A love of English and writing saw the multi-talented Oscar Kightley pursue journalism on his journey to artistic success. He talks about that journey in this extended Funny As interview, including: John Clarke being the first New Zealander that cracked him up The value of touring schools with theatre group Pacific Underground, and the tough audience that is youth The longevity of The Naked Samoans, from their first show in 1998, to a show 20 years later The birth of bro’Town, its success, and plans for a bro'Town movie The "I'd love to see my face up there, like, really big" moment that was movie Sione’s Wedding Making comedy in the new media landscape
In 1988 comedy group Funny Business managed the jump from stand-up to headlining their own hit TV show. This Funny As interview sees Dean Butler, Willy de Wit, Ian Harcourt and Peter Murphy covering many topics, including: "Making it up" as they went along — "We really didn't know what we were doing" How their routine involving an airbourne pet toaster once caused $3,500 worth of damage Their first gig at Auckland's Windsor Castle turning into a bi-weekly run that lasted for two years TVNZ taking a "huge risk" in commissioning the first Funny Business TV series Being "blown away" while performing at Canada's Just For Laughs comedy festival in 1990 What the group's members are doing now, including Willy de Wit's recovery from a 2016 stroke
Guitar-playing yodellers The Topp Twins have been bringing audiences together for decades. As this Funny As interview demonstrates, Jools and Lynda Topp make for a formidable team. Among other topics, they talk about: Six decades of making each other laugh, starting from when they had to share a bath as children Making yodelling funny How an empty petrol tank and a prison cell launched their career; how busking taught them showmanship Protest, politics, loose elastic bands, and the value of "beautiful mistakes" Winning over an audience of London punks How Lynda got married before gay marriage became legal
With a career born from student radio, Paul Casserly shifted his focus from music to television in the 1990s.
Alongside co-starring in classic office comedy Gliding On, Susan Wilson has acted in drama series Pioneer Women and a host of stage roles. This Funny As interview sees her touching on several subjects, including: Still being recognised for her Gliding On role as straight-talking office worker Beryl — which she played for five seasons Feeling lucky she got to play an early feminist role model on-screen — "Beryl usually solved the dilemma of the episode in some way, while all the men just couldn't cope" Lamenting the lack of diverse roles for women in the 1970s: "the girlfriend in the background, or the silly typist with the nail varnish on the desk" Working with playwright Roger Hall at Wellington's Circa Theatre: "He's always been able to capture whatever it is that's important that's going on around us" The "amazing, genius comedy" of John Clarke, witnessed while acting with him onstage in Wellington
At one point Mike King was so famous, he appeared on three TV channels on the same night.
Andrew Clay forged his stand-up comedy career in Australia, before returning battle-hardened to New Zealand. The brutality of that environment is among the things he discusses in this Funny As interview. Clay also talks about: Being the dude at the back of the class, trying to make people laugh The lightbulb moment when Australian comedian George Smilovici told him he should be a stand-up comedian Feeling pride when his conservative dad said “you’d be good at that” The “walking off to the sound of your own footsteps” moments of stand-up comedy, and the immediacy of knowing "straight away whether you're doing well” Writing two stage plays, “to try to be funny in a different way”
Brendhan Lovegrove's comedy has been described as "verging on the psychotic side". He appeared on TV's A Night at the Classic and all eight series of Pulp Comedy. Lovegrove discusses his career in this Funny As interview, including: How he and friend Jason Hoyte (later half of comedy act Sugar and Spice) used to sit on a bench at school when they were eight years old, and make other students laugh Deciding that he wanted to do stand-up after watching an "electric" performance by Alan Brough Feeling blessed that his first stand-up gig "bombed", as it made him work harder Moving to the United Kingdom, and performing at comedy clubs like Jongleurs and The Glee Club Taking a "long time" to feel confident on camera— his first TV appearance (on A Bit After Ten) was "terrible"
Michèle A'Court is an award-winning stand-up comedian, an author and a newspaper columnist.
Sam Wills started out performing as a child magician, and in 2016 found himself on the America’s Got Talent stage as Tape Face.