Campaign, the second film directed by Tony Sutorius, won sellout screenings at the 1999 NZ Film Festival. The documentary chronicled an early MMP election campaign. Sutorius went on to make another feature-length documentary, this time about trade unionist Helen Kelly. Sutorius runs Porirua company Unreal Films, whose diet of educational films encompasses numerous elections across Australasia.
If Tony calls with a project I try to be available because of his clear integrity to his kaupapa, and commitment to community and social justice. He's trained in philosophy and always thinks beyond the surface, which means his work resonates strongly with people. For me that's the best head to work with. Editor Annie Collins
Director Tony Sutorius describes this documentary as "Helen Kelly’s last year fighting injustice, with love". Sutorius (Campaign) filmed the renowned trade unionist as she battled lung cancer and continued advocating. Kelly was a staunch advocate for better safety standards in the Kiwi forestry industry, and sought justice through the courts for families of Pike River mine victims. This trailer shows Kelly's health deteriorating, but not her sense of humour — "shut the door, some of us don't have long to live" — and includes brief but harrowing footage from the Pike River disaster.
In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.