Jillian Ewart worked in television as a producer and director from 1976 until 1987. She was the originating producer of Pacific Viewpoint, worked on five seasons of Kaleidoscope, and developed the format for the live Benson and Hedges Awards for Fashion Design. Ewart was also the first producer of travel series Holiday. These days Ewart has returned to journalism.
Kaleidoscope was full-on hard work, but much of what we were able to achieve was exhilarating. Jillian Ewart
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s to the 90s. The Wellington show was organised by model agent Maysie Bestall-Cohen from 1982, and from 1984 TVNZ broadcast the 'B&H' live from the Michael Fowler Centre. Bestall-Cohen and Bob Parker host this 1986 GOFTA award-winner. Former Miss Universe Lorraine Downes is a guest presenter, and the line-up of models includes a teenage Rachel Hunter and future TV presenter Hilary Timmins. Padded shoulders, geometric prints and garish colours date stamp the era.
This Kaleidoscope profile heralds the arrival of producer Larry Parr on the global film scene, following “the Kid from Raetihi” in his Jaguar from the hometown premiere of Came A Hot Friday (at that point the second most successful NZ film at the box office) to the Auckland offices of his company Mirage. In spite of the shoulder-padded, aspirational 80s framing, Parr talks about more troubled productions (eg. Pallet On The Floor) and the need for less self-conscious local cinema, with disarming honesty. Billy T James and Ian Mune provide character references.
TVNZ’s 80s arts programme follows a Royal NZ Ballet visit to China in this documentary directed by Keith Hunter. The trip is billed as a cultural exchange but the term belies the stresses of missing equipment, a director who has lost his voice, language barriers, incorporating a local seven-year-old girl into their performance and, for some, the dishes at a banquet. On a rare day off, there’s a chance to marvel at the scale of the The Great Wall; and there are insights into the everyday lives of the Chinese people as the country begins to open itself up to the world.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Cilla McQueen is a poet, teacher, performer and multimedia artist. In 1983 she won the New Zealand Book Award for Poetry and the Jessie MacKay Award for her debut volume Homing In (1982). McQueen has often written about Otago, and in this item she reads poems from the book and draws in varied locales around the region. McQueen also discusses where she sources her inspiration, and explains a creative process which involves stimulus from sight and sound as much as the written word. McQueen later moved to Bluff.
In this episode from long-running arts series Kaleidoscope, reporter Angela D’Audney visits the artist Grahame Sydney at his home — Mount Pisa Station near Cromwell — and discovers the slow and painstaking techniques he uses to produce his remarkable landscapes. Sydney explains how he chooses the subjects for his paintings and manipulates the Central Otago landscapes, to create the artworks for which he has achieved worldwide fame. Sydney also discusses the impact of family life upon him and his work.
In this report for arts show Kaleidoscope, Aileen O'Sullivan interviews writer Witi Ihimaera about Waituhi - The Life of the Village, an operatic collaboration with Pākehā composer Ross Harris. Amidst rehearsals before the opera's September 1984 premiere in Wellington, Ihimaera opens up about the personal and spiritual inspirations behind his first ever libretto. Ihimaera has used Waituhi, the East Coast village of his birth, as the setting for several of his novels. His libretto for Waituhi weaves together stories and waiata of love and loss from different generations of one whānau.
Future film producer Fiona Copland (The Price of Milk) is the reporter for this September 1984 piece on the New Zealand School of Dance in Wellington. Flashdance (1983) is in the air and Lionel Ritchie hit 'Running with the Night' is the soundtrack, as the wannabes aim to impress the likes of Limbs director Mary Jane O'Reilly. The students include Taiaroa Royal and Fenella Bathfield. Bathfield would shortly find local fame as host of after school programmes 3:45 LIVE! and The Bugs Bunny Show. The report screened on long-running arts programme Kaleidoscope.
This 1983 episode of arts series Kaleidoscope profiles the life of Rita Angus, whose paintings won critical acclaim both in New Zealand and abroad. After growing up in Hastings and Palmerston North, Angus moved down to Christchurch, initially to study at Canterbury College School of Art. Later she spent more than a decade in the Wellington suburb of Thorndon. Featuring interviews with those who knew her at various stages of her life, and numerous examples of her work, this half-hour documentary provides a thorough overview of who Rita Angus was.
Sensuous expressions of landscape and the human form made Edward Bullmore (aka Ted Bullmore) a pioneer of surrealism in New Zealand art. This Kaleidoscope report interviews the painter’s colleagues and family, and surveys the artist’s life and career: from an unlikely mix of Balclutha farm boy, Canterbury rep rugby player and Ilam art student, to success in 60s London – exhibiting with René Magritte and Salvador Dali, and having his works used by Stanley Kubrick in film A Clockwork Orange – before returning to teach in Rotorua (and obscurity), and his untimely death in 1978.
Nearly two years after the launch of New Zealand's Film Archive, founding director Jonathan Dennis discusses preserving films and film memorabilia for the public to enjoy. He shows reporter Gordon McLauchlan old nitrate film decaying in a former ammunition bunker, then describes finding a print of 1920s movie The Devil's Pit (aka Under the Southern Cross). One of the film's stars, Witarina Harris (née Mitchell) watches part of the film with Dennis, and recalls her time on set. The pair would work closely together promoting the Film Archive (now Ngā Taonga Sound & Vision).
Witi Ihimaera was the first Māori writer to publish a book of short stories (Pounamu Pounamu) and a novel (Tangi). In this wide-ranging Kaleidoscope profile Ihimaera (here in his late 30s) talks about being “the boy from the sticks made good”, and conforming to expectations: “do I want to be the literary voice of the Māori people? No”. He discusses editing influential anthology Into the World of Light and the camera accompanies him on a Wellington circuit, as he roller-skates, and visits Newtown’s Black Power HQ. George Henare reads excerpts from Ihimaera’s work.
In this episode of Pacific Viewpoint, Pacific women's advocate Eleitino 'Paddy' Walker is interviewed about the success of P.A.C.I.F.I.C.A, an organisation she helped set up in 1976. While at the fourth Pacific Allied (Womens) Council Inspires Faith in Ideals Concerning All conference, she talks about giving members a "sense of belonging" and fulfilling the group's goal to unite Pasifika women. The Samoan-Kiwi was nominated for the Nobel Peace Prize in 2009 as part of the 1000 women project, and became the first Auckland City councillor of Pacific descent. Walker died in 2015 at age 98.
Following campaigns in the 1970s for more Māori and Polynesian broadcasting, Pacific Viewpoint marked one of New Zealand television's earliest forays into ongoing Pacific programming. It was made largely by Pākehā, although the presenting and reporting team included John Rangihau, Pere Maitai and Katerina Mataira. The title of the weekly series signalled a focus on Pacific stories, but the show struck a balance between both Māori and Pacific topics. Screening on Sunday afternoons on South Pacific Television, the series was initially produced in Hamilton.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.
When New Zealand’s second channel arrived in 1975, TV One stayed with BBC format Play School as its pre-schoolers’ programme while newcomer SPTV made a local version of American show Romper Room (initially in Auckland, then from the Christchurch studios that later made After School). Participation from a young (and sometimes startled) studio audience was a hallmark of the show. The presenters included Miss Yvonne (they were always Miss) Moore — wife of future Prime Minister Mike Moore. Romper Room disappeared in 1980 when the channels combined.
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s through to the 90s. The show was organised by Josephine Brody, with a TV version screening later. Model turned agent Maysie Bestall-Cohen organised the ‘B&H’ from 1982. An early 80s screen hiatus ended with TVNZ screening a live-to-air show from 1984 to 1998 — the Michael Fowler Centre event was one of its biggest outside broadcasts. In the later 90s the show was known as the Smokefree Fashion Design Awards (after tobacco company sponsorships were outlawed).