Christchurch-born Jonathan Ogilvie has made dozens of music videos including the iconic clip She Speeds, for the Straitjacket Fits song. Based in Australia since the 90s, the AFTRS graduate has since had two shorts in competition at Cannes — one of them a Tropfest winner — shot a feature on Super 8 film, and in 2008 released 1920s gangster romance The Tender Hook, starring Hugo Weaving and Rose Byrne.
…I am drawn to lives and experiences different from my own. Jonathan Ogilvie, in a 2007 interview with filmmaker Hussain Currimbhoy, Senses of Cinema website
This black and white short film (with hardboiled voiceover) follows canine filmmaker Quinn Hud to the dog-eat-dog world of the Cannes Film Festival to sell his latest work. Director Jonathan Ogilvie honed his skills making music videos for Flying Nun bands; and he shot the Super 8 footage for this tale when his short Despondent Divorcee screened at Cannes 1995. Quinn Hud’s 18 second epic features as a film within a film — and the cavalcade of stars alone would warrant watching this witty Tropfest winner (also chosen for competition at Cannes and Telluride).
This short film takes its title from Russell Corgi's famous 1942 Buffalo Courier Express photograph of the exterior of the Genesee Hotel. Directed by Jonathan Ogilvie, the film is a series of close-ups of the photo coolly unfurling to reveal the full image. The snippets are overdubbed with a beguiling film noir-styled narration that imagines the context behind the extraordinary shot. Divorcee screened at many film festivals including in competition at Cannes in 1995. Corgi's photo was also referenced in the 'Passengers' issue of Neil Gaiman's Sandman comics.
In 1995 Flying Nun released compilation CD Abbasalutely, made up of ABBA covers from their stable of artists. Headless Chickens contributed with this decidedly heavy cover of 'Super Trouper', ABBA’s ninth and final UK chart topper. The monochrome music video for the remake takes place at the RNZAF Base at Whenuapai, with the Chickens adopting many precarious positions on top of aircraft. It was directed by Jonathan Ogilvie, who helmed numerous Flying Nun music videos. The song's title was inspired by a popular concert spotlight.
‘Cruise Control’ is one of the Headless Chicken’s most poppy and accessible songs, and became a hit in New Zealand, and (in remixed form), in Australia. This studio shot promo, for the ‘Eskimos in Egypt’ remix, has Fiona McDonald and the Chickens packed into a touring car cruising to old school rear projected nighttime cityscapes. It’s dark and moody: a wry touch of Hollywood glamour mixed with early 90s Auckland - dated by Knight Rider, bling and brick-sized mobile phones.
Swirling smoke, effervescence, distorted angles and overlaid band members emphasise the psychedelic aspects of this track (from JPSE's final album) in this Jonathan Ogilvie-directed clip. Layered guitars and structured drumming push this polished pop song forward. Bassist Dave Yetton pulls out the stops to provide a yearning, confessional lyric.
A triumph of imagination and creativity over budget, this now classic Jonathan Ogilvie clip cost just $250 to make, and the song is probably their best known. Coloured cellophane and a projector created the far out psychedelic look on the band members’ underwater heads; the performance shots capture the Fits on the back of a truck, going through the Lyttelton tunnel. The ever-cool Shayne Carter snarl is supported by an almost-mullet — apparently self-styled.
The trademark warm, jangling sound of veteran Flying Nun band The Bats masks a Robert Scott lyric about emotional numbness on this song from their debut album Daddy's Highway. Director Jonathan Ogilvie's clip features a chainsaw of Damocles and the ventriloquist's dummy from the album cover — and a poignant Christchurch location. The distinctive, triangular ANZ Bank Chambers (where the band members play on the balconies) and surrounding buildings at the intersection of Manchester, High and Lichfield streets were devastated in the city's earthquakes.
A simple performance-based video for this perfect south seas pop song. Craft-work decorates the frames, and the flickering moody street scenes look genuinely artful but were apparently caused by a camera jam in the clockwork Bolex used to shoot the clip. The video was filmed in London and edited at TVNZ Christchurch.