Producer Nik Beachman worked on a run of Cannes Film Festival successes in the mid 2000s, as executive producer of short films Fog, Run and Nature's Way (Run was runner-up in 2007 for Cannes' top prize for shorts, the Palme d'Or). Beachman began his screen career as an Assistant Director. In 2000 he produced three short films in a single year. On the feature front, he was part of the producing team on Lee Tamahori's Mahana and 2018's Vermillion. Beachman's production company Thick as Thieves has worked on many high-profile commercials, including a Utah-shot Hallensteins ad featuring motorcyclists in suits.
You have to emotionally absorb and hold onto a lot of stuff ... a producer cannot vent emotionally whereas others can. Nik Beachman on the challenges of being a producer, Script to Screen website, 27 April 2009
Movie Vermilion follows composer Darcy (Jennifer Ward-Lealand) over a summer month, as her daughter prepares to marry. Darcy sees colours when she plays musical notes, but after seeing the colour vermilion she is prompted to secretly make her own plans. The exploration of motherhood, family and female friendship marks the feature debut of director Dorthe Scheffmann (Cannes-selected 1995 short film The Beach). The ensemble cast includes Theresa Healey, Goretti Chadwick (Game of Bros), and newcomer Emily Campbell. The production team were 85 per cent female.
Inspired by Witi Ihimaera's Bulibasha, Mahana saw director Lee Tamahori making his first film on local soil since a very different family tale: 1994's Once Were Warriors. Temuera Morrison stars as a 60s era farming patriarch who makes it clear his family should have absolutely nothing to do with rival family the Poatas. Then romance enters the picture, and son Simeon sets out to find out how the feud first started. The powerhouse Māori cast includes Nancy Brunning (who is included in the interview clips) and Jim Moriarty. Mahana debuted at the 2016 Berlin Film Festival, before NZ release.
In this short film, a Cook Island school cleaner (Whale Rider's Rawiri Paratene) responds to an unusual graffiti message on a girls’ toilet wall, with life-changing consequences for him and the mysterious author. Paratene's performance won him a Qantas Film and TV Award; the film also won Best Short and Screenplay (Paul Stanley Ward). Tupaia travelled to more than 15 festivals and director Chris Dudman was nominated for a Leopard of Tomorrow (Best Short) at Locarno. Dudman, Ward and producer Vicky Pope teamed up on another short film success, Choice Night (2010).
Ricky is shy and has an overbearing father. He and extroverted misfit Telly (Chelsie Preston Crayford) slip out into the night, commandeering Ricky's father's fishing boat and heading out into the freedom of the fog. Peter Salmon's short film highlights oppression, boredom and sex in a small New Zealand town. Fog was shot in Ngawi, an isolated fishing village on the Wairarapa coastline. It was invited to 20 international film festivals, including the Critics' Week section at Cannes. At the 2007 NZ Screen Awards, Chelsie Preston Crayford was awarded for Best Performance in a Short Film.
A girl is murdered and her body dumped in the forest. Nature's Way is a short film that explores the mind of a murderer who thinks he's gotten away with it. In Jane Shearer's haunting Cannes-nominated film, the dense native bush acts as witness to what the killer has done. In the absence of dialogue, Matthew (Out of the Blue) Sunderland's paranoid protagonist, sublime cinematography by award-winner Andrew Commis (The Rehearsal, Beautiful Kate) and an eerie, spare soundtrack by Rachel Shearer evoke the themes of utu at the suburban fringe.
The third feature from writer/director Harry Sinclair (The Price of Milk, Topless Women ...) is a fleet footed anti-romance about sex and infidelity. Love is a game for Ben (Dean O’Gorman), who cheats on girlfriend Emily with ease — until he falls head over heels with unpredictable vixen Chlo (Kate Elliott). When Emily confesses that she too has cheated, Ben self-righteously dumps her and runs to Chlo. But Chlo has a rule: she won’t date available men. To win her love, Ben must be unavailable. This excerpt features much bed hopping and 20-something mat-ters.
In this dark short film, an isolated rural idyll is spoiled when a farmhand (Craig Hall) gets ideas above his station. There will be blood in the barn as the interloper puts new meaning into dirty dairying, and upturns the lives of farmer Ken (Ross Harper), his wife (Sara Wiseman) and Ken’s simple sibling (Leighton Cardno). Director Andrew Bancroft’s earlier short Planet Man (an award-winner at Cannes) was set in a dark future; Home Kill takes the dystopia to the heartland with gothic horror glee, depicting farm life in a way that is unlikely to be endorsed by Fonterra.
This early short from The Most Fun You Can Have Dying director Kirstin Marcon follows a driver (Sophia Hawthorne) in the aftermath of a car crash. She — almost — pulls a badly-injured victim from wreckage in rugged bush and tends to him, but behaves strangely when another motorist arrives. The film presents shards of the relationship between victim and 'rescuer', but never enough to undercut the effectively mysterious tone; metallic blues and greens flavour the film’s unexpected moral code. She's Racing won a Silver Plaque at Chicago Film Festival (2000).
This short film follows a five-year-old child (Elizabeth Morris), after her mother's paranoid delusions reach breaking point and she is put in a mental hospital. Writer/director Belinda Schmid's aim was to show how children can respond to situations partly without emotional upset, "because we have no other measure for the ways things are supposed to be, and partly by coping in ways that help us survive at the time". Jennifer Ward-Lealand plays the mother. Nominated for Best Short at the 2000 NZ Film Awards, The Painted Lady was invited to a number of international film festivals.
Lucinda (Danielle Cormack) lives a fairytale life with dairy farmer Rob (Karl Urban), and his 117 cows. But after a freak car accident she decides to test Rob's love for her by trying to make him angry. He passes her tests until a quilt goes missing from their bed; the price of getting it back is high. Harry Sinclair's follow-up to Topless Women Talk about their Lives is quirky and romantic, but not especially fantastical — yet it won a trio of awards at specialist fantasy film festivals overseas. The fulsome soundtrack is performed by the Moscow Symphony Orchestra.