After the classic line-up of Sydney-based hitmakers Dragon reformed in 1982, the band found a new lease of life when anthemic single 'Rain' got to number two on the Australian charts (at a time of severe drought). 'Rain' was a departure — written by Todd Hunter and his wife Joanna Piggott, instead of Dragon's songwriter supreme Paul Hewson. The video offers more evidence of a new look, thanks to drummer Terry Chambers (fresh from XTC) and US keyboardist and producer Alan Mansfield. The video is one of three made for 'Rain' — the band rejected a post-apocalyptic version.
Rain evokes an idyllic 1970s beach holiday. But as the title hints, all is not sunny at the bach. Mum (Sarah Peirse) is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. Adapted from Kirsty Gunn's novel, Rain marked the acclaimed first feature for director Christine Jeffs. Invited to screen at the Cannes Film Festival, it won awards back home for actors Peirse, Alistair Browning and teenager Alicia Fulford-Wierzbicki. Neil Finn and Edmund Cake composed the soundtrack. LA Times critic Kevin Thomas called it "an important feature debut".
This much praised documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective documentary, part historical reenactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. This excerpt goes “way out there in the bush” to the Maungapohatu community where Rua “made the city of God on Earth”.
With 'Turn from the Rain', The Veils added their name to the prestigious list of bands who have recorded at London's famed Abbey Road Studios — a list which includes The Beatles, Pink Floyd and Radiohead. According to frontman Finn Andrews “The room there is so musty and still … you want any sound you make to be worth disturbing the grand silence for.” The idea of making a video at Abbey Road arrived at 2am in a Hackney flat; the performances were shot on 16mm film, an appropriately retro touch considering the venue. The recordings were later released on The Abbey Road EP.
‘Rain and Tears’ was inspired by a reworking of Pachelbel’s ‘Canon in D Major’ by Greek prog rockers Aphrodite’s Child (featuring Vangelis and Demis Roussos). Auckland band The Hi-Revving Tongues had their biggest hit with their version, which topped the New Zealand singles chart in 1969. This footage is from the Loxene Golden Disc contest, where they won the group award, and were nominated for best song. It’s a restrained performance which gives little hint of the band’s more psychedelic sound — or their enthusiasm for onstage pyrotechnics.
The Verlaines sing and play while sitting on a picnic rug under a tree, with assorted friends and family (and a dog) as fellow picnickers. Meanwhile mystic mask-wearing woodland creatures lurk behind the idyll. Cheap but certainly not without charms (there's even a feathery one hanging off the guitar). Check out a young Shayne Carter lounging under the tree fuschia.
Sitting in the Rain is a New Zealand pop landmark. One of the earliest music promo clips, filmed for television in 1967 by the NZBC, it is a cover version by a local band that became better known than the original (by UK blues stalwart John Mayall). The Underdogs were a powerful electric blues combo, but with 'Sitting in the Rain' they knew that less is more; the film clip, used to fill TV scheduling gaps, is similarly unfussy. Like a surly, underground Monkees, the anarchic Underdogs don't hide the fact that the performance is mimed.
The set has a back-drop curtain made out of milk bottle top foil; the band are wearing plastic rubbish sacks fashioned into tunics, and have painted faces. The props include a disco mirror ball, a toilet seat sculpture, a giant bug, and umbrellas. It's all slightly off-beam, but the band's performance is deadpan sweet. There’s the requisite Flying Nun film scratching, and some literal-but-amusing image and lyric matching. It all combines to make a DIY delight, an effortless two decades before Flight of the Conchords or Mighty Boosh.
It seems a fascination with going fast is built into human DNA. Covering distance in the shortest amount of time has long captured our imagination. From muscle-powered freaks of nature (thoroughbred horses, falcons, Peter Snell) to motorhead mayhem, from Formula 1 legends to front-running design innovation, this collection celebrates the particularly Kiwi 'need for speed'.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.