This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
Arts magazine series For Arts Sake screened on TV One for two hours on Sunday mornings for 22 weeks in 1996. This segment features the acclaimed Hone Kouka play Waiora - The Homeland, about a Māori family struggling to deal with their move from traditional rural ways to city life in 1960s New Zealand. The item includes excerpts from the play, and interviews with playwright Kouka, director Murray Lynch, and cast members Rawiri Paratene, Nancy Brunning and Mick Rose. The play and this story feature both English and te reo Māori.
In the theatre world of the 70s and 80s, playwright Mervyn Thompson was an outspoken figure. He wrote, directed, and acted in theatre that presented New Zealand working class history and experience. This doco features a rare interview with Thompson before he died in 1992, as well as footage from his last work Passing Through (1991). Thompson discusses his upbringing on the West Coast of the South Island, his approach to theatre, and alludes to some of the controversies that beset his career.
Who Laughs Last profiles Roger Hall, New Zealand’s most successful playwright. Three decades after the opening of Hall's Middle Age Spread became a hit, the original cast return for 2006 follow up Spreading Out. The Shirley Horrocks doco explores the secrets behind Hall’s successful brand of comedy (25+ stage plays, plus TV series and musical comedies) and closely explores the popularity of Middle Age Spread and Spreading Out. Among those interviewed are John Clarke, Ginette McDonald, the late Grant Tilly, and Hall himself.
This documentary on legendary Kiwi playwright Bruce Mason premiered soon after his death. The result is a portrait of a man who become an artist despite, as much as because of, his fellow Kiwis. There are shots of Mason performing solo classic The End of the Golden Weather on his beloved Takapuna Beach, and insights from a cast of Kiwi theatrical heavyweights. In an extended interview with The Listener's Helen Paske, Mason ranges from his works looking at Māori-Pākehā relations, to over the top reaction to controversial tele-play The Evening Paper.
This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other."
Classic Kiwi play Joyful and Triumphant followed the Bishop family over four decades, from 1949 to 1989. Written by Robert Lord, it charted changes in New Zealand society by focusing on the minutae of Christmas Day family dynamics. The play was first performed to sellout audiences in 1992, a month after Lord died. It won multiple Chapman Tripp Theatre Awards. Directed by Peter Sharp (The Fire-Raiser), this TV adaptation features Robyn Malcolm and Goodbye Pork Pie's Tony Barry — plus Catherine Downes and Bruce Phillips, who both appeared in the original production.
A dry spell on the acting front saw Albert Belz turn his hand to writing for theatre and television.