This badass collection features a select list of titles that were withheld from our TV screens when first made, or caused trouble in other ways. Moral offenders include heavy metal band Timberjack’s town belt satanists, Hell’s Angels bikers, and a ‘no nukes’ Spike Milligan. Also in the list is The Neville Purvis Family Show, which did manage to screen, but got in hot water after an infamous use of the ‘F' word (not included here). Other offenders include meat-is-murder music video AFFCO, and Headlights’ drunk babes at the milk bar.
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.
This notorious clip was filmed for Timberjack's appearance at the 1971 Loxene Golden Disc Awards, to accompany their symphonic cover of the song by British band Black Widow. The Wicker Man-esque images of skulls and ritualistic sacrifice would do any of today's "black metal" groups proud — but proved too much for TV1 audiences, who jammed the switchboard with complaints. An alternate version screened a week later with the black and white negative inverted, but proved equally unsavoury and led to an outright ban. Warning: contains nudity and pine needles.
Publicly screened only a handful of times, AFFCO hasn't met with universal approval. Yet for many, this Stuart Page bombshell is the pièce de résistance of NZ music video art. "It's been written that it was 'animal rights' inspired, which is incorrect. The song was written purely about some guys who 'pack meat' and the video was made in that light. I guess we got carried away wrapping David d'Ath in glad wrap, baby oil and food colouring in an upstairs room at my Freeman's Bay flat." Stuart Page CAUTION: This video contains images which may offend some viewers.
In these never-aired commercials, comic genius Spike Milligan urges New Zealanders to sign the Campaign Half Million petition against the introduction of nuclear power. Instead he advocates wind power while standing in breezy Wellington. The ads were never shown, though they did end up in a TV news story on the decision to ban them, thus gaining prime time exposure. The petition, organised for the Campaign for a Non-Nuclear Future, eventually gained 333,087 signatures, representing 10% of New Zealand's population at the time.
Banned by TVNZ, Headlights won Best Video and Best Use of Exploitative Tactics at Handle the Jandal 2008. "The original idea was much worse and read like a bad Charles Bukowski story. We decided we'd end up in jail if we attempted to film this terrible, terrible idea. We had to bribe 30 kids with lollies. When sugar madness kicked in they became undirectable. We then bribed them with toys which they used to hit us and each other." Jarrod Holt of thedownlowconcept - March 09
This showcase for Arthur Baysting's sleazy, comedic alter-ego Neville ("on the level") Purvis ("at your service") is notorious for containing the first use of the f-word on NZ television. As a result, Baysting was banned and crossed the Tasman to find work (an irony given the show's anti-Australian jokes). The controversial utterance no longer exists — surviving segments include a launch by PM Rob Muldoon, a tour of Avalon, a performance by Limbs Dance Company (including Mary-Jane O'Reilly), a visit to the Close to Home set, a garden gnome fan, and some Mark II Zephyr worship.
Expressions of Sexuality examined the impact of the sexual revolution on New Zealand society in the late 1980s. In this episode, the trade-offs between married and single life (and the areas in between) are recounted through candid interviews with seven 'unattached' men and women, including a solo mother of five children and a celibate Catholic priest. Filmed in 1984, it took director Allison Webber two years to convince TVNZ that local audiences were 'ready' for what were still seen as taboo subjects.