John Gordon lent his iconic voice to sheep versus canine series A Dog's Show for over 15 years. Southland-born Gordon was an agricultural student, shepherd and sharemilker before moving into rural radio broadcasting in 1973, for the NZ Broadcasting Corporation in Hamilton. Soon after Gordon became a director and occasional reporter for long-running TV series Country Calendar. He has also written several books on rural themes, worked for the Department of Conservation, and volunteered overseas with the New Zealand Red Cross and Volunteer Service Abroad, passing on his agricultural expertise.
...presenter John Gordon deserves a lot of the kudos. He also deserves to be acknowledged as one of our best sports commentators. His voice brings stability and drapes the whole proceedings in a kind of homely prose... Writer José Barbosa praises John Gordon's work on A Dog's Show, 16 October 2014
Animals, people and cameras can make for a wild unpredictable combination, as this set of bloopers demonstrates. First up is the legendary 1989 clip of rugby star Zinzan Brooke falling off a spooked Shetland pony in Wales. Back on Kiwi soil, Dexter the golden labrador refuses to listen to owner Mark Leishman. A hare and dog take over a trotting track and cricket pitch, while reporters doing their pieces to camera are harassed by a friendly horse and overzealous ostriches. Plus two pigs give Country Calendar reporter John Gordon the giggles.
This is the opening episode of the Prime TV series celebrating 50 years of New Zealand television: from an opening night puppet show in Auckland in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ on Air, Sky and Māori Television) and interviews many of the major players. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within a story.
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
John Clarke created an unofficial Kiwi national anthem when his alter ego Fred Dagg first released 'We Don’t Know How Lucky We Are' in 1975, simultaneously celebrating and poking fun at national pride. This video is a 1998 update of the song, instigated by TV's SportsCafe. Times change, but the recipe remains the same: "good clean ball and for God's sakes feed your backs!" Alongside a roll call of celebrities, politicians and sports stars — Sean Fitzpatrick, Chris Cairns, Zinzan Brooke — Clarke spreads the grateful gospel at the United Nations.
This thoughtful but humorous documentary offers a wry tribute to sheep in New Zealand. Interviews with Chris Knox, Dog's Show presenter John Gordon, Dick Frizzell and Michael Parekowhai (among others) pull the wool away from our collective eyes, and examine Aotearoa's much ridiculed relationship with sheep. Artists' images, souvenirs, pets, and shows for tourists all feature, as do songs and plays. The documentary also examines the foundational role of sheep in the country's economy. This was one of the first productions from company Greenstone Pictures.
One shaggy dog, dozens of humans, and a smorgasbord of Kiwi scenery: viewers were glued to the screen for this TV One promotional campaign, which began screening in August 1991. The six-part promo followed a lovable sydney silky poodle cross travelling the country by car, train and paw. En route, roughly 50 Kiwis make blink and you'll miss it appearances: including sporting figures, local townspeople, and 20+ TV personalities (see backgrounder for more info, and clues on who is who). The popular promos were directed by Lee Tamahori, before he made Once Were Warriors.
This documentary follows the Vintage Car Club of New Zealand on a 1985 commemorative tour. On 24 March 1985, over 90 vehicles and their owners gathered in Invercargill to honour a century of motoring. Then the Vauxhalls, Chevrolets and Fiats embark on a reverse Goodbye Pork Pie as the lovingly-restored vintage cars head from the deep south all the way to Cape Reiga, meeting Prime Minister David Lange en route. A rare directing credit for veteran cameraman Allen Guilford, Milestones is narrated by John Gordon, who swaps A Dog's Show commentary for motoring trivia.
This 1985 TVNZ documentary follows the recruitment of three new pilots into the Red Checkers acrobatic flying squadron of the Royal NZ Air Force. The pilots train to fly formations, loops and low level passes. There are close calls, and interviews with pilots and their spouses. What does it take to be a Kiwi Top Gun? Squadron leader (and future NZ Defence Force chief) Bruce Ferguson: "he's got to have confidence in himself, his abilities and to be a wee bit of a showman." The documentary marked one of the earliest directing credits for Emmy Award-winner Mike Single.
This 1983 documentary looks at the (then booming) export of deer antler velvet from New Zealand farms to Asia where the “horns of gold” are highly valued as an aphrodisiac and cure-all tonic. The doco captures the hazards of the trade: from bulldogging (hunters leaping from helicopter skids onto wild deer), to volatile markets in Hong Kong and Korea. The players include a triad of Asian middlemen “who make the millions”, and Kiwi deer entrepreneur Tim Wallis, who led a delegation of farmers to China in 1981 to discover the secret of the Eastern love potion.
The Beginner's Guide... was a series of half-hour documentaries made for TV ONE, and hosted by reporters Ian Johnstone, Caroline McGrath, Judith Fyfe, John Gordon and Philip Alpers. Veteran broadcaster Johnstone described the programmes as going "into areas of life which intrigue, mystify or frighten us". Topics included visiting a marae, prisons, wealth, bankruptcy, GST, the Census, divorce, cancer and the Freemasons. Three series of six episodes and one special screened between 1983 and 1986.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. A Dog's Show was familiar as a homespun in its long-running Sunday slot. The show featured sheepdog trials from around the country, with commentary provided by the wise, bearded John Gordon. In the final from a 1981 series, four farmers wield sticks and whistles, and put their dogs through their paces to wrangle the "sticky sheep". It's 1981, but the only riots here are ovine. Trivia: the opening tune is a version of the song 'Flowers on the Wall', also used in the film Pulp Fiction.
Contact was introduced as TV2’s slot for local documentaries when TVNZ was established in 1980. At 7pm on Monday nights, it featured 30 minute programmes made both in-house and by independent producers. Multiple episode series within the strand included historian Les Cleveland’s archive based Not So Long Ago and Ian Taylor Adventures where the former Spot On presenter (and future animation impresario) tried his hand at various extreme sports. The Contact brand was transferred to TV1 in 1981 as TV2 began to move towards more of an entertainment focus.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. Showing sheepdog trials from around the country, A Dog’s Show ran from 1977 to 1992. In each trial a farmer, armed with an array of whistles and commands, instructed a sheepdog to wrangle a flock of recalcitrant sheep along a course or into a pen while the bearded, sagacious, Swannie-clad John Gordon provided the commentary. Trivia: the opening tune is a version of the Statler Brothers song ‘Flowers on the Wall’, also used in movie Pulp Fiction.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.