This 1972 NFU documentary looks at the care of children born with physical disabilities. Aimed at families with ‘crippled’ children, the film was directed by Frank Chilton for the Crippled Children Society (now CCS Disability Action). Parents, doctors, teachers and field officers are shown engaging with children and young adults at home and in the community, from spring-loaded splints for spina bifida patients to Māori stick games as therapy for cerebral palsy. It is introduced by Mrs New Zealand 1970, Alison Henry (whose son was born with a congenital foot defect).
In this full-length Heartland episode, Gary McCormick travels to the Hokianga in Northland, where he attends the annual rowing regatta in the town of Horeke. Locals compete in ironman (swimming, running and... woodchopping), before McCormick delves into the region’s logging past and sees local bone carvers at work. He also visits the Motuti Marae, then drives on to Panguru where he interviews local resident and Māori land march leader Dame Whina Cooper. The programme (gently) reflects on Māori and Pākehā race relations in the area.
Tama Renata’s memorable theme for Once Were Warriors embedded itself in the New Zealand psyche as much as the line “cook me some eggs”, or the ominous buzzing sounds of the pūrerehua. In this promo clip, the Herbs guitarist takes centre stage as he shreds on a custom stratocaster cast in traditional wood whakairo (carving). The shots of Renata playing are interspersed with iconic scenes from the movie, which launched its takeover of New Zealand cinemas in mid 1994, before screening around the globe. Tama Renata passed away on 4 November 2018.
This web series profiles nine Ngāi Tahu artists, all working in different mediums. Weavers Reihana Parata and Morehu Flutey-Henare, and carver Fayne Robinson use traditional designs and materials like flax, feathers, stone, pounamu and wood, while conceptual artist Nathan Pohio uses 'found' objects like old photographs, presenting them in different contexts so they speak to a new audience. From photographer Fiona Pardington's 'memento mori' imagery to painter Simon Kaan's serene landscapes, each artist draws inspiration from the land and its wairua (spirit).
This 1985 New Zealand tourism promo showcases Aotearoa society and industry. As the title suggests, the NFU-made film offers an impressionistic take on the subject. Bookended by a dawn and dusk chorus, the narration-free survey cuts between primary products (milk, logs, wool etc) and their manufacturing processes, and then shows people at work and play — from futures traders to pounamu carvers, contemporary dancers to cricketers. Date stamps of the era include a mass aerobics class, hydroslide action, and saxophone and guitar solos on the soundtrack.
The enormous significance to Māori of marae, as places of belonging where ritual and culture can be preserved, is explored in this Pita Turei-directed documentary. Made in conjunction with the NZ Historic Places Trust, it chronicles the programme to restore marae buildings and taonga around the country — and the challenge of maintaining the tribal heritages expressed in them. As well as visiting some of NZ's oldest marae, one of the newest also features — Tapu Te Ranga, in Wellington’s Island Bay, which is being built from recycled demolition wood.
After boning up on set design at TVNZ and the BBC, Palmerston North-born Grant Major has gone on to design movies for Peter Jackson and Niki Caro. His work as a production designer on epics Lord of the Rings and King Kong resulted in a run of international accolades, including an Academy Award for Return of the King.