Clinical psychologist Nigel Latta first made his mark on Kiwi television in 2008 with Beyond the Darklands, based on his book Into the Darklands, about New Zealand criminals and how they came to be. Latta hosted the show for five seasons, alongside three lighthearted, politically incorrect series about teenagers and other humans. 2014 saw the launch of wide-ranging issues show Nigel Latta.
Since the late 1980s Bryan Bruce has been a prolific documentary maker and presenter. Over more than 30 documentaries, plus three seasons of The Investigator, he has cast fresh eyes on some of the most famous crimes in New Zealand’s history, and asked tough questions about the country’s economic and social trajectory.
Mark McNeill has been making documentaries for over 20 years. Along the way he has shown a knack for offbeat factual programming, including work with Te Radar and psychologist Nigel Latta. In 1999 McNeill launched company Razor Films. He and Latta went on to reshape The Politically Incorrect Parenting Show for a primetime Australian slot. In 2018 McNeill become the first Kiwi producer to make a series for Netflix.
Director and editor Lala Rolls has made short films, music videos and documentaries (Tupaia's Endeavour, Children of the Migration). She has gone on location throughout the Pacific Islands, and had her work invited to festivals in New Zealand and overseas.
Justin Pemberton's work for the screen can be split roughly into two. His eclectic and award-winning run of documentaries includes motor-racing story Love, Speed and Loss and acclaimed Olympic saga The Golden Hour. He has also worked on many music projects, from music videos to documentaries about Anika Moa and the NZ Symphony Orchestra.
Philly de Lacey heads company Screentime New Zealand. De Lacey began in television in 1999. By 2003 she was producing the company’s newly-launched show Police Ten 7; three years later she became managing director at Screentime NZ. The company’s staple of shows ranges across drama (Underbelly: Land of the Long Green Cloud, Siege), and various long-running actuality series (Beyond the Darklands, Marae DIY).
Alison Parr has documented key moments in New Zealand’s cultural and social history during an award-winning career as a journalist, oral historian and broadcaster. Her credits include iconic programmes of the 1980s and 90s like Close Up and Kaleidoscope. In 2003 she joined the Ministry for Culture and Heritage, where she has spent more than a decade as an Oral Historian, recording the memories of war veterans.
British-born Malcolm Hall moved from newspaper journalism into television, after emigrating downunder. Since then his career as a producer and director has seen him helming current affairs, comedy, children's TV, and varied documentaries which have screened around the globe. At the turn of the millennium, Hall began making television for company NHNZ.
For three decades Peter Sinclair was one of New Zealand’s leading TV presenters. A radio announcer by training, he was the face of music television, fronting Let’s Go, C’mon and Happen Inn from 1964 to 1973. He reinvented himself as a quiz show host with Mastermind — and hosted telethons and beauty contests until the mid 90s. Sinclair returned to radio and wrote an online column until his death in August 2001.
Arthur Everard spent almost two decades making films for the National Film Unit, including directing award-winning rugby short Score and joining the team behind Commonwealth Games doco Games ’74. In 1984, Everard became New Zealand’s Chief Film Censor, a position he held for six years.