This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
Australian feminist author Germaine Greer tells Kim Hill that “it’s time to get angry again”. She’s angry that female health treatments for breast and cervical cancers are forms of control that are actually out of control. Greer opines that women are over-medicated, in fear of their bodies and deeply insecure about the way they look. She talks about the grassroots feminist revolution that never happened, and the totemic feminist text – her “lucky book” – The Female Eunuch.
Written by future Gloss creator Rosemary McLeod, this Television One sitcom satirised late 70s gender politics. It was filmed before a studio audience at Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson, who cast Bruno in his breakout lead role in a movie: Al Shaw in Smash Palace.
Rosemary (Annie Whittle) is a photographer, mother and middle-distance runner. A project photographing the rare yellow-eyed penguin sends her to a remote Otago cottage. Despite menacing happenings, she refuses to be intimidated. Then events escalate, sending her running for help in the race of her life. Bird-watching, stranger danger and feminist film theory line up for a time trial in Melanie Read's first movie, for which 20 of the 29-strong production crew were women. Marathon champ Allison Roe — who trained Whittle off-screen — makes a brief cameo.
In the 1970s, New Zealand artist Allie Eagle identified herself as a lesbian separatist and radical feminist. Her often uncompromising work included pro-abortion painting This Woman Died I Care, which was inspired by a photograph of a woman who died from an illegal abortion. In the 1980s, Eagle became a christian. Made in 2004, Briar March's first, feature-length documentary sees Eagle reflecting on her past with a more moderate outlook — she now has mixed feelings about her earlier stance on abortion.
Created by Fiona Samuel, The Marching Girls follows a Taita social marching team who decide to have a crack at the North Island champs. In the first episode of this feminist-Flashdance-in-formation 80s classic, young whippersnapper Leonie tries to modernise the girls' routine by getting them to march to the heavy metal tunes of Ironlung ("they're really big in Australia!"). This proves too much for Mahara (Patupatu Ripley), who's got enough on her plate with her new role as hesitant union spokesperson for her fellow workers down at the factory.
The Marching Girls is the seven-part story of a Taita social marching team who decide to have a crack at the North Island Championships. This pioneering series was conceived by actor-writer Fiona Samuel out of frustration over the dearth of challenging female roles: she declared that it was about time the Kiwi "alienated macho dickhead" shared some screen time with women. Synth-rock soundtracks, ghetto blasters, Holden Kingswood taxis and chain-smoking abound in this feminist-Flashdance-in-formation 80s classic.
Mystery and menace abound in this debut film from Alison Maclean (Crush, The Rehearsal). Made when Maclean was an Elam art student, the experimental short plays with gender and racial stereotypes by constantly thwarting narrative expectations. What there is of a plot consists of a woman emerging from the sea and a 'centrepiece' pursuit leading to a confrontation between two characters: a man and a woman. Scripted, shot and edited by Maclean, it marked the beginning of a fertile collaboration between Maclean and producer Bridget Ikin.
Merv Smith, Rob Campbell, Diamond Lil, and Mary Mountier are the guests on this 1980s chat show. Host Cathy Saunders talks to Smith about 20 years as Auckland’s number one radio host, before Smith takes over to interview Diamond Lil (aka female impersonator Marcus Craig), in a segment littered with innuendo. Campbell covers the contradictions of being a unionist on the BNZ board, and horse racing expert Mountier talks Kiwi thoroughbreds. Also appearing are Limbs Dance Company, Wellington band Hot Cafe, and 1985 Telequest winner Sharon Cunningham.
At the time of this 1984 interview with Catherine Tizard, Auckland had just been announced as host for the 1990 Commonwealth Games. Weekend's Terry Carter interviews the city’s mayor on her preparation plans: covering commercialism, chauvinism, Treaty of Waitangi, tourism, and a proposed All Blacks tour to South Africa (“it won’t help”). Tizard defends the controversial Aotea Centre and talks about family sacrifices she's made for the mayoral job. ‘Dame Cath’ was the first female Mayor of Auckland, and went on to be New Zealand’s first female Governor-General.