs circa 1985 (when rents went as low as $14 a week). 

It was the summer of 1970, six months after Woodstock, and local media had hyped this Phil Warren-promoted two-day music festival as NZ’s version. Despite promises of revolution it was more low key with 1500 music fans bussing out to the Swanson holiday park for, as MC Peter Sinclair introduced it, “36 hours of non stop top pops of New Zealand’s top bands”, from psych-rock to gospel. The international star was sometime Bee Gee Robin Gibb, whose high pitch was infamously welcomed with a pitched tomato. This festival was filmed for TV by the NZBC.

This documentary chronicles a shameful passage in NZ race relations: the controversial mid-70s raids on the homes and workplaces of alleged Pacific Island overstayers. Director Damon Fepulea’i examines its origins in Pacific Island immigration during full employment in the 1960s, when a blind eye was turned to visa restrictions. As times got tougher, that policy changed to include random street checks by police, despite official denials. Resistance by activists and media coverage helped end a policy which has had a long term effect on the Pacific Island community.