Kathryn Burnett is a screenwriter, playwright and script consultant. Her scriptwriting credits include Fresh Eggs and The Cul de Sac, and award-winners The Amazing Extraordinary Friends, The Strip, Holly's Heroes and short film Shelved. Past recipient of a British Council television scholarship, Burnett co-created 2009 drama series The Cult. She also teaches screenwriting workshops.
This show is unusual because it's heartfelt and yet totally irreverent and whimsical ... it isn't politically correct. And it's not coy about sex. But it's sex largely from a female point of view. Kathryn Burnett, on 2002 television series The Strip
The Cul de Sac is set in a world where the adults have disappeared, and waves of energy destroy anyone caught outdoors. Feisty teen Rose (Greta Gregory) leads a small group of family and friends. Echoing the storytelling style of Lost, the series teases viewers with its gradual reveal of what in hell is going on. Created by Stephen J Campbell (Amazing Extraordinary Friends), the half-hour sci fi adventure ran for three seasons, each with six episodes. The cast included Molly Leishman (Wilde Ride), Peter Feeney as the scientist dad, and (in season one) KJ Apa and Beulah Koale.
The Cul de Sac presents an apocalyptic world where the adults have disappeared. In the opening of the first episode, Rose (Greta Gregory) realises something is wrong while leaving home. Meanwhile at the local high school, dictator in the making Doni (Simon Mead) refuses to let anyone inside. Also in this excerpt: Rose's sister (Molly Leishman) is in danger of having a medical emergency, Jack (Riverdale's KJ Apa) proves he isn't completely useless, and a dog goes rabid. Created by Stephen J Campbell (Amazing Extraordinary Friends), the sci-fi adventure spanned three seasons.
Comedian (and rooster) Oscar Kightley fronts this 2013 beginner’s guide to the Chinese zodiac. His mission: to explore the 12 oriental star signs. As the Kiwi population heads towards one in six being of Asian origin, Kightley surveys a cavalcade of contemporary Kiwi personalities for their views on stargazing, from his Harry co-star Sam Neill to lawyer Mai Chen. This excerpt is a potted history of the oriental zodiac, aided by animation; then it's enter the dragon. Made for TV3’s Inside New Zealand documentary strand it was directed by bro’Town creator Elizabeth Mitchell.
Director Paul Murphy follows Second Hand Wedding with a romance featuring comedian Rhys Darby, songs by Queen and ... a duck. Darby plays heartbroken nice guy Doug: after a close encounter with a native duck (a paradise shelduck) with emotional problems, he enlists expert help from a sassy animal specialist (played by Brit Sally Hawkins, a Golden Globe-winner for feature Happy-Go-Lucky). True to rom-com form, love ensues ... eventually. NZ Herald reviewer Russell Baillie called Love Birds “an endearingly funny, if sugar-coated local romantic comedy”.
In the first episode of The Cult, headstrong lawyer Michael Lewis (Shortland Street's Renato Bartolomei) joins a volatile group in a Northland house. Each of them has lost a family member or friend to commune Two Gardens, and wants to get them out. Meanwhile, inside Two Gardens, Michael's son is asked to "renounce" his own brother. Created by Kathryn Burnett and Peter Cox, The Cult won Qantas awards for acting, design, music, cinematography, and editing — and was nominated for another four acting awards. Peter Burger (Until Proven Innocent) directs this first episode.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
The Cult follows two groups: the members of a commune, who have renounced all contact with the outside world, and a loose-knit team of 'liberators', keen to reestablish contact with commune members they care about. The first prime time drama from Great Southern Film and Television won six of its 11 nominations at the 2010 Qantas Film and Television Awards — including for the acting of Lisa Chappell and Danielle Cormack (as a devious doctor). It was nominated for Best Drama. The moody 13-part thriller was created by Kathryn Burnett and Peter Cox.
Created by superhero fan Stephen J Campbell, this light-hearted adventure series follows teen Ben Wilson (Carl Dixon) who discovers his father and grandad have done time as superheroes. Still getting to grips with the basics of being one himself, Ben enlists family and friends to help fight assorted villians. The show ran for three seasons, and spawned web series The Wired Chronicles and Origins. Nominated for awards in Rome and New Zealand, it picked up one in Korea. The eclectic cast included the tried (David McPhail) and the new (Hannah Marshall from Packed to the Rafters).
A group of young tourists charter a yacht and go cruising in the South Pacific. In a dense fog, they come across an old, sick Greek man on a sinking boat and rescue him. They have no idea of how evil he is and how brutal their night is to become. Thanks to the special weapon he is holding, this man has the power to inhabit other people's bodies. The Ferryman approaches - he's after the old Greek as the path to the afterlife is close and there is a payment to be made.
This sex in the capital city series centres around 30-something Melissa (Luanne Gordon), who has shed a corporate legal career to set up a male strip revue. The Gibson Group-produced show married the fretful modern woman protagonist of Ally McBeal with the hen's night appeal of Ladies Night; it screened for two series on TV3. In this episode from the first series Melissa enjoys her towel-clad new flatmate Adam (Robbie Magasiva), while her copper boyfriend Shane (Stephen Lovatt) doesn't. And Mel's teenage daughter contemplates 'the first time'.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
Over four seasons, Street Legal’s slick Kiwi take on urban crime and law genres racked up a stack of award nominations - including a 2003 NZ TV Award for best drama series. Although initially wary that the Auckland setting might alienate viewers, writer Greg McGee chose a Samoan lawyer (Jay Laga’aia) as his main character, to exploit the show’s inner-city Ponsonby setting (where cafe society bumps into Pacific Island immigrant culture). Other key characters included Silesi’s lawyer ex-girlfriend Joni, and her new partner Kees, an overstressed sergeant.
This sitcom features a conscientious travel agent attempting to rein in her wayward siblings. Mild-mannered Melody (Nightline's Belinda Todd, oddly cast against type) is aided and abetted by her ditzy air hostess friend, a hapless co-worker and a nosey neighbour. Despite intense work by a team of scriptwriters, hopes this would be a flagship title for the fledgling TV3, were, to understate things, quickly dashed. Careers suffered, stars were exiled, and Melody Rules became a by-word for failure in NZ TV (equalled only by The Club Show). Watch episode one and decide if time has offered redemption.
Ice TV was a popular TV3 youth show that ran for six years from 1995 - 2000. It launched the careers of hosts Jon Bridges, Nathan Rarere and Petra Bagust. Irreverent, fast-paced, and always imbued with a (mostly) family friendly sense of fun, the show consisted of a series of skits, music, satire, gags and interviews, and a trademark sign-off where L&P bottles were subjected to various stresses.