Glenis Giles has a wealth of experience as a producer and production manager. Her portfolio includes documentaries, film and television drama, children’s TV, commercials and music videos.
Through [the Fringe Film Festival] we were able to encourage a greater understanding of the filming process. This exchange of ideas created an experience [...] unsurpassed at any other short film festival in NZ. Glenis Giles
Wellington artist Gordon Crook was known for his bold, colourful prints and tapestries. In this documentary, director Clare O’Leary mixes Crook’s biography (from UK foster care to London Central School of Art lecturer, then decades in Wellington) and interviews with Crook, dealers, students and mates. In this excerpt Crook discusses his work, and collaborating with weaver Lesley Nicholls; and friend Edith Ryan recalls first seeing Crook’s massive Michael Fowler Centre banners. The documentary premiered at the 2010 NZ Film Festival. Crook died in August 2011, aged 89.
A Moment in Time is an armchair interview with historian Michael King OBE filmed in 1991. King discusses his early influences, motivation, and distinctive publications. King died in a car accident with his wife Maria Jungowska in 2004, and his reflections in A Moment in Time are testament to the tragedy of that loss: "We've got to be able to trace our own footsteps and listen to our own voices or we'll cease to be New Zealanders, or being New Zealanders will cease to have any meaning."
QTV is a children's series, designed to bring science alive and make it relevant and interesting to young viewers. Each episode of QTV covers a topic such as forensics, volcanoes, tsunamis, biodiversity, climate change, etc. Q is short for question - the show's tagline is "Question Everything".
The Listener described the children’s music of Fatcat & Fishface as being “like Tom Waits’ toy cupboard”; aptly this dirty ditty’s subject is not typical fairytale fodder. ‘Flyby’ buzzes into the kitchen to honour the humble house fly, where — all together now — “she was … looking for a place to lay her maggots.” The stop motion music video tribute to the fly is animated lovingly by Robin Nathan and Greg Schmetzer. The song is from the album Horrible Songs for Children, which won Best New Artist for Older Children at the 1999 Children's Music Web Awards (USA).
In the theatre world of the 70s and 80s, playwright Mervyn Thompson was an outspoken figure. He wrote, directed, and acted in theatre that presented New Zealand working class history and experience. This doco features a rare interview with Thompson before he died in 1992, as well as footage from his last work Passing Through (1991). Thompson discusses his upbringing on the West Coast of the South Island, his approach to theatre, and alludes to some of the controversies that beset his career.
Shoes is a refugee's story told with rhythm and shoes. A woman seeking shelter in a new country arrives at a railway station troubled by turbulent thoughts of her past. Walking past a shop window, she sees some familiar-looking, worn-out shoes which trigger more memories. Pairs of dancing shoes eloquently recreate her journey from dance hall to war zone. Directed by Sally Rodwell, founding member of alternative theatre troupe Red Mole, Shoes screened at international festivals including Montreal and Hof.
This short film is one of writer/director Fiona Samuel’s first directorial efforts, and is a stylish and quirky tale of a plain woman with a beautiful voice who is trapped in a difficult life caring for her cranky elderly father. The singer waiting to bloom is beautifully played by actual singer Janet Roddick (Six Volts) in a rare on-screen role, and Desmond Kelly puts in a strong performance as the cantankerous Dad. The film won the Golden Mikeldi at 1997's Bilbao International Festival of Documentary and Short Film.
Biscuits dance, food flies, dead chickens walk ... come closing time, the shelves of a dairy come to life. Four years in the making, this showcase of stop motion effects is based loosely on a classic poem by Goethe. The lively Indian-tinged soundtrack is inspired by the poem's most famous retelling: the Disney classic Fantasia, in the Sorcerer's Apprentice sequence where Mickey Mouse battles magical broomsticks. The music is handled by John Psathas, who later composed for the 2004 Olympic Games in Athens.
Bitch is a tale of "infidelity among friends" which explores trust and romance, and stars three people and a dog. Isabel (Inside Straight's Joanne Simpson) recalls a trio of relationships — one with a man in the middle of discovering he is gay, one with a man who doesn't like the smell of Isabel's pet dog, and the last with her friend Ruth (Carol Smith). Creator Fiona Samuel (TV's Marching Girls) intended the short, one of her earliest as a director, to combine two perspectives: the world as the main character perceives it, and how things might appear to the casual observer.
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.