Director [Kai Tahu, Kati Mamoe, Kati Waewae, Pākehā]
Neil Pardington began making experimental films while studying fine arts at Elam. Since then, a long collaboration with Stuart McKenzie has seen the pair both co-directing (1991 award-winner The Mouth and the Truth), and swapping director and producer roles. In 1994, Pardington’s short The Dig — the tale of an elderly couple excavating below their house — was invited into a special season of Kiwi shorts at Cannes.
I think it’s whatever I’m doing at the time that makes me ‘what I am’. Filmmaker, photographer, designer Neil Pardington, interviewed in Capital Times
New Zealand's so-called 'cinema of unease' is stretched in new directions in this psychological drama, inspired by real-life interviews with criminals and victim's families. Writer/director Stuart McKenzie's feature debut follows Lisa (Michelle Langstone), a young woman haunted by the rape and murder of a former teenage acquaintance. Lisa's fascination leads her to the victim's parents - and to prison, to interview the charismatic killer (Tim Balme). The result is an intelligent examination of the after effects of violent crime. Shayne Carter provides the soundtrack.
This short film follows Vincent (Leighton Phair), a young Chinese-Kiwi rescued from a group of racist punks in a spacies parlour by a mysterious Asian (Gary Young), then drawn into a seedy Triad underworld. Vincent is struggling with his identity in a mixed race family. Directors Stuart McKenzie and Neil Pardington wrote the story with playwright Lynda Chanwai-Earle, drawing it from interviews with members of the Chinese community in Wellington and Christchurch. Early 90s Flying Nun bands feature on the score; DJ Mu (future Fat Freddys Drop frontman) cameos as a punk.
A young couple (Danielle Cormack and Erik Thomson) wander into a photographic studio, where the owner seems to have the power to bring another age to life. Chosen for many international festivals including Clermont-Ferrand, Snap marked another collaboration for filmmakers Stuart McKenzie and Neil Pardington. Inventive and sly, the film plays like a twisted episode of The Twilight Zone, one in which the lead-up to the shock finale provides at least half the fun. Peter Hambleton steals the show, as the oddball photographer with Cormack in his sights.
Noel (Patrick Smyth) and Faith (Kate Harcourt) are happily retired; they while away their time digging into the earth beneath their house and sifting for treasure from the knick-knacks and 'thingamajigs' of history. Then a tremor shakes up “Dad’s excavations”. Adopting a low-dialogue storytelling approach, this reflective tale of finding life and meaning in the small things marked a rare screenwriting credit for Vintner's Luck author Elizabeth Knox (collaborating with director Neil Pardington). It screened as part of Kiwi shorts showcase at the 1994 Cannes Film Festival.