Roy Good is the creative talent behind a wide range of set designs (1960s music show C'mon, Hudson & Halls, Top Half) and graphics (including iconic logos for South Pacific Television, and Television New Zealand's Southern Cross logo). Good started his television career painting sets and designing graphics for C'mon. The accomplished artist led a large design team at TVNZ for most of the 1980s.
We sort of made it up as we went along as it was all so new. Roy Good describes working on music show C'mon
The basic format of Blind Date involves putting a series of questions to three potential dates who can't be seen. First in the driver's seat is Natalie, a “part-time actress and model who would love to meet somebody fast and exciting” — although not too fast. Her choices are a “Greenpeace supporter”, an accounts clerk, and a welder who likes to work out. Watch out for Suzanne Paul as one of the show's later suitors, who gets laughs for making clear the romantic impact of a well-built wallet. Two contestants also provide a post-mortem on their blind date.
Contact was introduced as TV2’s slot for local documentaries when TVNZ was established in 1980. At 7pm on Monday nights, it featured 30 minute programmes made both in-house and by independent producers. Multiple episode series within the strand included historian Les Cleveland’s archive based Not So Long Ago, and Ian Taylor Adventures, where the former Spot On presenter tried his hand at various extreme sports. The Contact brand was transferred to TV1 in 1981, as TV2 began to move towards more of an entertainment focus.
Local news was a staple of pre-network 1960s NZ television, and retained its popularity in the network era. The amalgamation of TV1 and SPTV in 1980 produced regional shows The South Tonight and The Mainland Touch in the South Island, and Today Tonight in Wellington. Top Half covered the area spanning from Turangi to North Cape. It was presented for six years by the "dream team" of John Hawkesby and Judy Bailey (latter succeeded by Natalie Brunt in 1986). Amid some controversy, regional news on TVNZ was eased out by Holmes and the arrival of a new era of TV.
In 1978 Eyewitness evolved out of TV2’s After Ten as a twice weekly current affairs show broadcast on Tuesday and Thursday nights. With Philip Sherry as studio anchor, it set out to investigate a single issue from a number of perspectives in each episode. Other foundation staff members included journalists Karen Sims, David Beatson, Dairne Shanahan, Rhys Jones and Neil Roberts. By 1981 it was presented by Karen Sims and had become NZ television’s longest running current affairs show — but it morphed into the nightly Eyewitness News the following year.
They came, they battered, they bickered. Peter Hudson and David Halls were as famous for their on-screen spats as they were for their recipes. The couple ("are we gay - well we're certainly merry") turned cooking into comedy. Their self-titled show ran for a decade on New Zealand TV and it attracted a cult following when they moved the show to the UK. The duo won Entertainer of the Year at the 1981 Feltex Awards. Microwaves, little roasted nuts and great dollops of innuendo: the sometimes fusty genre of TV culinary demonstration would never be the same.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.
In this feisty late 1976 The Friday Conference interview, host Gordon Dryden holds Prime Minister Muldoon to account over his 1975 election pledges. Dryden challenges Muldoon’s touting of freedom (amidst price freezes, wage controls and an All Blacks tour to apartheid South Africa), and the PM's description of himself as a liberal (with heated talk about insults traded during the Colin Moyle affair). Dryden evokes the spectre of the McCarthy era, and a pugnacious Muldoon invokes “the ordinary bloke”. Muldoon later refused to be interviewed by Dryden again for the show.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.