Te Araroa is a 3000 kilometre, Aotearoa-long walkway. In this Māori Television series, host Pio Terei walks it, sampling “New Zealand experiences”. In this first episode, Terei treks his home turf: the trail’s northernmost stage, from Te Rerenga Wairua (Cape Rēinga) to Kaitaia. Pio goes fishing in Ahipara; gets kitted up with a knife, and a kauri tokotoko (walking stick); gets stung by a manuka honey bee; meets the Tarara (NZ Dalmatian) people, and talks mission statements and hangi with members of the hīkoi that "changed the face of the nation" – the 1975 Māori Land March.
Kauri stand amongst the giants of the tree world, able to grow more than 50m tall and girths of up to 16 metres, and live over 2000 years. This NFU film looks at the ancient conifer and its relationship with people. A thoughtful narrative traces the kauri's utility, and contemporary efforts to preserve remaining trees — the tree’s timber and gum fuelled colonial growth, but milling devastated the great northern forests. Archive footage evokes the pioneer days: kauri dams, woodsmen dwarfed by felled trunks, and Dalmatian gum hunters scaling sky-scraping trunks.
This Contact episode goes behind the scenes on a big budget commercial from the early days of the Kiwi film renaissance: a 1982 Crunchie bar ad which owes so much to Star Wars, the film crew even call their villain Darth. After 12 hour days working inside the Waitomo Caves, a move to Ninety Mile Beach sees the weather playing havoc with sets and schedules. Seeking fresh faces, commercials king Geoff Dixon (Crumpy and Scotty) cast his lead actors in Australia. Television adverts were even made to announce the arrival of the ad — which plays over the closing credits.
Open Home was a 90s series looking at New Zealand homes and the people making, designing and living in them. This episode from the third season ranges from deconstructionism to DIY. Builder (and future Dunedin mayor) David Cull checks out a Northland glasshouse designed by Nigel Cook, before visiting the renovated Australian farmhouse and digital recording studio of Dragon band member Todd Hunter. Susan Wood tries translating the architectural theory of deconstructionism with the help of Auckland architects, including Mark Wigley.