Impressed by untapped Polynesian talent, Levin-based filmmaker collaborated on a trio of pioneering films that put young Polynesians and Māori centre-frame: Kingi's Story, Kingpin, and award-winning telemovie Mark II. Walker passed away in late 2004.
... you can look at a lot of New Zealand television and you wouldn’t think there were any brown-faced people in New Zealand at all. Mike Walker, in an October 1985 Onfilm interview
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
A road movie with a heart of gold, Mark II is "the Polynesian Easy Rider". Three teens (Nicholas Rogers, Mitchell Manuel, Faifua Amiga) head south from Auckland in a two-tone Mark II Zephyr, two of them blissfully unaware they're being pursued by a van-load of vengeful thugs. Along the way, they encounter the Mongrel Mob, who turn out to be quite helpful, and experience love, prejudice and jealousy from strangers. Written by Mike Walker and Manuel, it was TVNZ's first telefeature and is the third film in a loose trilogy (following Kingi's Story and Kingpin).
Kingpin was the second of a trilogy of films from Mike Walker about troubled New Zealand youth (the others were Kingi's Story and TV movie Mark II) Filmed at, and inspired by residents of Kohitere Boys Training Centre in Levin, the bros-in-borstal tale follows a group of teens who are wards of the state. Kingpin focuses on the bond between Riki (Mitchell Manuel) and Willie (Fafua 'Junior' Amiga), who along with the other kids are terrorised by Karl (Nicholas Rogers), the Kingpin of the title. It was directed by Walker, who co-wrote the script with Manuel.
Kingi (Mitchell Manuel) is a sultry teenager who encounters domestic violence and racism and veers down a path of petty crime. School ground punch-ups, stealing milk money and shoplifting see him placed under care of a social worker — and eventually Kingi runs out of chances. From writer-director Mike Walker, Kingi's Story tackles Māori youth and the path to delinquency and is based on the lives of a group of boys (including Manuel) who became wards of the state. It is the first part of a loose trilogy that includes Kingpin (1985) and Mark II (1986).
This 1962 film about geothermal power generation begins with animated sequences telling the Māori legend of how the North Island’s volcanoes were created. Then it explores the “crazy idea” of volcanic power, and how New Zealand might harness its potential. At Wairakei, roads have collapsed and the ground can rumble: “nothing is ever quite predictable on this battleground for power”. Nearby, steam is used for heating, hangi, bathing, and … growing pineapples. The animation was handled by Mike Walker (later producer of Kingi’s Story), of Levin-based Morrow Productions.