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Jude Dobson

Presenter, Producer

Jude Dobson became a familiar television presence in the 1990s presenting a run of lifestyle shows, and then her own five night a week series. After beginning on quiz show Sale of the Century, she went on to helm almost 1000 episodes of 5.30 with Jude and its follow-up. In 2002 she set up production company Homegrown Television to make documentaries and educational films exploring parenting and family.

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Nigel Latta

Presenter

Clinical psychologist Nigel Latta first made his mark on Kiwi television in 2008 with Beyond the Darklands, based on his book Into the Darklands, about New Zealand criminals and how they came to be. Latta hosted the show for five seasons, alongside three lighthearted, politically incorrect series about teenagers and other humans. 2014 saw the launch of wide-ranging issues show Nigel Latta.

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Mark McNeill

Producer, Director

Mark McNeill has been making documentaries for over 20 years. Along the way he has shown a knack for offbeat factual programming, including work with Te Radar and psychologist Nigel Latta. In 1999 McNeill launched company Razor Films. He and Latta went on to reshape The Politically Incorrect Parenting Show for a primetime Australian slot. In 2018 McNeill become the first Kiwi producer to make a series for Netflix.

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Craig Parker

Actor

At high school Craig Parker was "the world's most uncoordinated kid". After discovering that taking drama would mean less time in PE, he picked acting. The decision launched a 30+ year career around the globe. His screen roles include Shortland Street, Mercy Peak, and TV movie Shackleton's Captain. Since winning a keen fan base for a bit part in Lord of the Rings, he has also acted in Spartacus and Reign.

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Erina Tamepo

Producer [Ngāti Porou, Ngai Tai]

In a television career spanning more than 25 years, Erina Tamepo has produced a wide variety of shows, many from her time as an in-house producer for Māori Television. Among Tamepo’s credits is popular Friday night karaoke competition series Homai Te Pakipaki — which ran for nine years — and Willie Jackson’s Newsbites, which was nominated for a Qantas Award for Best Current Affairs Series in 2010.

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Suzy Cato

Presenter, Producer

Suzy Cato leapt from radio announcing into television as presenter of TV3's Early Bird Show, quickly claiming her place as one of New Zealand's most beloved children's presenters. Thanks to the success of Suzy's World and pre-school favourite You and Me, her television CV now runs to well over 2300 episodes. In 1999 she set up her own company, Treehut Productions.  

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Kathleen O'Brien

Director

For 20 years Kathleen O'Brien was the only woman director at the government's National Film Unit. Her films were invited to festivals overseas. Known for her work involving children and education, O'Brien's directed comical road safety short Monkey Tale (1952), and the moving Story of Seven Hundred Polish Children (1966).

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Robbie Magasiva

Actor

Kiwi-Samoan Robbie Magasiva was performing in a primary school talent quest when he fell in love with acting. At age 16 he made his first screen appearance, playing a police cadet in a TV commercial. Since then Magasiva has honed his skills in television (Aussie series Wentworth, Shortland Street, Skitz, The Semisis), film (Stickmen and Sione's Wedding) and stage (comedy group The Naked Samoans).

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Chris Dudman

Director, Writer

Kiwi Chris Dudman studied film at Ilam and London’s Royal College of Art; his graduation short was nominated for a student Oscar. After working on arts documentaries in the UK, Dudman returned to NZ in 1995. Since then he has directed drama shows (the high-rating Harry), documentaries (The Day that Changed My Life), attention-grabbing shorts (Choice Night), and a number of high profile ads for his company Robber’s Dog.

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Ian Cross

Journalist, Author, Broadcaster

Ian Cross trained as a journalist. His 1957 novel The God Boy has been hailed as a classic (and similar status afforded to the 1976 television adaptation). As Listener editor he doubled its circulation and reinvigorated its writing staff. As broadcasting chair and chief executive he had a turbulent relationship with the Muldoon government - and failed to stem what he saw as the over-commercialisation of television.