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Synopsis

Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to Ngati. This story of stolen Māori carvings in a Berlin museum sees Barclay plunging into issues of control of indigenous culture he would return to in book Mana Tuturu. Feisty activist (Peter Kaa) and elder lawyer (screen taonga Wi Kuki Kaa) favour different approaches to getting the carvings back home. Barclay and his longtime producer John O’Shea had their own differences over Te Rua’s final cut.

Credits (36)

 Barry Barclay
 John O'Shea
 Dalvanius Prime

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Comments (1)

 Marino Tiuka

Marino Tiuka

I watched this Movie at college. I really enjoyed it. Helped guide me into my future career path. Studied Anthropology and wanted to work in Museums as a result. Funny how films can shape choices. lol. How can I get the whole film??

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Quotes

Te Rua was never made for Pākēha. Open to them, intelligible to them, but from within me, it's for Māori. 
Te Rua is first and foremost an angry film, and one that is as concerned with ideas of responsibility as it is with issues of justice. 
This picture actually marks quite a stylistic breakthrough for New Zealand film in that Barclay has managed to appropriate the technical apparatus of cinema into the Maori oral storytelling tradition ... it is an important film, another vital step in the evolution of a unique indigenous cinema.