In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
Bruce Graham, wife Lynn and son Mark are in the funeral business, serving the people in the Waikato town of Tūākau at their darkest times. This episode of First Hand takes place in the aftermath of local man Athel Parsons' death, from collecting his body to his funeral and cremation. Athel lived alone but was from a large family. He contributed to his town through his love of sports, in particular indoor bowls. As Bruce organises Athel's farewell we learn about both men's lives, and how the most common of events can affect a small community.
Raised in New Zealand by parents from Tokelau, What Now? presenter Jason Fa'afoi and his brother, reporter (and future MP) Kris have made their Wellington digs a Tokelau music free zone. In this documentary they join their parents and sister on a life-changing journey home. Aged 12, Dad Amosa was one of the first locals awarded a scholarship to be educated in NZ. Mother Metita left as part of a major resettlement plan. Neither has returned to Tokelau in 35 years. The Dominion-Post called the result “a great little documentary”; The Press rated it the best NZ documentary of 2004.
This tale of body-snatching botanical aliens invading 70s Wellington shared the 1973 Feltex Award for Best Drama. Dominated by Davina Whitehouse’s performance as a retired teacher-turned ET foster parent, it included early TV roles for Paul Holmes, Grant Tilly and Susan Wilson. Vincent Ley’s script won a Ngaio Marsh teleplay contest, and its realisation stylishly traverses local summertime environs — Silence was one of the first NZBC dramas filmed in colour. Director David Stevens went on to success in Australia (writing Breaker Morant, and The Sum of Us).
Rizk Alexander found himself in a rare situation during WWI — he was an Ottoman subject who chose to fight for the British Empire. His brief life still holds a fascination for his descendants. From a Syrian Christian family, Alexander had only been in New Zealand three years, when the 17-year-old signed up for war. Hoping to fight the Turkish Ottomans, he instead ended up on the Western Front, proving himself at the Battle of Messines in 1917. Later gassed, Alexander returned to Wellington to recuperate but he never fully recovered, dying in 1924. He was 27.
Four decades before starring in The Last Samurai, New Zealand’s most symmetrical volcano stole the limelight in this NFU short. Extolling a mantra of progress and change, Taranaki presents New Plymouth as regional hub and suburban paradise, surrounded by bays and gladioli. Narrator Paul Ricketts touches on a conflict-soaked past by recalling his great grandmother’s nightly refuge in a central city stockade, during the 1860s Taranaki Wars. Back in 1954, a fishing license costs two pounds, and co-operatively-run dairy factories produce over half the nation’s cheese.
In each episode of this popular TV series, actor Paul Gittins investigated the story behind the epitaph written on a gravestone. In this third episode from season one, Gittins visits the grave of Walter James Bolton, a Whanganui farmer who was the last man to get the death penalty in New Zealand. He was hanged on 18 February 1957, found guilty of poisoning his wife of 43 years with arsenic derived from sheep dip. Gittins meets Peter Waller, a campaigner for Bolton’s innocence, who claims to be his son. Bryan Bruce revisited the case in 2007 on his series The Investigator.
Epitaphs on gravestones are the starting point for presenter Paul Gittins to unravel skeletons in cupboards, lovestruck suicide pacts, and fatal love letters. The series uses compelling personal stories to retell New Zealand history and effectively combines documentary and re-enactment. An actor and history enthusiast, Paul Gittins became a household name on Shortland Street (as Dr Michael McKenna) before he devised this series for Greenstone. Epitaph ran for three series, and won Best Factual Series at the 1999 NZ TV Awards.
Kōtuku Rerenga Rua (the second flight of the heron) explores the impact of a near-death experience on Kōtuku Tibble. The teacher and media personality (from te teo Rugby World Cup commentator, to running language lessons on TV show Pūkana) talks about being reborn as the husband, father and leader he believes he is destined to be. Co-directed by Tim Worrall and Aaron Smart (The Road to Whakarae), the short documentary was made in te reo Māori for web series Loading Docs. Sadly Kõtuku Tibble died in his sleep, a few months after Kōtuku Rerenga Rua was completed.
In Peru, beauty and poverty go hand in hand. Westie comedian Ewen Gilmour begins his Peruvian journey in Lima, the capital - which he describes as a "sprawling, largely chaotic urban mess". Locals offer drugs and warn of muggers, but there are lighter moments when Gilmour entertains an enthusiastic audience in the city's historic centre, despite speaking only un poco Español. Later the former stonemason is impressed by the precision stonework in the ancient hilltop city of Machu Picchu, and visits locals who live on floating islands of reeds, on Lake Titicaca.