Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
On this mid-80s youth music show, a fresh faced Russell Crowe is the star turn in his early persona as Russ le Roq (the name change to avoid comparisons with his famous cricketing cousins Martin and Jeff). With a hint of an Elvis sneer, Crowe performs 'What's The Difference' with his band Roman Antix, and is interviewed by presenter Phillipa Dann. Lounge jazz act Wentworth Brewster & Co and Hamilton funk rockers Echoes also feature; and Pat and Margaret Urlich from Peking Man talk about their latest single 'Room That Echoes' and its distinctive video.
A decade before joining Gotye at the top spot of the American singles chart, future pop star Kimbra Lee Johnson was an effervescent 11-year-old, investigating the mechanics of making a hit recording. This is one of a series of segments she presented for TVNZ kids show What Now?. After meeting up with producers Rikki Morris and Stephen Small, she's ready to record her song 'Smile'. The venue is Morris' Devonport studio; the duo have an arrangement all set to go, so Kimbra can lay down her vocal.
This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s to the 90s. The Wellington show was organised by model agent Maysie Bestall-Cohen from 1982, and from 1984 TVNZ broadcast the 'B&H' live from the Michael Fowler Centre. Bestall-Cohen and Bob Parker host this 1986 GOFTA award-winner. Former Miss Universe Lorraine Downes is a guest presenter, and the line-up of models includes a teenage Rachel Hunter and future TV presenter Hilary Timmins. Padded shoulders, geometric prints and garish colours date stamp the era.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
This episode of the stand-up comedy show ends with an early screen appearance by Flight of the Conchords. The duo perform two songs that will later appear on the first HBO series, and debut album. The funky 'Ladies of the World' goes beyond Julio Iglesias, while the epic 'Bowie' (three and a half minutes into clip three) pays homage to the man whose complex changes of tempo and vocal range proved too difficult for them to play. Mike King hosts, John Glass reflects on bachelorhood and kissing etiquette, and Chris Brain references bikers, the Wiggles, Bill Gates and Star Wars.
No Opportunity Wasted is a reality show where Phil Keoghan (Amazing Race), ambushes contestants and bids them overcome a challenge with limited time (three days) and resources. This episode ditches the self-help aspect and ups the machismo by having a freezing worker, southern shepherd, champion rower, trans-Atlantic race winner, Kiwi league legend, and ex-Mr New Zealand compete in old school elimination challenges for NZ's 'toughest man' title. Future Olympic champ Eric Murray is the young buck wrestling for the hardman mantle with wily Mark 'Horse' Bourneville.
This late 80s game show features couples attempting to build time credits by answering a series of questions. The prices include household appliances and a holiday to “exotic Tahiti”. Hosted by Paul Henry — in his TV debut — Every Second's’ gentle pace is decades removed from the accelerating insistency of Who Wants to be a Millionaire or Weakest Link. Henry fronts with more groaning Granddad jokes than the PC-baiting cheek he’d later become famous for, but early warning signs are there, disguised in a formidable 80s suit and white loafers.
A family reunion is the perfect vehicle to introduce the characters of this early TV3 soap. Set in a rural hamlet just south of the Bombay Hills, it revolves around the Johnstone family who have farmed the area for 100 years; but times are changing and, following the market crash, so are their fortunes. Beneath the surface of reunion civilities lurks a marriage in tatters, a prodigal son returned, a family inheritance spat and a mystery teenager (Simone Kessell) confusing the bloodlines. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
It's Wellington in the 70s and Bob (Jeremy Stephens) is in the midst of a midlife crisis. Square-peg Graham (Bill Johnson, of future 'Mr Wilberforce' fame) tries to convince Bob to quit his bohemian lifestyle (and his lover/muse Carol) and go back to his wife Jean. But is Graham really acting in his friend's best interest? Featuring a young Sam Neill as the epitome of handsome, unfettered youth (flared jeans, bushy beard) this early, well-received tele-drama was one of several produced by NZBC that tackled 'difficult' contemporary issues.
'Trippin'' was the debut single and biggest hit for early 90s North Shore rockers Push Push, who were powered by the lung-filled squall of future media personality Mikey Havoc. It spent six weeks on top of the Kiwi singles chart, propelled in part by this highly effective, and award-winning performance video from Chris and Tim Mauger. The clip provides ample testimony to the power of guitars, hair, t-shirts, that voice, and a healthy dose of strobe lighting. It's worth noting that, even at this formative stage of his career, Mr Havoc isn't exactly shy of the camera.
A selection of sketches from this award-winning skit based comedy series featuring Willy de Wit, Ian Harcourt, Peter Murphy and Dean Butler (with occasional animation by Chris Knox). The Hoons display their all of their charm and tact at the beach — but cruising for action (in a car truly worthy of them) results in a heated confrontation with one of their rivals. The classic Norman the Mormon also features, alternative Dunedin bands of the 1980s are lampooned and Lucy Lawless makes her TV debut in an ad spoof that anticipates her future role in Spartacus.
For the third series of this TVNZ kidult drama, the location moved from the Hauraki Gulf to the Marlborough Sounds, where there's also plenty of water for floatplane and speedboat thrills (and an explosion). Brothers Peter, Nik and Hape — the "sea urchins" — attempt to foil a thuggish gang of tuatara and kākāriki smugglers, led by cravat-wearing evil mastermind, Carl. The urchins are aided on the ground and in the air by a young Rebecca Gibney (the Packed to the Rafter's star's first major TV role), while future broadcaster and Wiggle Robert Rakete plays Nik.
The role of women in a traditionally male dominated profession is writ large in the third episode (penned by Norelle Scott and directed by Ginette McDonald) from the first series of NZ TV's first urban police drama. A new addition to the team, Wally (Joanna Briant) faces a baptism of fire from her colleagues — and a rough ride on the streets of inner city Wellington as a drunken couple's antics escalate into major problems for the thin blue line. Robyn Malcolm features in her first screen role and Mark Wright provides some late 80s colour as an inebriated yuppie.
Since 1988 the Smokefreerockquest's nationwide talent competition has been a rite of passage for school-age musicians, offering substantial cash prizes and the promise of a short-cut to global (or at least local) fame. In this TV special Hugh Sundae meets the class of 2000, including Nesian Mystik, Evermore (then the youngest band ever to compete at the finals) and future members of Die! Die! Die! in Dunedin art-rockers Carriage H. True to the period, there's also plenty of squeaky nu-metal riffs and liberally-applied Dax Wax.
These excerpts from arts show The Living Room mark an early screen appearance for "jungle folk comedy duo" Flight of the Conchords. Starting in Wellington and building to performances at the 2002 Edinburgh Festival Fringe, the item sees longtime colleague Taika Waititi playing the duo's wisetalking manager, pre Rhys Darby. After meeting Jonah Lomu at the airport, dreams of fame face cramped digs and the intense competition of Edinburgh. The duo handle things with their droll resolve. The following year the Conchords were nominated for a Perrier Award, en route to stardom.
International chart-topper Kimbra Johnson did a lot of musical growing up in public. Twelve months after featuring on kids' TV show What Now?, and two years before her first Rockquest success, this NZ Music Commission piece offers a tantalising glimpse of her as a remarkably unselfconscious 12-year-old — working with schools' music mentor Chris Diprose at her Hamilton intermediate. She's already very comfortable with the recording process and considerably more advanced in her music making than some off-camera classmates, who provide an unseen Greek chorus.
3:45 LIVE! was an afternoon links programme for kids that screened on TV2. Before he became world-famous as host of Amazing Race, Phil Keoghan was a presenter on the show in tandem with Hine Elder. In excerpts here, the pair interview Martin Phillipps of The Chills; expat singer Mark Williams; and the cast of Badjelly and the Witch. International stars on the couch include Dave Stewart (of the Eurythmics), and rap singer Redhead Kingpin, who is off-the-wall. Phil and Hine also take off Judy Bailey and Richard Long before interviewing the newsreaders themselves.
"I get around. I know everything. Except your name." Kevin Smith made his television debut (in a speaking part) on this episode from the third series of Gloss, playing smirking DJ and man-about-town Damien Vermeer. Keen to rise above his working class origins, the character sets his sights on rich brat Chelsea Redfern within moments of meeting her. Smith left work at Christchurch's Court theatre for the role, when the decision was made to up the show's male quotient. Mikey Havoc also appears in this scene, as a member of his real-life band Push Push.
Director, writer and actor Taika Cohen (aka Waititi) features in this episode of the stand-up comedy TV series with an off the wall performance as Gunter the German "joke" teller — a buck-toothed, bewigged persona pitched somewhere between Andy Kaufman and Sacha Baron Cohen. Fiona MacKinnon is in more conventional territory recounting her graduation and 21st, and musing about moving suburbs in Wellington. While Andrew Clay has tattoos and one night stands on his mind, and a concern that the early years of the 21st century are lacking in poetry.
Long before the comedy of Flight of the Conchords, Heroes followed the triumphs and pitfalls of a band trying to make it in the mid-80s NZ music biz. It marked the first major role for Jay Laga’aia, and early lead gigs for Michael Hurst and Margaret Umbers. In this first episode the band gets together as Dave (Hurst) ditches his covers band, flunks a TV audition, and hooks up opportunist flatmate Ron (Laga’aia), synth player Peter (John Gibson, who co-wrote the series music) and bass player Maxine (Umbers). Synth and leopard skin abound.
Marching girls and boys, Camp Mother and Camp Leader and synchronised lawnmowers dance down Auckland’s Ponsonby Road in a celebration of gay pride. The theme of this edition of the (nearly) annual 90s street parade was Age of Aquarius, fitting given the heavy rain. The parade went ahead thanks to sponsorship from Metro magazine, after controversy when the City Promotions Committee declined the request for funding. The parade attracted 70 floats, and up to 200,000 spectators. Among those watching are Julian Clary and Shona Laing, who is one of the judges.
In this episode from the stand-up comedy TV series Rhys Darby (prior to his association with Flight of the Conchords) steals the show: a very limber tyrannosaurus rex impression animates a surreal tale about taking his grandfather to the movies that results in dinosaurs running amok in Auckland's Queen Street. Elsewhere, Mike Loder's conclusion that no disgrace could lead to Tiger Woods losing his sponsorship deals, and Justine Smith's opinion that her hometown of Christchurch is rather lacking in excitement may not have quite stood the test of time.
In these excerpts from TV2's late night news show, Simon Dallow watches new American boy band All-4-One perform in an Auckland record store and interviews them about the trappings of fame. Meanwhile, Marcus Lush channels Country Calendar as he investigates a novel new agri-business venture: an emu and ostrich farm near Katikati (although it's unlikely his colleagues on TVNZ's venerable rural show ever gave their watches to animals to play with). Lush's verdict? The world's biggest living birds ("because we killed the moa") are "more fun than sheep".
This kidult thriller features Martin Henderson (in his screen debut) and Hamish McFarlane (fresh from The Navigator) with a script by Margaret Mahy. Brothers and sisters Emma and Zane, and Kelsey and Morgan are friends, with their own clubhouse and secret society. Their lives change when Zane and Emma witness a jeweller’s shop robbery, and Morgan and Kelsey see two men escape their crashed car after a police chase. The friends find themselves plunged into a world of intrigue, questionable Special Branch agents and a mysterious fire eater and magician.
Ice TV was a popular 90s TV3 youth show hosted by Jon Bridges, Nathan Rarere and Petra Bagust. This 1998 'best of' sees a 20/20 satire (a world's biggest bonsai trees scam); Petra meets Meatloaf, Jon meets US brothers boy band Hanson, visits a 'storm-namer', and they both go on Outward Bound; Nathan road tests Elvis's diet (peanut butter and bacon in bread, deep fried); and the trio go to the zoo and gym to discover why humans are the "sexiest primates alive". Includes the show's trademark sign-off where L&P bottles were subjected to various stresses.
Writer Maurice Gee’s experiences growing up in West Auckland during World War II were the basis for this home front drama expertly realised by the producer/director team of Ginette McDonald and Peter Sharp. Twelve-year-old Rex Pascoe (Milan Borich — future singer in the band Pluto) is a war-obsessed schoolboy worried about his father’s black-market dealings. Meanwhile, American soldiers are making their presence felt but not all of their attitudes are welcome. The locals’ prejudices are about to be tested by the arrival of a GI to stay with Rex’s family.
It's the first semi-final in the first series of this stand-up comedy talent quest presented by Jeremy and Nigel Corbett (who assert their edgy, early 90s credentials with a running gag about Nirvana). Judges Ian Harcourt, Theresa Healey and Strawpeople's Mark Tierney preside over a line-up comprising a very composed Michele A'Court, mildcore rappers Hip Hips, The Back Garden, Jo Randerson (in angry-ish feminist mode), a particularly hirsute Jon Bridges and eventual winner Late Night Mike (with Harcourt generating as many laughs as the contestants).
After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
This documentary follows a 2001 Neil Finn tour of his bottom-of-the-world homeland. Finn challenged his perfectionist instincts by playing with a changing local line-up at each gig: mostly unknown fans offered a chance to “glisten like a pearl”. The performers ranged from veterans to teen guitarist-singer Jon Hume (four years away from the Australian Top 20 with band Evermore). In Dunedin the performance survives drinking rituals and uninvited stage guests; in another moment, a shy 14-year-old piano prodigy segues from Mozart into Split Enz classic 'I Got You'.
This episode of Koha episode looks at the milestone Te Māori exhibition of Māori art. The exhibition toured the United States in 1984, opened up a world of Māori taonga to international audiences, and returned home to applause and swelling Māori pride. The episode features the powhiri at the New York Metropolitan Museum of Art, with future Māori Party co-leader Pita Sharples leading a kapa haka performance. Koha - a weekly, 30 minute programme broadcast in English - was the first regular Māori programme shown in primetime, and provided a window into te ao Māori.
TVNZ journalist (and future Communicado founder) Neil Roberts does an ethnomusicologist turn in this edition of "established media tries to explain what the young people are doing". His subject is NZ's fledgling punk scene which is already on its way to extinction. Much of the focus is on Auckland but Doomed lead singer (and future TV presenter/producer) Johnny Abort (aka Dick Driver) flies the flag for the south. The Stimulators, Suburban Reptiles and Scavengers play live and punk fans pogo and talk about violence directed at them (from "beeries").
A 24-year-old Helen Clark (complete with long flowing locks) features in this NZBC current affairs footage from the annual conference of Young Labour — the Labour Party’s youth division. Twenty five years before she will become NZ’s first elected female Prime Minister, Clark is a junior politics lecturer making her way in the party machine as she chairs a session about abortion law reform. The room might be smoke filled but the atmosphere is more earnest than Machiavellian; and, while commitment to the cause is strong, expectations are more finite.
Before you could call her Queen Bee and ‘Royals’ became a Grammy-winning smash hit, Ella Yelich-O’Connor was a singer in Extreme and competing in the covers category of the 2009 Intermediate Schools Battle of the Bands finals. The 12-year-old Belmont Intermediate student and her band belt out covers of ‘Man on the Silver Mountain’, by British rockers Rainbow, and ‘Edie (Ciao Baby)’, The Cult’s tribute to Andy Warhol heroine Edie Sedgwick. “The gods lay at your fee-e-eet …” Ella. Post-performance Ella bemoans a “sore voice”, but Extreme take third place.
By the time of Gloss’s second season the sharemarket had crashed, but the parade of yuppies, shoulder-pads and champagne went on. This 19 July 1988 episode sees the Redfern family deal with a tragedy; it also features an acting cameo from future weatherman Jim Hickey. In these excerpts Hickey isn’t playing meteorological soothsayer to the nation, but a policeman responding to the mysterious death of Brad Redfern (Michael Keir-Morrissey). He soothes the Redferns, after tossing a coin with a fellow officer for a ride to Remuera in the deceased’s Jaguar.
Predating hit show Survivor, this early TV3 reality TV documentary saw Kiwi teens fending for themselves over eight days on Rakitu Island. Among the three females and three males facing off Lord of the Flies-style were future National MP Nikki Kaye, who later argued she was meant to represent the "private school girl who couldn't survive without a hairdryer". Instead Kaye took the leader’s role and clubbed an eel, while many of her companions showed little inclination to help with the fishing. Kaye later opposed her party’s proposal to mine on nearby Great Barrier Island.
Seventeen-year-old Timothy (Dean O'Gorman from Pork Pie) is facing suspension after a misguided prank. His parents hope the French-Canadian exchange student they’re hosting will settle Tim down, but when ‘Michel’ turns out to be ‘Michelle’ — and spunky — plans go awry. Coming of age and cross-cultural comedy ensues as Tim tries to court his Montreal mademoiselle. Shot around Avondale College, the award-winning NZ-Canadian film got a special mention from the Children’s Jury at the 1996 Berlin Film Festival. The cast includes Angela Bloomfield and Milan Borich.
Hosted by Phil Keoghan not long before he left for the US, Short Sportz was a TV3 sports show encouraging kids to get involved in sports. Keoghan (later to win fame as host of Amazing Race) often kitted up himself Paper Lion-style: here he takes base against Black Sox pitches and cycles with future ironman champion Cameron Brown. This 1991 ‘best of’ show is notable for a segment presented by a rising Wainuiomata league star who’s just been signed by Newcastle Knights: Tana Umaga. Umaga’s NRL career was short-lived, and he went on to become an All Black legend.
Luscious fruit, truckies, and Lucy Lawless feature in this Christine Parker short. Sal (Tania Simon) is gifted a peach and meets a saucy tow truck driver (Lawless) en route home to her toddler, and domestics with boyfriend Mog (Joel Tobeck). Mog’s truckie mates arrive for beers, including the nameless driver, whose presence (and peach-eating advice) stirs up desire. “Watch it rot, or taste it when it’s ripe.” A roster of leading NZ film talent worked with Parker on the film, and Lawless' turn hints at the cross-sexual appeal of her breakthrough role on Xena - Warrior Princess.
Love Soup was a high school duo formed by singer-songwriter Bic Runga and guitarist Kelly Horgan. After coming third in the Smokefree Rockquest, they were picked up by Trevor Reekie’s Pagan Records. This video is about all that is extant from Love Soup, as they were overtaken by Runga’s burgeoning solo career. Shortly to be signed by major label Sony, her debut hit single (and APRA Silver Scroll winner) ‘Drive’ was only months away. Aged just 19, Runga already looks and sounds remarkably assured as she sings about a lost friendship, to a mystical CGI cipher.
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
A teenage boy's unorthodox relationship with his father (Wi Kuki Kaa) is explored as he learns about hypocrisy in this E Tipu e Rea edition, written by Bruce Stewart and starring Faifua Amiga as Thunderbox Junior. After establishing a reputation as a highly successful director of commercials, this was Lee (Once Were Warriors) Tamahori's first attempt at the helm of a longer drama. "You tend to get a bit of experience making people laugh when you direct commercials,' he said. "One thing I'm sure of is that people like to laugh at themselves."
This five-minute excerpt from Asia Downunder’s final, 2011 season joins promising golfer Lydia Ko at the driving range. Here the South Korean-born Ko is a 14 year-old student at Pinehurst School. Her coach Guy Wilson, who trained her since she was six, discusses seeking sponsorship, and Ko talks about the challenges of keeping up study while training 40 hours a week. The dilemma was soon to become moot: the world’s top-ranked amateur turned pro on 23 October 2013. Roughly two years later, she became the youngest woman to win a major on the LPGA tour.
Radio Waves revolves around an Auckland commercial radio station. In this episode, drive-time DJ Win Savage (Grant Bridger) annoys an advertiser and doesn't seem to care. Andy Anderson is a hippy ‘jock’, Alan Dale plays urbane station manager Jack in his screen debut (before finding fame on Australia's Neighbours), and the many women on staff put up with their share of stick from all that male ego. Waves was short-lived — The Bee Gees and flares weren’t enough for viewers to shut the farm gate — but its urban strivers signaled a changing face for NZ on screen.
This sci-fi telefeature for kids follows the adventures of runaways Peter (Toby Laing) and Maggie (Toni Driscoll), who meet when Maggie’s attempt to get Picnic bars on a five finger discount go awry and "rich brat" Peter is on the lam on a 10-speed. After falling into a grave of golden light at a farm cemetery, they wake up in the house of the strange Piper family. Laing is now trumpeter for Fat Freddys Drop, and a young Kerry Fox appears briefly as a policewoman in the opening. Scripted by veteran Ken Catran, the telefeature was re-cut from a four-part series.
On their second single, future BBC radio star Zane Lowe and his 90s hip-hop crew proclaim themselves to be an expression of their "headphones and kerbstones", as they dedicate themselves to "knocking down the doors of the hip-hop frauds". Director Craig Jackson provides an appropriately urban setting in which the crew voice their declaration. As his footage alternates between monochrome and colour, deserted cityscapes (including the old Auckland Railway Station) combine with drifting, jazzy notes to make for a aptly impressionistic scoring of the streets.
After being spotted performing for tourists in Rotorua, 11-year-old Temuera Morrison was given his very first starring role in this British TV series, shot downunder by expat Kiwi director Michael Forlong. In this clip, Rangi (Morrison) and co have adventures with sharks, crayfish and a stranded sheep near their remote South Island farm. Meanwhile two robbers (Ian Mune and Michael Woolf) sneak into the house. The scene is set for crims and and children to chase each other all the way to Rotorua. The series was seen in New Zealand cinemas in a shortened movie version.
In 1993, advice show Dilemmas introduced a new host to replace Australian GP Kerryn Phelps. With Marcus Lush at the helm, this episode features panelists Ginette McDonald, Alice Worsley and George Balani. Among the troubles the group deal with are an anonymous phone call about an affair, and a self-professed "nice guy" who can’t hold a date. Lush gets briefly distracted by an abundance of pens on his desk, before the team touch on problem smoking in the office and George Balani, resplendent in novelty Bugs Bunny tie, suggests calling in the Mongrel Mob.
The basic format of Blind Date involves putting a series of questions to three potential dates who can't be seen. First in the driver's seat is Natalie, a “part-time actress and model who would love to meet somebody fast and exciting” — although not too fast. Her choices are a “Greenpeace supporter”, an accounts clerk, and a welder who likes to work out. Watch out for Suzanne Paul as one of the show's later suitors, who gets laughs for making clear the romantic impact of a well-built wallet. Two contestants also provide a post-mortem on their blind date.
Hosted by Jason Gunn, this popular late 90s teen talent quest became a pop culture marker for young Kiwis of the era. In this 1999 grand final at Te Papa’s marae, judges King Kapisi and Stacey Daniels assess the year's finalists. They include 11-year-old Hayley Westenra performing ‘The Mists of Islay’, which Westenra would later record after finding global fame as a classical crossover singer. The international guest is another young prodigy: violinist Vanessa Mae. Future Sticky TV/C4 presenter Drew Neemia was one of the members of house troupe The Super Troopers.
Future Shortland Streeter Craig Parker features in this tale centred on a group of young teens fascinated by radio-controlled car racing. Screening as a TV series, Hotshotz was also recut into this telefilm. The "swift and slick" tale (The Listener) sees the teens setting out to foil a criminal gang, as a kidnapping sets the scene for espionage and counterfeiting. In scenes that echo modern-day drone use, a remote controlled model helicopter equipped with a camera plays a key role in the story’s resolution. Veteran writer Ken Catran contributed to a title that sold in 25 territories.
This documentary follows the build-up by the Auckland Warriors to their first match in Australia’s National Rugby League competition (against the Brisbane Broncos). They are the first offshore club to compete in the NRL. The excitement and routines of a burgeoning pro sport franchise — from training to brand development — are captured alongside player profiles: Dean Bell is captain, coach is John Monie, and future Kiwi league legend Stacey Jones is an 18-year-old rising star. Presented by Temuera Morrison, the score is hard rock, and the jersey sponsor is DB Bitter.
Raoul Island is nearly 1000 kilometres northeast of New Zealand. For this Christmas Day 1988 report, TV One's Kurt Sanders paid a visit to the four-person NZ meteorological team serving there (plus Smelly the dog — “the unchallenged King of the Kermadecs”). Sanders follows future One News weather presenter Karen Olsen (then Karen Fisher) as she milks the cow, and heads through the nikau to take readings in the crater of Raoul’s active volcano. The uniquely-evolved island is now the Department of Conservation's most remote reserve.
Brit MP Austin Mitchell began his career as a lecturer and broadcaster in New Zealand the 60s (penning classic 1972 book The Half Gallon Quarter Acre Pavlova Paradise). In this final part of his 2002 return to Godzone he takes the pulse of Auckland in a pre-Supercity era with Banks as mayor and the America’s Cup in the cabinet. He also examines music and sport, ending the series with identity musings from Helen Clark, Sam Neill, and Michael King. Look out for a young Valerie Adams about 4'30" into clip four.