Tangata Whenua, A State of Siege, Utu, Smash Palace, The Quiet Earth, Illustrious Energy...The resume of soundman turned producer Don Reynolds covers the modern renaissance of New Zealand film. After starting his own sound companies, Reynolds has gone on to production roles in New Zealand, Australia, Canada and the United Kingdom.
Known for his stylish reinventions of familiar genres, Scott Reynolds followed successful short A Game with No Rules, with rave reviews and a host of awards for his debut feature, serial killer tale The Ugly. Two further movies — Heaven and When Strangers Appear — have followed.
Shirley Horrocks, ONZM, is one of New Zealand’s leading directors of documentaries about the arts. Her work has chronicled the work and lives of artist Len Lye, photographer Marti Friedlander, writer Albert Wendt and playwright Roger Hall. Her films have won awards, and screened at festivals from France and Italy to the United States.
Wayne Tourell is a prime contender for having the longest CV of any director in local television. Tourell began as an actor and presenter. The multiple Feltex award-winner has gone on to direct documentaries (Landmarks, Moriori), drink driving campaigns, teen movie Bonjour Timothy — not to mention episodes of Mortimer’s Patch, Shortland Street, Gloss and his beloved legal drama Hanlon.
One of many talents to emerge from legendary Wellington company Pacific Films in the 1970s, Mike Hardcastle was often behind the camera during the renaissance of Kiwi feature films. Then he took a break and returned to the industry as the man who could not only shoot your project, but edit it too. Hardcastle passed away on 24 August 2016.
Producer and Co-President of SPADA (the Screen Production and Development Association), Richard Fletcher has worked on Vincent Ward's River Queen, and helped arrange foreign finance for movies The Strength of Water and Under the Mountain. Fletcher is Managing Director of production company Libertine Pictures.
Dunedin businessman and artist, Fred O’Neill, whose hobby of making quirky animated films brought him international recognition, sent his Plasticine hero to Venus thirty years before Nick Park got Wallace and Gromit to the Moon. O’Neill’s films encouraged children not to take up smoking, brought Māori legends to the screen in a novel way, and entertained young viewers in the early years of New Zealand television. Image credit: Stills Collection, Ngā Taonga Sound & Vision. Courtesy of the Fred O'Neill collection.
Ronald Hugh Morrieson fashioned dark yet exuberant novels from the provincial Taranaki towns where he spent most of his life. A classic Kiwi example of a writer who won increasing fame after death, Morrieson remains one of New Zealand's most filmed writers, despite writing only four books.
Rob Whitehouse began his producing career in style with The Scarecrow, the first Kiwi film to win official invitation to the Cannes Film Festival. In tandem with late producing partner Lloyd Phillips, he brought Hollywood down under for Battletruck and big-budget adventure Savage Islands, and made mini-series Heart of the High Country. Since then he has produced and financed films in the US, UK and beyond.
Karl Urban's screen career has included dysfunctional family comedies, epic fantasies and offbeat romances — and that's only the Kiwi projects. Urban was award-nominated for films The Price of Milk and The Irrefutable Truth about Demons, and won for Out of the Blue. In recent years he has appeared in a run of Hollywood projects, including The Bourne Supremacy, Star Trek, and as Judge Dredd in Dredd 3D.