English literature graduate and former share trader John Campbell joined TV3 as a reporter in 1989. In 1997 he began fronting his own current affairs segment on 3 News. John Hawkesby's resignation in 1998 saw Campbell drafted in to read the 6pm news with Carol Hirschfeld. In 2005 he moved to 7pm for Campbell Live, and hosted it for a decade. After returning to Radio New Zealand, he joined TVNZ in 2018.
Canadian Joe Cote was travelling the world on his OE when love led him to New Zealand in 1965. He landed a job at the NZ Broadcasting Corporation soon after; initially he wasn't allowed on air because of his accent. In 1970 Cote moved into TV, presenting current affairs show The South Tonight. He also worked on Gallery and Inquiry. Cote became the inaugural presenter for National Radio's Morning Report in 1975.
Raised in Taranaki with seven siblings and roughly as many books, Anthony McCarten went on to co-write global stage hit Ladies Night. In 1998 he made his directorial debut with a movie of his play Via Satellite, followed later by Show of Hands. In 2015 he won two BAFTA awards after writing Stephen Hawking biopic The Theory of Everything. Winston Churchill drama Darkest Hour and Bohemian Rhapsody followed.
Jane Wrightson is Chief Executive of Crown agency NZ On Air, which funds Kiwi television, digital media, radio and music. Prior to taking on the job in 2007, she spent a decade at Television New Zealand, was New Zealand's first woman Chief Film Censor, and headed both the Broadcasting Standards Authority and screen lobbying group SPADA.
Cliff Curtis alternates a busy diet of acting in the United States (where he's forged a reputation as the actor to call on, for roles of varied ethnicity) with smaller scale New Zealand projects — including co-producing Taika Waititi smash Boy. His CV of Kiwi classics includes playing Pai's father in Whale Rider, Uncle Bully on Once Were Warriors, and bipolar chess champion Genesis Potini in The Dark Horse.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Alongside her experience as a journalism tutor and media advisor, Allison Webber has worked on many television documentaries investigating social issues — including as driving force behind then controversial series Expressions of Sexuality.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
Amanda Millar is one of New Zealand's most experienced and awarded television journalists. Millar has reported on many high profile 60 Minutes and 20/20 stories, including stories on former police Assistant Commissioner Clint Rickards, 'Parnell Panther' Mark Stephens, and disgraced Christchurch GP Morgan Fahey. In 2018 she directed her debut feature Celia, about social justice advocate Celia Lashlie.
Award-winning journalist Mihingarangi Forbes has spent 20+ years working in television, reporting in both te reo and English. Feilding-raised Forbes began her career as an intern on Te Karere, before moving to One News, Campbell Live, 20/20 and Native Affairs. She resigned from Māori Television in 2015, claiming she'd lost control over her stories, and began presenting Three's new current affairs show The Hui in 2016.