This selection — in partnership with the NZ Film Commission — showcases choice, award-winning examples of Kiwi short filmmaking. From the Silver Lion-winning O Tamaiti to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.
Ricky is shy and has an overbearing father. He and Telly, an extrovert misfit, slip out into the night and commandeer Ricky's father's fishing boat. They cast off and head out into the freedom of the fog. Peter Salmon's Fog highlights oppression, boredom and sex: the cultural trinity of the New Zealand small town. Shot in Ngawi, an isolated fishing village on the Wairarapa coastline, the crush of this world is palpable. Fog was selected for Critics' Week at Cannes; it also scored Chelsie Preston Crayford a gong for Best Actor in a Short Film at the NZ Film Awards.
This short film takes its title from Russell Corgi's famous 1942 Buffalo Courier Express photograph of the exterior of the Genesee Hotel. Directed by Jonathan Ogilvie, the film is a series of close-ups of the photo coolly unfurling to reveal the full image. The snippets are overdubbed with a beguiling film noir-styled narration that imagines the context behind the extraordinary shot. Divorcee screened at many film festivals including in competition at Cannes in 1995. Corgi's photo was also referenced in the 'Passengers' issue of Neil Gaiman's Sandman comics.
Written by Helena Brooks and comedian Jaquie Brown, Nothing Special could be seen as a cautionary tale: it's good to love your son, but not so good to think he's Jesus reincarnate. How can Billy escape the crazed adoration of his doting Mum? By striving to be the most boring man he can be. Featuring an aptly quirky soundtrack (Blerta's 'Dance All Around The World') and a very funny performance by Alison Routledge as the quintessential overzealous Mum, Nothing Special was chosen for competition in the short film section at Cannes (2005).
A girl is murdered and her body dumped in the forest. Nature's Way is a short film that explores the mind of a murderer who thinks he's gotten away with it. In Jane Shearer's haunting Cannes-nominated film the dense native bush acts as witness passing down its judgement on the killer. In the absence of dialogue, Matthew Sunderland's paranoid protagonist, sublime cinematography by award-winning DoP Andrew Commis (Blue Tongue, Beautiful Kate) and an eerie, spare soundtrack by Rachel Shearer evoke the themes of utu at the suburban fringe.
In Michael Bennett's allegorical Cow, two old men (played by New Zealand screen legends Ian Mune and Martyn Sanderson) with Confucian beards are adrift in the ocean, a placid Friesian cow in tow. A surreal study on how quickly a minor event can evolve into something far more extreme, the film features no dialogue; rather, a guitar duet that escalates to a duel. It won Best Short Film Script at the NZ Film Awards and made land internationally: Cow was selected for festivals including Cannes (Critics' Week) and Valladolid.
Set in a small New Zealand town, Closer is the story of a deaf teenage boy trying to come to terms with the death of his older sister. An emotionally locked-down father who has limited knowledge of sign language compounds his struggle. Written and directed by David Rittey (We The Living), and co-written by poet Therese Lloyd, Closer is a moving portrayal of the power and complexity of silence. Closer won Best Short Film and Best Performance at the 2005 NZ Screen Awards and was selected in competition at Cannes in 2004.
Actor Wi Kuki Kaa (1938 - 2006) plays Tiare, a Vietnam War veteran who is dislocated by his experiences of war, and homelessness. He wanders the city streets, collecting ephemera in plastic bags. Nancy Brunning plays his daughter, who, with her own daughter, visits their reluctant koro (old man) to convince him to visit his ancestral home. The result is a moving story about a man jolted to find his turangawaewae (place to stand), and the whanau that helps him get there. Directed by Peter Burger, the film was selected for Critics' Week at the 2003 Cannes Film Festival.
In Boy, a college-aged rent boy exposes the truth about the death of a girl in a hit and run accident. Using typography that hovers on screen in place of dialogue, flares of bold colour, dioramic frames, and brutal portraiture reminiscent of Dianne Arbus, director Welby Ings creates a powerful, exquisite perspective on the silent claustrophobia and sexual violence of small town New Zealand. The film gained acclaim both at home and internationally. Accolades included Best Short Film at Cinequest in the United States.
Set in gritty backstreets somewhere in downtown Auckland, this short film follows the vicissitudes of Evan, a teenager whose life changes when he skips school and meets a beautiful and troubled stranger. Directed by Michael Duignan (A New Way Home) and produced by Rachel Gardner (Apron Strings, A Show of Hands), Truant is a convincing portrayal of that potent mixture of curiosity and desperation peculiar to adolescence. Truant screened at a number of festivals including the BFI London Film Festival and the Festival du Court Métrage à Clermont Ferrand in France.