Tangata Whenua, A State of Siege, Utu, Smash Palace, The Quiet Earth, Illustrious Energy...The resume of soundman turned producer Don Reynolds covers the modern renaissance of New Zealand film. After starting his own sound companies, Reynolds has gone on to production roles in New Zealand, Australia, Canada and the United Kingdom.
Known for his stylish reinventions of familiar genres, Scott Reynolds followed successful short A Game with No Rules, with rave reviews and a host of awards for his debut feature, serial killer tale The Ugly. Two further movies — Heaven and When Strangers Appear — have followed.
Shirley Horrocks, ONZM, is one of New Zealand’s leading directors of documentaries about the arts. Her work has chronicled the work and lives of artist Len Lye, photographer Marti Friedlander, writer Albert Wendt and playwright Roger Hall. Her films have won awards, and screened at festivals from France and Italy to the United States.
Wayne Tourell is a prime contender for having the longest CV of any director in local television. Tourell began as an actor and presenter. The multiple Feltex award-winner has gone on to direct documentaries (Landmarks, Moriori), drink driving campaigns, teen movie Bonjour Timothy — not to mention episodes of Mortimer’s Patch, Shortland Street, Gloss and his beloved legal drama Hanlon.
One of many talents to emerge from legendary Wellington company Pacific Films in the 1970s, Mike Hardcastle was often behind the camera during the renaissance of Kiwi feature films. Then he took a break and returned to the industry as the man who could not only shoot your project, but edit it too. Hardcastle passed away on 24 August 2016.
Producer and Co-President of SPADA (the Screen Production and Development Association), Richard Fletcher has worked on Vincent Ward's River Queen, and helped arrange foreign finance for movies The Strength of Water and Under the Mountain. Fletcher is Managing Director of production company Libertine Pictures.
Ronald Hugh Morrieson fashioned dark yet exuberant novels from the provincial Taranaki towns where he spent most of his life. A classic Kiwi example of a writer who won increasing fame after death, Morrieson remains one of New Zealand's most filmed writers, despite writing only four books.
Cliff Curtis alternates a busy diet of acting in the United States (where he's forged a reputation as the actor to call on, for roles of varied ethnicity) with smaller scale New Zealand projects — including co-producing Taika Waititi smash Boy. His CV of Kiwi classics includes playing Pai's father in Whale Rider, Uncle Bully on Once Were Warriors, and bipolar chess champion Genesis Potini in The Dark Horse.
Since the 1970s John Barnett has brought a host of uniquely Kiwi stories to local and international screens, from Fred Dagg and Footrot Flats, to Whale Rider, Sione's Wedding and Outrageous Fortune. As boss of production company South Pacific Pictures for 24 years, he was a driving force behind some of our landmark television dramas and feature films.
Sydney-born Ross Chambers spent much of his career in New Zealand, honing sound and pictures for a variety of movies, plus the occasional television show. Along the way he edited Geoff Murphy's first feature Wild Man and worked as a sound editor on Kiwi classics Utu and Vigil.