Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
David Brechin-Smith is an award-winning screenwriter. Nominated for Lovebites and The Strip, he won awards for The Insider's Guide to Happiness and prequel The Insiders Guide to Love. He created and wrote drama series The Hothouse and worked on thriller series The Cult. Teen comedy-drama series Paradise Café and movie The Hopes and Dreams of Gazza Snell are also among his credits.
Greg Stitt has worked extensively as a filmmaker on both sides of the Tasman. Aside from many documentaries, he also directed the shorts Fastest Gun Down-Under and Just Me & Mario, the tale of a young man obsessed with singer Mario Lanza.
Christchurch-raised Anna Cottrell is a prolific documentary maker, with a keen interest in the stories that people tell. Her work ranges widely, from documentaries on immigrants (An Immigrant Nation) and family (Other People's Children), to five seasons of the bite-sized Great War Stories. Cottrell launched her company AC Productions in 2001.
Remembered by his colleagues as “the leader in capturing New Zealand scenery on film from 1923 to 1954”, Bert Bridgman began his career as a cameraman in the days of silent film, and later directed the Centennial film One Hundred Crowded Years. He served as a war correspondent in the Pacific for the National Film Unit and was chief colour cameraman at the time of his death.
Globetrotting New Zealander Len Lye was a gifted innovator in many areas of the arts — film, painting, sculpture, photography, and writing. Inventing ways to make films without a camera, he became one of the pioneers of the genre later known as the music video. Later he moved to New York's Greenwich Village and became a leading figure in the kinetic art movements of the 1950s and 60s.
The long career of Stan Wemyss ranged from South Pacific skirmishes to Māori legends, and gleaming refrigerators. Winner of an MBE after getting caught up in combat in Bougainville as a National Film Unit cameraman, Wemyss later spent many years with commercials company Peach Wemyss. He also produced pioneering te reo TV drama Uenuku.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.