Trevor Spitz, who died in March 2012, was a key player in the 1989 launch of channel TV3. The musician turned promoter had begun working in television in the 70s as a talent scout and producer of entertainment shows, and won success — and controversy — with hit television export That's Country. He was influential in the careers of many performers, including comedic duo McPhail and Gadsby and singer Suzanne Prentice.
Veteran producer and production designer Grahame McLean helped organise the shoots of a run of landmark Kiwi productions, from The Games Affair to Sleeping Dogs. Later he brought TV success Worzel Gummidge down under, and became the first — and will likely long remain one of the few — New Zealanders to direct two feature films back to back.
2013 Arts Foundation Laureate Dean Parker has written extensively for stage, television, radio and print. Alongside his own projects, he has shown himself as a skilled adaptor of everyone from Nicky Hager (The Hollow Men) to Ronald Hugh Morrieson (movie classic Came a Hot Friday).
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.
Greg McGee's first play Foreskin's Lament (1980) is seen as a watershed moment in the maturing of a distinctly Kiwi theatre. Since then McGee has demonstrated (with tele-movie Old Scores) that rugby can be the stuff of comedy as well as critique. He has also created or co-created a run of television dramas - including long-running law show Street Legal - many of them awardwinners.
Ngila Dickson, ONZM, has designed costumes for vampires, university professors, fertility cults, and wizards in pointy hats. And that's only counting the work she has done for Kiwi filmmakers. Since sharing an Academy Award and a BAFTA for The Lord of the Rings trilogy, Dickson has contributed her costume prowess to movies in Japan, Germany, South Africa and Los Angeles.
Director Michael Firth was an unheralded figure in the Kiwi film renaissance. His debut movie, ski film Off the Edge, was the first New Zealand feature to be Oscar-nominated. Noted US critic Andrew Sarris praised drama Sylvia, based on teacher Sylvia Ashton-Warner, as one of 1985's best films. Firth's subjects ranged from incest to fishing; his TV series Adrenalize sold to 50 countries. He passed away on 9 October 2016.
Low-tech legend Chris Knox is an accomplished musician, animator, writer, cartoonist, and filmmaker. The former punk shaman has brought an energetic eclecticism to his work no matter what medium it forms in, and showcased his gift for DIY-style animation in many of the videos that accompany his music.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Ian Watkin's long acting career saw him playing mad doctors, priests, axe-wielding stepfathers, and American presidents. Part of the legendary Blerta troupe which toured Australasia in the 1970s, Watkin went on to appearances in everything from Beyond Reasonable Doubt and an iconic Crunchie bar commercial, to presenting Miss Universe New Zealand. He passed away in May 2016.