Sophia Hawthorne, who died in February 2016, starred on stage in Cabaret, Closer and Romeo and Juliet. After a number of short films — including the moody She’s Racing — she got breakthrough screen roles in movies When Love Comes and Savage Honeymoon (playing wild child Leesa Savage). Further nominations followed for TV’s Insiders Guide to Happiness. She was daughter of actor Elizabeth and director Raymond Hawthorne.
(Michael) Hurst's bold casting of teenagers in the title roles flies in the face of tradition....(Hawthorne's) impeccable delivery and winsome charm pay due tribute to her deeply visceral understanding of the part and her sure-footed control of its demands. A 1993 NZ Herald reviewer on Romeo and Juliet, one of Hawthorne's earliest acting roles
Bliss is a portrait of the artist as a young woman. The award-winning telemovie follows Katherine Mansfield from boredom in Edwardian Wellington to liberation and love affairs in London, where she dares to dream of being a writer. Kate Elliott plays Mansfield as a spirited 19-year-old, hungry for experience. Bliss screened to acclaim in TV One's Sunday Theatre slot in August 2011. Listener reviewer Fiona Rae praised director Fiona Samuel's "excellent" script, and for allowing "her Mansfield to be witty, passionate and outspoken without belabouring the status of women in 1908".
The second, but prequel, series to The Insiders Guide to Happiness is chaos theory in action: seven young strangers whose lives intersect are linked together by a bizarre incident. Produced by the Gibson Group, The Insiders Guide mix of meta-tangle story-telling with fresh shooting and faces, saw Love become a hit with the same youth demographic as Happiness. The show went on to win a clutch of Screen Director's Guild Awards and most of the major drama gongs at the 2006 Qantas Film and TV Awards, including Best Drama, Director, Script, Actor and Actress.
The second, but prequel, series to The Insiders Guide to Happiness is chaos theory in action: seven young strangers are linked together by a bizarre incident. In this excerpt from Episode Six, Marty's (Louis Sutherland's) travel writing isn't going anywhere, Nicole (Kate Elliott) gets "wild and crazy and bad" for Halloween, and there's baking romance, sun bed sex, and scratchy shoplifting. The series won several Screen Director's Guild Awards and a clutch of gongs at the 2006 Qantas Film and TV Awards, including Best Drama, Director, Script, Actor and Actress.
The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)
This series follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. An ambitious 'meta' concept, strong performances from the ensemble cast and stylishly-shot Wellington locations won the Gibson Group drama awards and acclaim, particularly from its targeted youth demographic. In this excerpt from Chapter Eleven, Lindy accepts a job in Toronto but fails to tell boyfriend William; Barry and James discuss Chaos Theory and relationships; and Sam uses flowers in an attempt to fix things with Tina.
Described as a "Māori Twilight Zone", Mataku was a series of half-hour dramatic narratives steeped in Māori experience with the "unexplained". Two South Pacific Pictures-produced series screened on TV3; a later series screened on TV One in 2005. Each episode was introduced by Temuera Morrison Rod Serling-style. The bi-lingual series was a strong international and domestic success; producer Carey Carter: "Our people are very spiritual ... and here we are ... turning it into stories so that the rest of the world can get a glimpse of that aspect of our culture."
This early short from The Most Fun You Can Have Dying director Kirstin Marcon follows a driver (Sophia Hawthorne) in the aftermath of a car crash. She — almost — pulls a badly-injured victim from wreckage in rugged bush and tends to him, but behaves strangely when another motorist arrives. The film presents shards of the relationship between victim and 'rescuer', but never enough to undercut the effectively mysterious tone; metallic blues and greens flavour the film’s unexpected moral code. She's Racing won a Silver Plaque at Chicago Film Festival (2000).
The Savages are a working class West Auckland family who like drinking, and living by their own rules. Savage Honeymoon is a celebration of their passion and leather pants - and a snapshot of a couple worried their children may not be as lucky as them. Mark Beesley’s debut feature won good reviews (The Herald praised its “self-confident swagger”) – and headlines, after being downgraded from an R18 to R15. The film pre-dated the Westie family of Outrageous Fortune - though Beesley then hated the Westies label, disliking the word’s negative connotations.
When Love Comes features Rena Owen as a once were famous singing star who returns to NZ, in need of reinvention. Staying with a close gay friend (Simon Prast), she is reenergised after meeting a wastral songwriter (Dean O'Gorman) and two loved up young musos (Sophia Hawthorne and Nancy Brunning, the former in her big screen debut). Invited to a slew of North American festivals — including Sundance and Toronto — Garth Maxwell's sun and song-lashed tale won stateside praise for its "energetic direction" (The Hollywood Reporter) and impassioned performances.
This edition of the early 90s magazine arts show begins with a visit to Auckland's Herald Theatre to preview a production of Romeo and Juliet, directed by Michael Hurst and starring 16-year-old actor Sophia Hawthorne. Raybon Kan explores fatal books; author Ian Cross is interviewed and Bill Ralston reviews Cross’s latest novel (with Ralston wanting to know why all New Zealand art is "so bleak, so barren"). Film Festival director Bill Gosden previews the event's programme, and comedy group Facial DBX is interviewed ahead of the Watershed Comedy Festival.