Larry Parr, ONZM, has produced many classic New Zealand films, including Sleeping Dogs and Came a Hot Friday. After launching film and music company Mirage, he made his first foray into movie directing with A Soldier's Tale. After three years as Māori Television's Head of Programming, Parr became television manager then chief executive at Te Māngai Pāho, the organisation which funds Māori radio and TV.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.
Julian Arahanga shot into the public eye in 1994's Once Were Warriors, playing the son who becomes a gang-member. He followed it with a starring role in cross-cultural romance Broken English. Since then Arahanga has continued a prolific career working in front of, and increasingly behind the camera - including as producer and director on Māori Television series Songs from the Inside.
Maurice Gee, who was named an Arts Foundation icon in 2003, is one of New Zealand's most acclaimed writers. His work for the screen includes creating 80s kidult series The Fire-Raiser and The Champion. Gee's novels have also inspired a number of adaptations, notably classic sci-fi series Under the Mountain and movie In My Father's Den.
With his 1973 book Tangi, Witi Ihimaera became the first Māori to publish both a novel and a book of short stories. Later his book The Whale Rider inspired a feature film which won international acclaim, and became one of the highest grossing 'foreign' titles released internationally in 2003. Ihimaera's work has also seen a number of television adaptations, including landmark big city tale Big Brother, Little Sister.
Vanessa Alexander attracted attention as a rookie director with her low-budget feature Magik and Rose. Since then she has compiled an impressive list of achievements as a producer (Being Eve, Cargo), director (the opening episodes of Outrageous Fortune and Agent Anna) writer (Love Child), script editor, and lecturer. These days Alexander works in Australian television.
Tangata Whenua, A State of Siege, Utu, Smash Palace, The Quiet Earth, Illustrious Energy...The resume of soundman turned producer Don Reynolds covers the modern renaissance of New Zealand film. After starting his own sound companies, Reynolds has gone on to production roles in New Zealand, Australia, Canada and the United Kingdom.
Barrie Everard was a significant Kiwi player in the business of movies over four decades. After distributing films in a highly competitive market, he founded the Berkeley Cinema chain. Everard produced adventure movie The Leading Edge (1987) and executive produced Never Say Die. He was the first exhibitor/ distributor to sit on the board of the NZ Film Commission, and was chair from 2002 to 2006. He died on 14 November 2016.
Alun Bollinger, MNZM, has been crafting the slanting southern light onto film and other formats, for almost 40 years. He is arguably New Zealand's premier cinematographer; images framed by Bollinger's camera include some of the most indelible memories to come from iconic films like Goodbye Pork Pie, Vigil and Heavenly Creatures.