Producer/director Gary Scott has spent time in the newsroom, the museum, and on location. Trained as an historian and journalist, Scott has been producing with Wellington company Gibson Group for more than a decade - though he began his screen career as an assignment editor, in the stressful world of primetime TV news. Alongside his TV work at Gibson Group, Scott also helps the company develop multi-media experiences for museums.
Long before they became veritable Kiwi screen legends, Ian Mune and Roger Donaldson hatched a clever plan: pool their talents, turn some classic short stories into a series, and maybe even get paid for their efforts. The result was landmark 1976 anthology series Winners & Losers, which helped open the door for New Zealand stories on screen.
Roger Horrocks is an academic and writer who has mentored many figures in the New Zealand screen industry. Horrocks began teaching film studies at Auckland University in the 1970s, at a time when film was looked down on by academics. He helped launch the Auckland Film Festival (the precursor to the New Zealand International Film Festival), and was a founding board member of funding body NZ On Air.
For roughly three decades Vincent Burke has been the man behind Top Shelf Productions. In that time he has helmed an impressive line up of screen projects. Among them are TV shows An Immigrant Nation, All About Eve, Cinema of Unease, Flatmates and Target.
John Clarke was one of New Zealand’s best-loved comic performers. His 1970s farming character Fred Dagg became an icon of Kiwi comedy. Clarke worked as a comedian, actor, writer and director. His satirical television series The Games was an Australian Film Institute award-winner. Although based in Australia since 1977, he lent his unmistakeable comic voice to Kiwi TV comedies bro’Town and Radiradirah. In a departure from our usual ScreenTalk format, this extended audio interview was produced and recorded by Andrew Johnstone and Richard Swainson with the assistance of Hamilton Community Radio and The Film School.
Stacey Daniels Morrison began her TV career on What Now?, presenting a weekly cooking segment while still at high school. After missing out on a role at Ice TV to Petra Bagust, she joined current affairs series Marae, which helped her discover her Māori heritage. She then moved to fledgling music show Mai Time, where she found herself at the forefront of a change in the way Māori culture was portrayed on screen. Morrison has moved between presenting and working behind-the-scenes, on everything from Guess Who's Coming to Dinner to SportsCafe. She is also a radio broadcaster.
Outrageous Fortune ran for six seasons, and lodged itself in New Zealand pop culture forever. The series tells the story of Cheryl West and her attempts to turn her Westie family away from a life of crime. A ratings hit for TV3, Outrageous Fortune proved that New Zealand television drama could hold its own against overseas productions.
Jane Wrightson is the Chief Executive of NZ On Air - the agency tasked with funding local television, digital media, music and radio. She began her career working for TVNZ, before becoming New Zealand's first woman Chief Film Censor. Wrightson started working at NZ On Air as the Television Manager before leaving for a stint as head of the Broadcasting Standards Authority. She returned to NZ On Air in 2007 as CEO.
In this mini ScreenTalk interview, New Zealand screen expert Roger Horrocks provides a quick guide to breakthrough 1970s drama series Winners & Losers — who made it, where they managed to find the funding, and why the series is so important for the Kiwi screen industry.
Producer Pat Cox instigated Kiwiana classic Footrot Flats: The Dog's (Tail) Tale and has produced some of New Zealand’s most iconic commercials, including the long-running Speights 'onya mate', Mainland Cheese 'these things take time', and the 100% Pure NZ tourism campaigns.