Heather Bolton impressed critics with one of her earliest screen performances: as the heroine battling a haunted car in Gaylene Preston's 1985 debut feature Mr Wrong. Bolton won a GOFTA award for her pains, then scored more awards for smaller roles in romance Arriving Tuesday and goldmining classic Illustrious Energy. After starring as the legendary radio host in touring stage show Aunt Daisy! The Musical (1991), she relocated to Australia. Since then Bolton has taken on more screen roles — including co-starring in a 2007 movie adaptation of Hamlet — while creating and acting in plays for Melbourne's Ranters Theatre.
On screen for virtually every scene, Heather Bolton invests the part with a vitality and gutsiness that is the perfect alternative to the whimpering, wilting violet to whom Hitchcock and his disciples have subjected us for so long. Sure she's scared, but passive she ain't. Helen Martin, in a Listener review of Mr Wrong, 19 October 1985, page 40
Performance group The Front Lawn (Don McGlashan, Harry Sinclair, and later arrival Jennifer Ward-Lealand) stretched all of their prolific talents for their final, 24 minute short film. After he whistles a certain tune, Ben (McGlashan) finds that his partner Linda (Ward-Lealand) no longer seems to be conscious. Then things get stranger: Linda catches up with an old lover (Sinclair) and faces a life-changing dilemma, while her body — awol with a tennis player on Tamaki Drive — has other plans. The surreal romance was made for TVNZ. It won Best Short at the 1990 NZ Screen Awards.
Originally conceived as a TV series, Gaylene Preston's comedy was a local hit, uplifting recession-era audiences with a plucky misfits saga. Ruby (Yvonne Lawley), an 83 year old trying to dodge a retirement home, rents a room to Rata, a solo mum with sidelines in music and benefit fraud. Rata's son is into arson and shoplifting, while Ruby's nephew (What Now's Simon Barnett) is a hapless yuppie wannabe. Marginalised by the deregulated economy of the 80s and living on their wits, they may just find common cause despite themselves in this Graeme Tetley-penned tale.
On a holiday to Mt Tarawera, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. In this third episode of the kids sci-fi series she meets its owner: 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka Tarawera itself). They find themselves under siege from a Predator-like 'Guardian' of the gun. If Drom and Jenny and local kids Tessa and Lloyd (future What Now? presenter Anthony Samuels) can't defeat the mechanoid, catastrophe is imminent! The South Pacific Pictures series found international sales and cult repute.
Illustrious Energy sees Chan and his older mate Kim prospecting for gold in 1890s Otago. Marooned until they can pay off their debts and return to China; they’ve been fruitlessly working their claim for 12 and 27 years respectively. Chan faces racism, isolation, extreme weather, threatening surveyors, opium dens and a circus romance. The renowned feature-directing debut of cinematographer Leon Narbey provides a poetic evocation of the Chinese settler experience; especially vivid are Central’s natural details — desolate schist and tussock lands, rasping crickets.
This Inspiration edition profiles NZ’s pre-eminent children's author Margaret Mahy: from her childhood as "Mad Margaret", through her days as an unmarried mother and librarian to an internationally acclaimed writing career. The centrepiece is a specially commissioned – and typically zany – story about a story (complete with talking mail boxes, typewriters and bookshelves) where Mahy goes meta, and explores the role imagination plays in her work. Throughout the Keith Hunter-directed documentary there is vivid evidence of the remarkable bond Mahy shared with her readers.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
In director Gaylene Preston's genre-bending tale, Meg (Heather Bolton) buys a stylish old Jaguar so she can be more independent. While driving on a country road, she hears screams in the back – but there's no one there. In the excerpt above, she picks up a mysterious woman in the rain. Later she discovers that the woman was the car's previous owner, and she is missing. Now her killer might just be stalking Meg too. For their first, acclaimed feature, Preston and producer Robin Laing rented out local cinemas, conclusively proving that Mr Wrong had an audience.
Shot on location in Wellington, often after dark, Inside Straight helped usher in a new era of Kiwi TV dramas, far from the rural backblocks. This Minder-esque portrait of Wellington’s underworld was inspired by writer Keith Aberdein’s experiences as a taxi-driver and all night cafe worker. Phillip Gordon (soon to win fame as a conman in Came a Hot Friday) stars as the former fisherman, learning the ways of the city from veteran taxi driver Roy Billing. A solid but unspectacular rater over 10 episodes, the show was scuttled by the launch of trucker’s tale Roche.