Gary Scott began his television career as an assignment editor on TV3's news desk, before joining Ninox Films as a writer and researcher. He directed documentaries then joined Wellington company Gibson Group in 2001, where he has produced or executive produced a slew of factual programmes and series, including Kiwis at War, Here to Stay and NZ Detectives.
Director Roz Mason has three decades worth of credits on television documentaries and TV series. She cut her screen teeth on TVNZ staples like Fair Go, Kaleidoscope and Crimewatch, before going freelance in the 90s. Subjects Mason has directed range from poets, drama students and assault survivors, to shipwrecks and sword swallowers — plus orangutans and pandas for company NHNZ.
As an intrepid young cameraman for the National Film Unit, Don Oakley travelled to remote parts of New Zealand and brought to the screen scenes of the recently-rediscovered takahē, Opo the dolphin, and life in the backblocks. In a lengthy career, he also filmed in the studio and overseas, rising to be chief cameraman of the NFU.
Antonia Prebble played the manipulative Loretta West on Outrageous Fortune over six seasons, before starring in prequel Westside. Prebble began her screen career aged 12 on TV series Mirror, Mirror, and did five seasons on sci-fi hit The Tribe during her school holidays. From 2013 her career got even busier, with starring roles in legal thriller The Blue Rose, Witi Ihimaera film White Lies and bio-thriller The Cure.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Model Geeling Ng found fame after a memorable beach scene with David Bowie in the video for 'China Girl'. Auckland born, of Chinese ancestry, Ng went on to act in 'glitter soap' Gloss and Chinese settlers down under classic Illustrious Energy (1987). Her recent screen appearances include playing boss on The Jaquie Brown Diaries, competing on Dancing with the Stars, and hosting a cooking segment on Asia Down Under.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
Libby Hakaraia has an overflowing kete of credits, covering subjects from Fat Freddy’s Drop to Apirana Ngata, Anzac Day to Anne Salmond. The ex-radio journalist had a screen apprenticeship at Kiwa Productions, where she made many docos on Māori themes. Based in Otaki, she now produces shows with partner Tainui Stephens under the Blue Bach banner, including the popular Māori Television reboot of It’s in the Bag.
Dan Salmon is a multi award-winning director and producer of documentary (Made in Taiwan, Here to Stay) and drama (Licked, The Day Morris Left). His documentaries have screened on TVNZ, ABC, Al Jazeera and EBS in Korea, and at festivals in Tahiti, Canada and the United States.