John Hudson's journalistic career has included major stories on the Cooperite Christian commune on the West Coast, and tracking down French secret service agents who bombed the Rainbow Warrior. Programmes he has reported for include Eyewitness, Holmes, Frontline, and Sunday.
In the 1980s ex-NZBC staffer Howard Moses produced and directed a trio of award-winning alpine films: Across the Main Divide, Incredible Mountains and Turn of the Century (a history of skiing in NZ). Winter Olympic chronicle Zimska Olimpijada won best doco at 1987's Mountainfilm in Telluride Festival. Based in Australia since 1991, Moses has worked in TV in Western Australia and the Northern Territory.
Ian Watkin's long acting career saw him playing mad doctors, priests, axe-wielding stepfathers, and American presidents. Part of the legendary Blerta troupe which toured Australasia in the 1970s, Watkin went on to appearances in everything from Beyond Reasonable Doubt and an iconic Crunchie bar commercial, to presenting Miss Universe New Zealand. He passed away in May 2016.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.
An iconoclast with a bent for experimentation, director Paul Maunder brought the mixed flavours of social realism and the arthouse to New Zealand screens in the 1960s and 70s, before shifting stages and leaving the government's National Film Unit, to concentrate on theatre. His second feature Sons for the Return Home (1979) as the first film to dramatise the experience of Pacific Islanders living in contemporary New Zealand.
Ken Blackburn, MNZM, is a familiar face on New Zealand stage and screen. In a career spanning 50+ years he's appeared in iconic television shows (Gliding On, Shortland Street) and films — including a lead role in 1978 feature Skin Deep. Blackburn was awarded a New Zealand Order of Merit in 2005; in 2017 he received the a Lifetime Achievement award, acknowledging long-serving local actors.
A proud son of the West Coast, Peter Hawes was a fixture on NZ television in the late 70s and early 80s. After writing for A Week of It, he presented Yours for the Asking, giving free rein to his irreverent wit and fondness for wordplay as he sought answers to viewer questions. Hawes has also written extensively for the theatre and authored a number of well-received novels.
Geoff Dixon began making commercials in the 70s — the decade he launched legendary ad company Silverscreen Productions, whose clients included Cadbury, Toyota, Air New Zealand and Singapore Airlines. Ranging across New Zealand and beyond, his work includes iconic images of South Island back roads, Barry Crump crashing utes through the bush, and Michael Hurst singing a war cry for the Kiwi bloke.
Justin Pemberton's work for the screen can be split roughly into two. His eclectic and award-winning run of documentaries includes motor-racing story Love, Speed and Loss and acclaimed Olympic saga The Golden Hour. He has also worked on many music projects, from music videos to documentaries about Anika Moa and the NZ Symphony Orchestra.
Brad McGann's debut feature In My Father's Den won awards in Germany, China, England, Canada, the United States, and New Zealand; The Australian reviewer called it "one of the best films I have ever seen". McGann had earlier won acclaim for his moody fourth short Possum (1997). McGann passed away from cancer in May 2007. He was only 43.