David Parker was a key player (and lead vocalist) in late 80s band band Rhythm Cage, whose recording output was limited to three singles. After the band's demise, two singles released under the name The Parker Project showcased Parker's smooth vocals. The first — a cover of 70s soul single 'Tears on My Pillow', by American Johnny Nash — topped the Kiwi singles charts in June 1991. Second single 'Looking for the Real Thing' followed later that year. Since 2008, Parker has been a member of genre-bending ukelele trio The Nukes, who have released three albums to date.
In 1991 Push Push’s 'Trippin' reign at the top of the charts was ended by a synth-reggae cover of Johnny Nash soul song ‘Tears on my Pillow’. The number one debut from The Parker Project was followed by this single, also released on Trevor Reekie's Pagan label. It made it to number 24 in the charts. The video, directed by Peter Cathro (I Love My Leather Jacket), was from the first year of NZ On Air funded music videos. It cuts between black and white shots of the singer making his way to an Auckland school hall, and colour images of him singing with the backing of a Samoan choir.
This collection shows the screen icons from the decade of Springboks, sax and the sharemarket crash. The world champ All Blacks' jersey was loose, socks were red and shoulders were padded. On screens big and small Kiwis were reflected ... mullets n'all: from Bruno and the yellow mini, to Billy T's yellow towel, Karyn Hay's vowels, Poi-E, Gloss, Dog and more dogs showing off.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
This specially designed light and sound installation was projected onto the facade of the Carillion in Wellington's Pukeahu Park in 2016 to commemorate the 100th anniversary of WWI. Archival material, like photographs and excerpts from letters, mix with original artwork inspired by natural imagery, and Māori and Pacific motifs, to tell Kiwi stories from the frontline. Among them are the HMS New Zealand's involvement in the Battle of Jutland, and important work by Kiwi tunnellers. This version is slightly expanded from the original 2015 film.
With dapper architect David Mitchell as tour guide, The Elegant Shed was an influential six-part series looking for the local in NZ architecture. Here Mitchell looks at ‘The Extroverts’: a group of architects who transformed Wellington in the 70s and 80s. Ian Athfield and Roger Walker are interviewed about their projects (Ath’s sprawling hillside house, Walker’s Park Mews flats). He also examines the influence of Austrian emigre Ernst Plischke (Massey House), glass verandas (Oaks Arcade), and exalts in John Scott’s iconic bi-cultural building, Futuna Chapel.
In New Zealand for his 1983 Serious Moonlight tour, David Bowie stops for a cigarette with Radio with Pictures, to talk about past, present and future projects. Bowie mentions recording hit album Let’s Dance in three weeks, and briefly touches on mysterious music and screen projects, and the "very funny" Ziggy Stardust concert film. Also mentioned: his opinions on Jagger versus McCartney, his desire to work again with Iggy Pop, and how he feels about making the cover of Time magazine. The interview is bookended with brief footage of Bowie's opening number at Athletic Park.
A lawyer by trade, Alice Snedden discovered that her passion was performing comedy while living in the United States.