Gary Scott

Producer, Director, Writer

Gary Scott began his television career as an assignment editor on TV3's news desk, before joining Ninox Films as a writer and researcher. He directed documentaries then joined Wellington company Gibson Group in 2001, where he has produced or executive produced a slew of factual programmes and series, including Kiwis at War, Here to Stay and NZ Detectives.

Roz Mason

Director

Director Roz Mason has three decades worth of credits on television documentaries and TV series. She cut her screen teeth on TVNZ staples like Fair Go, Kaleidoscope and Crimewatch, before going freelance in the 90s. Subjects Mason has directed range from poets, drama students and assault survivors, to shipwrecks and sword swallowers — plus orangutans and pandas for company NHNZ. 

Don Oakley

Camera

As an intrepid young cameraman for the National Film Unit, Don Oakley travelled to remote parts of New Zealand and brought to the screen scenes of the recently-rediscovered takahē, Opo the dolphin, and life in the backblocks. In a lengthy career, he also filmed in the studio and overseas, rising to be chief cameraman of the NFU.

Julia Parnell

Producer

Producer Julia Parnell’s CV boasts a diverse range of credits — from comedy (Wayne Anderson: Singer of Songs) to sport (Wilbur: The King in the Ring), music (The Chills - The Triumph & Tragedy of Martin Phillipps) and te ao Māori (Restoring Hope). Parnell’s production company Notable Pictures is behind a run of award-winning short films (Dive, Friday Tigers), plus long-running mini-documentary series Loading Docs.

Anthony Stones

Designer

Anthony Stones worked in design for NZ television for over 20 years, with credits ranging from drama to current affairs. After five years as TV2's head of design, he returned to his English birthplace in 1983. Outside of television, Stones made well-known public sculptures in Aotearoa, the UK and China; he died in China in September 2016, aged 82.                    Image credit: Photo taken and supplied by Dave Roberts

Caroline Girdlestone

Animal Trainer

Fed up with seeing animals unintentionally mishandled on set, former farm girl Caroline Girdlestone decided to do something about it. Now one of the most respected animal trainers in Australasia, she’s worked with almost any animal imaginable across more than 500 projects – ranging from the cute barnyard animals of Racing Stripes to the horrifying ovine creatures in Black Sheep.

Geeling Ng

Actor

Model Geeling Ng found fame after a memorable beach scene with David Bowie in the video for 'China Girl'. Auckland born, of Chinese ancestry, Ng went on to act in 'glitter soap' Gloss and Chinese settlers down under classic Illustrious Energy (1987). Her recent screen appearances include playing boss on The Jaquie Brown Diaries, competing on Dancing with the Stars, and hosting a cooking segment on Asia Down Under.

John Hagen

Director, Sound

The great outdoors and the arts are what most inspires sound recordist turned documentary director John Hagen. He learnt the ropes at Avalon television studios, before venturing out on his own as a director. Alongside arts shows like Frontseat and New Artland, Hagen has celebrated Kiwi architecture in The New Zealand Home and recreated hazardous pioneer journeys in popular series First Crossings.

Paul Stanley Ward

Writer

Paul Stanley Ward won a Qantas Award for his first short film script: 2008's The Graffiti of Mr Tupaia. After an OE that took in a Masters in Literature at Oxford University and work for the Discovery Channel in the United States, he returned home to write for Kiwi settler show Here to Stay, plus policing documentary Undercover. Later came shorts Choice Night and Cold Snap, which was selected for the 2013 Venice Film Festival. Ward was founding editor of NZ On Screen. The longtime nature lover went on to create kids nature app Wild Eyes, and Capital Kiwi, whose mission is to return kiwi to the wilds of Wellington.  

Paul Maunder

Director

An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.