David Gould has long had his eye on feature projects. Beginning his career in visual effects, including on two Lord of the Rings films and Tintin, he's also directed shorts like award-winning CGI film Awaken and Raratongan drama The Seed. His debut feature The Cure, an action thriller starring Antonia Prebble, was released in 2014; he is currently working on "The Da Vinci Code meets Highlander" film Brotherhood.

As a film-maker, until you have shown that you are capable of doing it, no one will believe you that you are capable of doing it. You have got to roll the dice and make it work. What choice do you have but go out and do it on your own. David Gould, on making his first feature, in The Dominion Post, 6 February 2014

Tomorrow's Dream

2016, Director, Writer, Editor, Producer - Short Film

The Hobbit: The Battle of the Five Armies

2014, Visual Effects - Film

Touted as the defining chapter of the trilogy, The Battle of the Five Armies sees Smaug wreaking havoc from the sky, Thorin Oakenshield succumbing to dragon-sickness, and a climactic battle to dwarf anything seen in the first two Hobbit films. As Orcs look to the Lonely Mountain with their eyes on the treasure, dwarves, elves and humans must decide whether to unite and fight them off. The final Hobbit film arrived in cinemas 15 years after Peter Jackson first trained his cameras on Middle-earth — and made it clear that global blockbusters could come from New Zealand. 

The Cure

2013, Director, Writer, Editor, Producer - Film

The Seed

2013, Director, Writer, Editor, Producer - Short Film

Rise of the Planet of the Apes

2011, Visual Effects - Film

The Adventures of Tintin

2011, Visual Effects - Film

Inseparable Coil

2009, Director, Editor, Producer, Writer - Short Film

King Kong

2005, Visual Effects - Film

Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to sensitive playwright (Adrien Brody). Exhilarating, Oscar-winning CGI brings the great ape to life, alongside rampaging dinosaurs, and oversized wētā inexplicably absent from the maligned 1976 remake.

The Lord of the Rings: The Return of the King

2003, Visual Effects - Film

Monstrous spiders, dragon-aided epic battles, endangered hobbits and final farewells ... the finale of the Lord of the Rings trilogy boldly upped the ante. Although the first two films had excited viewers, critics and accountants, Return of the King sealed Peter Jackson's place in movie legend. Reviewers praised it with gusto and the film won a staggering 11 Oscars, a total matched only by Titanic and Ben-Hur. Return anointed a Hollywood empire in the Wellington suburb of Miramar. The box office figures weren't half bad, and nor was the effect on New Zealand tourism.

The Lord of the Rings: The Two Towers

2002, Visual Effects - Film

The second Lord of the Rings installment sees hobbit Frodo Baggins continuing his mission to destroy the ring. Meanwhile the Fellowship is breaking apart, and an epic night battle ensues at Helm's Deep. The film marked a star turn by Gollum, the emaciated Andy Serkis-voiced creature whose realisation was a cinema landmark and a triumph for the design and special effects team. Alongside praise for the film's pace and spectacle, The Two Towers broke international opening records, before going on to outgross Fellowship of the Ring, and win two technical Oscars.