Surely the most famous comedian to rise from West Auckland, Ewen Gilmour won the first Billy T award in 1997, and a devoted following. The longtime petrolhead had begun making regular appearances on TV show Pulp Comedy in the mid 90s; there would also be live performances in Paris, Ireland, Montreal, and across the length of New Zealand. Gilmour passed away in his sleep in early October 2014.
Roy Good is the creative talent behind a wide range of set designs (1960s music show C'mon, Hudson & Halls, Top Half) and graphics (including iconic logos for South Pacific Television, and Television New Zealand's Southern Cross logo). Good started his television career painting sets and designing graphics for C'mon. The accomplished artist led a large design team at TVNZ for most of the 1980s.
Co-creator of anthology series Mataku, Bradford Haami is a producer, director and scriptwriter as well as an author, lecturer and Māori historian. His passion for storytelling and expertise in Māori culture has seen him work on television productions and act as a consultant to numerous local and international drama, documentary and features over the past two decades.
Tom Reilly was named new filmmaker of the year thanks to a showreel that included his short film Man with Issues. Reilly's shorts and commercials have often mixed traditional stop motion animation with digital effects. In 2010 he scored festival acclaim with feature Gordonia, chronicling battles between an eccentric car yard owner and Waitakere City Council, then directed a trio of doco series for Wellington’s Gibson Group.
Actor/director Simon Prast is best-known for his stage career, and 11 years commanding the Auckland Theatre Company. Prast's screen-acting career dates back to the mid 80s, most famously for his role as rich kid Alister Redfern in beloved soap Gloss. His biggest feature role to date remains Stephen, man-at-the-crossroads in 1998 feature When Love Comes.
Don Selwyn, ONZM, was an actor, casting director and mentor to a host of talented Māori who went on to work in film and television. Selwyn’s long acting resume includes 1970s historical epic The Governor and police show Mortimer’s Patch. He also directed The Māori Merchant of Venice, the first feature film in te reo Māori.
Robin Scholes is one of New Zealand’s most experienced and respected producers. Her credits range from feature films (Once Were Warriors, Mahana, Mr Pip) to iconic TV shows (Magic Kiwis) and documentaries (Colin McCahon: I Am). In 1997 she was made an OBE for services to the film and television industry.
Cliff Curtis alternates a busy diet of acting in the United States (where he's forged a reputation as the actor to call on, for roles of varied ethnicity) with smaller scale New Zealand projects — including co-producing Taika Waititi smash Boy. His CV of Kiwi classics includes playing Pai's father in Whale Rider, Uncle Bully on Once Were Warriors, and bipolar chess champion Genesis Potini in The Dark Horse.
Kiwi Chris Dudman studied film at Ilam and London’s Royal College of Art; his graduation short was nominated for a student Oscar. After working on arts documentaries in the UK, Dudman returned to NZ in 1995. Since then he has directed drama shows (the high-rating Harry), documentaries (The Day that Changed My Life), attention-grabbing shorts (Choice Night), and a number of high profile ads for his company Robber’s Dog.
Brian Kassler started his career building sets for theatre and film, then worked as a camera grip on a host of New Zealand features. In the mid 80s he started supplying film equipment to local crews, before launching successful production company Flying Fish with Lee Tamahori. Today he fronts Showtools, a film production website.