Musical Director, Television Executive
The consummate all-rounder, Murray Wood began arranging and performing music for television in the 1970s. Later he founded computer sales company MagnumMac, and spent seven years as managing director of Canterbury Television. Wood died in the collapse of the CTV building, in the earthquake of February 22 2011.
He was more than a fantastic musician – he was a superb technician and sound engineer. He had perfect pitch, could sing well and play most instruments. I miss him. Director John Lye
Tales of the Mist was an 80s series for children that dramatised six folk stories by writer Anthony Holcroft. Narrated as a bedtime story, and imbued with animism (the belief that things in the natural world posses a ‘spirit’) each story features an otherwordly encounter. Girl in the Cabbage Tree sees a lonely farmer (Russell Smith) discover a young woman in a giant ti kouka. They marry but she remains a mystery; when she disappears he learns a lesson of freedom and love. The show was directed by NZ kids TV veteran Kim Gabara (Woolly Valley, Count Homogenized).
Roughly four years after debuting on A Haunting We Will Go, Count Homogenized made a memorable re-entrance in his own series. This fifth episode has the simplicity of a good cartoon: disguised as a movable charity bin, the vampire endeavours to trick or talk his way past the local dairy owners, on his endless mission to make it to the milk supplies. Aside from Russell Smith in full comic flight as the Count, Lynda Milligan takes the New Zild accent in dramatic new directions as no-nonsense shopkeeper Rhonda Dearsley.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
After turning “Jeez Wayne” into a national catchphrase with their hit series A Week of It, comedy duo David McPhail and Jon Gadsby continued their TV dream run with the sketch comedy show McPhail and Gadsby. This 'Best of' from the Feltex Award-winning fifth season includes these highlights: 'pronouncing things proper with Jim Knox'; 'This Is Your Life with Robert Muldoon' (featuring McPhail’s infamous caricature of the then Prime Minister); Lynn Waldegrave’s popular impersonation of music show host Karyn Hay; and a Goodnight Kiwi take-off in 'Goodnight from the Beehive'.
Hosted by one-time mod Ray Columbus, That's Country was one of the highest rating shows of the early 80s. This 1982 episode features veteran Kiwi country performers (John Hore, Patsy Riggir) and trans-Tasman pop star Dinah Lee. The opening ensemble number features Canadian singer Glory-Anne Carriere and US duo the Gypsy Mountain Pickers, along with Australian Jade Hurley (who still bills himself as the King of Country Rock). Check out the rhinestone cowboys and girls as they belt out the theme song, then settle in for solo performances. Yee-ha!
After turning "Jeez Wayne" into a national catchphrase with the sketch show A Week of It, comedy duo David McPhail and Jon Gadsby (plus third writer AK Grant) followed with McPhail & Gadsby, which aired on TVNZ for seven seasons — plus a reprise in 1998 and 1999. After a sometimes controversial debut season in which each episode was devoted to a specific theme (religion, sex etc), the show settled into a steady diet of political satire, spoofs and impersonations of public figures — including McPhail's famous caricature of PM Robert 'Piggy' Muldoon.
The debut episode of McPhail and Gadsby plunged into religion as the object of satire, and the result spawned death threats and annoyed letters to the editor. The pair dress up as angels, devils, monks, nuns, priests and Moses, and also make the first of many appearances as the smug Denny (McPhail) and not so clever Ron (Gadsby). McPhail argued later that a simple sketch involving an Anglican vicar dispensing communion unexpectedly caused the most offence. The thematic approach was soon abandoned in favour of shorter episodes, and a more familiar style of topical satire.
This final episode of pioneering A Week of It ("NZ's longest running comedy programme — discounting parliament") features a three wise men parody (lost without a Shell road map); pirate Radio Hauraki; and a parliament-themed Cinderella Christmas pantomine, with David McPhail's Muldoon playing the stepmother. Jon Gadsby appears as Dr Groper, an un-PC GP; and God is a guest at an Anglican church in Fendalton. British comic legend Dudley Moore appears briefly in the extended 'best of' credits reel, alongside (Jeez) Wayne and the rest of the Gluepot Tavern lads.
Telethon was a 24-hour live television spectacular aimed at securing donations from viewers for a charitable cause. The first, in 1975, launched the second channel (TV2) and raised over half a million dollars for St John's Ambulance. By 1981 Telethon had hit the $5 million mark. Along with willing local celebrities, volunteers and a receptive public, it attracted overseas stars: Basil Brush, Entertainment Tonight's Leeza Gibbons and Coronation Street's Christopher Quinton (who famously got together after the 1988 show). "Thank you very much for your kind donation!"
This popular 1970s TV talent show screened on TV2. It was hosted initially by broadcaster Rhys Jones (Town and Around), then Brit import Robin Stewart (Bless This House). Singer Annie Crummer first won attention after competing as a nine-year-old. Opportunity Knocks had many similarities to a long-running English show of the same name (including a clap-o-meter), devised by Hughie Green. In 1989 Green (unsuccessfully) sued the Broadcasting Corporation of NZ over format infringement. After going to the Privy Council, it became a landmark copyright law case.
Play School was an iconic educational programme for pre-school children, which was first produced in Auckland from 1972, then Dunedin from 1975. The format included songs, a story, craft, a calendar, a clock and a look outside Play School via the shaped windows. But the toys, Big Ted, Little Ted, Jemima, Humpty and Manu, were the real stars of the show. The title sequence ("Here's a house ...") and music were a call to action recognised by generations of Kiwis. Presenters included actors Rawiri Paratene and Theresa Healey, Russell Smith and future MP Jacqui Hay.
Popco slotted in after Movin’ and before Norman, as part of a long tradition of Christchurch music shows which first began with Let’s Go in the early 60s. It featured a studio band, the Maggie Burke Dancers and vocalists including Bunny Walters, Annie Whittle, Tom Sharplin and Rob Guest, who performed the hits of the day. There were appearances from local acts including Ticket and Chapta, and overseas performers like Lindisfarne and Gary Glitter (who was overcome with vertigo and had to be rescued from a high diving board at QE2 pool, after miming one of his hits).
This 1965 National Film Unit classic follows the working life of a young musterer, on a 145,000 acre South Island merino sheep station. He hands over his swag and gets to work (after he’s been mocked for bringing an electric blanket). He begins in the summer: training dogs and breaking in a horse. In the autumn it’s the muster: wrangling 10,000 sheep from the tops, across rivers and down to the yards before winter snow. Peter Newton’s 1947 musterer memoir, Wayleggo, was a local bestseller, and the film bolsters the book’s Kiwi mountain man mythology.