Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
This episode of the stand-up comedy show ends with an early screen appearance by Flight of the Conchords. The duo perform two songs that will later appear on the first HBO series, and debut album. The funky 'Ladies of the World' goes beyond Julio Iglesias, while the epic 'Bowie' (three and a half minutes into clip three) pays homage to the man whose complex changes of tempo and vocal range proved too difficult for them to play. Mike King hosts, John Glass reflects on bachelorhood and kissing etiquette, and Chris Brain references bikers, the Wiggles, Bill Gates and Star Wars.
The Savages are a working class West Auckland family who like drinking, and living by their own rules. Savage Honeymoon is a celebration of their passion and leather pants - and a snapshot of a couple worried their children may not be as lucky as them. Mark Beesley’s debut feature won good reviews (The Herald praised its “self-confident swagger”) – and headlines, after being downgraded from an R18 to R15. The film pre-dated the Westie family of Outrageous Fortune - though Beesley then hated the Westies label, disliking the word’s negative connotations.
In this May 2006 interview Paul Holmes interviews actor Russell Crowe for his new Prime TV show. After 20 minutes Russell is joined by his cousin, cricket legend Martin Crowe. Free from PR pressures to promote a particular film, Russell is relaxed and reflective. He talks organic farming, Elvis Costello and fatherhood, All Blacks and Richard Harris, and growing up as “Martin Crowe’s cousin”. Holmes brings up Martin’s famous innings of 299, and the trio discuss baseball, phone biffing, Romper Stomper, Russell's Rabbitohs league club and Martin’s Gladiator role.
Goodbye Pork Pie was a low-budget sensation, definitively proving Kiwis could make blockbusters too. Young Gerry (Kelly Johnson) steals a yellow Mini from a Kaitaia rental company. Heading south, he meets John (Tony Barry), who wants his wife back, and hitchhiker Shirl (Claire Oberman). Soon they're heading to Invercargill, with the police in pursuit. High on hair-raising driving and a childlike sense of joy, the Blondini gang are soon hailed as folk heroes, on screen and off. Remake Pork Pie (2017) was directed by Matt Murphy — son of Geoff, who drove the original film.
A family reunion is the perfect vehicle to introduce the characters of this early TV3 soap. Set in a rural hamlet just south of the Bombay Hills, it revolves around the Johnstone family who have farmed the area for 100 years; but times are changing and, following the market crash, so are their fortunes. Beneath the surface of reunion civilities lurks a marriage in tatters, a prodigal son returned, a family inheritance spat and a mystery teenager (Simone Kessell) confusing the bloodlines. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
A mainstay on cinema and TV screens for over 20 years, this commercial — reputedly NZ’s longest-running — made Kiwis feel as if the UK-born hokey pokey treasure was ‘ours’. Directed by Tony Williams, the madcap romp features a bevy of 70s acting talent caught up in chaos, after outlaws start a free for all fight for a chest of Crunchie bars. A connection with Martin Scorsese’s editor allowed access to footage from old Westerns, while the immortal tune is by Murray Grindlay. Williams overspent his meagre budget, and a lawn mower given to him as a thank you ended up his fee.
This 2011 anti-drink driving ad campaign became a Kiwi pop cultural phenomenon, spawning countless parodies, memes, t-shirts and over a million YouTube views; phrases from the ad entered the vernacular (“you know I can’t grab your ghost chips”). Eschewing the usual shock and horror tactics, the Clemenger BBDO campaign for the NZ Transport Agency was targeted at young male Māori drivers, and used humour to get the message across that it was choice to stop a mate from driving drunk. Directed by Steve Ayson, it won a prestigious D&AD Yellow Pencil award in 2012.
This five-minute excerpt from Asia Downunder’s final, 2011 season joins promising golfer Lydia Ko at the driving range. Here the South Korean-born Ko is a 14 year-old student at Pinehurst School. Her coach Guy Wilson, who trained her since she was six, discusses seeking sponsorship, and Ko talks about the challenges of keeping up study while training 40 hours a week. The dilemma was soon to become moot: the world’s top-ranked amateur turned pro on 23 October 2013. Roughly two years later, she became the youngest woman to win a major on the LPGA tour.
Of the four performers on this episode of Pulp Comedy, Sam Wills arguably makes the most lasting impression. His fast-talking magic show is a far cry from his later mute act, The Boy With Tape On His Face (aka Tape Face), which in 2016 became a viral sensation via TV's America’s Got Talent. Although his Pulp Comedy performance is significantly more vocal than the one that would make his reputation, his quirky use of props remains familiar. Elsewhere on the show Mike Loder has a dangerous encounter with a wētā, and host Paul Ego gets in trouble trying to order a coffee.
Belief examines the 2007 death of young Wainuiomata mother Janet Moses during an attempted exorcism. It uses a blend of interviews and reenactments to explore a tragedy which director David Stubbs believes was caused by "fear and love mixing and turning into hysteria". In 2009 five members of Janet’s family were charged in relation to her death. Belief debuted in the 2015 NZ International Film Festival before screening on TV One. Herald critic Peter Calder called it "compelling and heartbreaking". David Stubbs was judged Best Documentary Director at the 2017 Moa Awards.
Not exactly a music video, more a prototype. This promo film clip for the Kiwi classic was taken from the band's appearance on the Aussie TV show Bandstand in 1964. It's black and white and very basic, but the band has zoot suits; high slung guitars, as was the way of the time; and all the right moves. A very young-looking Ray Columbus has the beginnings of a Beatles hair-do, and is forever captured in time doing the legendary 'mod's nod'. This was the first time a film clip of a band performing was used for promo purposes in NZ.
The artists profiled in this edition of the TVNZ Māori show share a heritage and the vicissitudes of life as professional musicians, but their fields and approaches to making music differ markedly. Entertainer Bunny Walters is rebuilding a career that became derailed after initial success with his hit 'Brandy'. Opera singer Richard Haeata is looking to make his way in a largely Pākehā world which he finds alienating in its individuality. And singer-songwriter Mahinārangi Tocker celebrates her gender and Māori identity but has little use for the music industry.