Ngaio Marsh Theatre was based on four murder mysteries by crime writer Dame Ngaio Marsh: Vintage Murder, Died in the Wool, Colour Scheme, and Opening Night (the latter was the only one not set in her homeland). UK actor George Baker (The Ruth Renell Mysteries, I, Claudius) starred as Inspector Roderick Alleyn — the rational Englishman solving murderous crimes in the green and pleasant colony. The series successfully leveraged the international appeal of Marsh's novels. Ngaio Marsh Theatre was the first New Zealand television drama to screen in the US (on PBS).
Died in the Wool was part of a TV anthology adapting the murder mysteries of Dame Ngaio Marsh. MP Flossie Rubrick has been found dead in a wool bale, and it's up to Inspector Roderick Alleyn (UK actor George Baker — Bond, Z Cars, I, Claudius) to unravel the secrets of a South Island sheep station. The tale of a cultured Englishman amidst World War II spies, Bach and seamy colonial crimes — like Marsh's books — found a global audience: it was the first NZ TV drama to screen in the US (on PBS). Includes a Cluedo-style sitting room inquest and a wool shed reveal.
Tagata Pasifika takes a look at Kiwi PI theatre phenomenon The Naked Samoans, and features extensive footage from a number of their stage comedies. Viewers will recognise early versions of a number of characters who would later feature on the Samoans' animated hit bro'Town. Co-founder Oscar Kightley talks about the group. AO-rated, the episode captures the non-PC island humour that would shape five seasons of bro'Town, and two Sione's Wedding feature films.
Satire Futile Attraction follows a dysfunctional reality television crew as they make a show about dating. The unfortunate 'couple' being manipulated for the cameras are a phone-obsessed nerd, and a woman consumed with being ecologically sound. In real life, director Mark Prebble became the first New Zealander to get funding for his movie via an online crowdfunding campaign (as detailed in the making of video). Alongside lead actors Danielle Mason (Black Sheep) and Peter Rutherford (Event 16), the late Alistair Browning shines as a smarmy television host.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Take Home Pay marks the third self-funded feature for writer/director SQS. Three Wise Cousins and Hibiscus and Ruthless both proved popular with audiences and critics. This 'action comedy' focusses on Samoan brothers Popo (Ronnie Taulafo) and Alama (Vito Vito) who ditch the taro fields of home for the promise of big money, picking kiwifruit in Aotearoa. When Popo steals their wages and goes AWOL, Alama calls on his relative, unorthodox private investigator Bob Titilo (ex Laughing Samoan Tofiga Fepulea'i) to help track his brother down. Magnum P.I. he ain't.
This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other."
The Splore summer music festival has always been as much about alternative lifestyles as live music: in other words, it's a poi twirling, hippie paradise. Presenter Jane Yee teams up with Evan Short — one half of electronica act Concord Dawn — to wander around the idyllic Waharau Regional Park setting, take a wedding snap at the 'Las Vegas Wedding Chapel', and witness the air-cracking skills of The Wild Whip Man. Yee also chats to Fat Freddy's Drop and Nathan Haines, and showcases videos for 'Don't Tell Me' (Concord Dawn), 'Hope' (Fat Freddy's), and 'Doot Dude' (Haines).
Howard Monk was just 15 when he joined the army, turning 16 during basic training. When the Air Force came looking for recruits he was reluctant to join, despite the extra one shilling and sixpence per day. But he was recruited anyway, and discovered he was a natural pilot. Clearly a natural storyteller as well, Monk enjoyed his service, flying fighters in the Pacific theatre late in the war. But by then the Japanese had few serviceable aircraft to fly, and to his regret he never engaged in aerial combat.
Tala Pasifika was a Pasifika drama series which grew from workshops aimed at upskilling Pasifika screen talents. The first six teleplays debuted on TV One in 1996 as part of magazine show Tagata Pasifika. Two more screened in their own slots in 1999. Instigated by Stephen Stehlin and Pomau Papali'i, Tala Pasifika was the first drama series to showcase Samoan culture. Don Selwyn and Ruth Kaupua were brought on to produce. Among those supporting the workshops or the resulting series were NZ On Air, the NZ Film Commission, Creative NZ and Justine Simei-Barton's Pacific Theatre.