Jude Dobson became a familiar television presence in the 1990s presenting a run of lifestyle shows, and then her own five night a week series. After beginning on quiz show Sale of the Century, she went on to helm almost 1000 episodes of 5.30 with Jude and its follow-up. In 2002 she set up production company Homegrown Television to make documentaries and educational films exploring parenting and family.
Clinical psychologist Nigel Latta first made his mark on Kiwi television in 2008 with Beyond the Darklands, based on his book Into the Darklands, about New Zealand criminals and how they came to be. Latta hosted the show for five seasons, alongside three lighthearted, politically incorrect series about teenagers and other humans. 2014 saw the launch of wide-ranging issues show Nigel Latta.
Mark McNeill has been making documentaries for over 20 years. Along the way he has shown a knack for offbeat factual programming, including work with Te Radar and psychologist Nigel Latta. In 1999 McNeill launched company Razor Films. He and Latta went on to reshape The Politically Incorrect Parenting Show for a primetime Australian slot. In 2018 McNeill become the first Kiwi producer to make a series for Netflix.
At high school Craig Parker was "the world's most uncoordinated kid". After discovering that taking drama would mean less time in PE, he picked acting. The decision launched a 30+ year career around the globe. His screen roles include Shortland Street, Mercy Peak, and TV movie Shackleton's Captain. Since winning a keen fan base for a bit part in Lord of the Rings, he has also acted in Spartacus and Reign.
In a television career spanning more than 25 years, Erina Tamepo has produced a wide variety of shows, many from her time as an in-house producer for Māori Television. Among Tamepo’s credits is popular Friday night karaoke competition series Homai Te Pakipaki — which ran for nine years — and Willie Jackson’s Newsbites, which was nominated for a Qantas Award for Best Current Affairs Series in 2010.
Suzy Cato leapt from radio announcing into television as presenter of TV3's Early Bird Show, quickly claiming her place as one of New Zealand's most beloved children's presenters. Thanks to the success of Suzy's World and pre-school favourite You and Me, her television CV now runs to well over 2300 episodes. In 1999 she set up her own company, Treehut Productions.
Producer Meg Douglas began in television as a teenage reporter, before heading behind the camera as an adult. Since then she has worked in a variety of roles — from researcher, writer and production manager, to producer and director. In 2005, Douglas started her own production company, Scottie Productions, which has netted several awards.
Kiwi Chris Dudman studied film at Ilam and London’s Royal College of Art; his graduation short was nominated for a student Oscar. After working on arts documentaries in the UK, Dudman returned to NZ in 1995. Since then he has directed drama shows (the high-rating Harry), documentaries (The Day that Changed My Life), attention-grabbing shorts (Choice Night), and a number of high profile ads for his company Robber’s Dog.
British-born Jaquie Brown moved downunder at age 15, and began winning radio awards in the late 1990s. After co-hosting TV2's late night music show Space, she presented on C4 and reported for Campbell Live. In 2008 Brown co-created double Qantas award-winning comedy The Jaquie Brown Diaries. She played a once popular TV personality trying to recapture her fame. Since then Brown has presented parenting series Keep Calm and Carry On, and madcap game show Pop Goes the Weasel. She co-wrote Cannes-nominated short film Nothing Special, and has been a guest host on Three's primetime show The Project.
Ian Cross trained as a journalist. His 1957 novel The God Boy has been hailed as a classic (and similar status afforded to the 1976 TV adaptation). As Listener editor he doubled its circulation; as broadcasting chair and chief executive he had a turbulent relationship with the Muldoon government — and failed to stem what he saw as the over-commercialisation of television.