Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
The idea that New Zealanders often take for granted the depth of talent in the local screen industry is well illustrated by the career of Flux Animation founder Brent Chambers. Most Kiwis would have seen at least one example of his prolific output, yet few would be able to put a face or a name to his work. Chambers was tireless in building a competitive and viable international business, with a distinct local identity.
Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.
Philly de Lacey heads company Screentime New Zealand. De Lacey began in television in 1999. By 2003 she was producing the company’s newly-launched show Police Ten 7; three years later she became managing director at Screentime NZ. The company’s staple of shows ranges across drama (Underbelly: Land of the Long Green Cloud, Siege), and various long-running actuality series (Beyond the Darklands, Marae DIY). Image Credit: Photo by Norrie Montgomery
A background in Christchurch improv theatre prepared Matt Gibb for roles presenting long-running TVNZ kids shows Squirt and Studio 2 Live. He has gone on to host slots for youth channel TVNZ U (which he also produced), Good Morning, the live Lotto draw, and Heartland’s There and Back. A familiar face in a series of ads for Spark (formerly Telecom), in 2015 Gibb began fronting travel and homes segments for Kiwi Living.
Jonno Woodford-Robinson has edited everything from features (Taika Waititi's debut Eagle vs Shark) to commercials (such as Telecom's Meerkats campaign). Woodford-Robinson's other features include Alison Maclean's The Rehearsal, Mahana and pioneering Fijian film The Land Has Eyes. A frequent collaborator with director Jason Stutter, Woodford-Robinson's projects include Stutter's adaptation of novel Predicament. After several nominations, he picked up his first New Zealand Film Award in 2017 for his work as co-editor (with Mike Horton) of Lee Tamahori's rural drama Mahana.
Though Pamela Meekings-Stewart's work as a producer and director ranges widely, she has often been drawn to documentaries involving women and the arts. Her Feltex award-winning series Pioneer Women dramatised the lives of six women, from Princess Te Puea to Ettie Rout. These days she runs retreats from her farm in Pukerua Bay. Meekings-Stewart is sometimes credited as Pamela Jones.
From Newsnight to Fair Go, Alison Mau's appearances on Kiwi screens cover over 20 years. Australian-born, she began her television career in the UK, and flourished in Aotearoa. Mau has appeared on many news and current affairs slots, and presented on both Breakfast and primetime show Seven Sharp. In March 2018 she announced the launch of the #MeTooNZ campaign, investigating workplace harassment.
Jim Hickey spent more than two decades using his dextrous vocabulary to predict the likely path of sun, rain and wind. A longtime TV One fixture as weather forecaster on the primetime news, Hickey has also brought his distinctive presentation style to a host of other shows, including Country Calendar and A Flying Visit.