Roger Horrocks is an academic and writer who has mentored many figures in the New Zealand screen industry. Horrocks began teaching film studies at Auckland University in the 1970s, at a time when film was looked down on by academics. He helped launch the Auckland Film Festival (the precursor to the New Zealand International Film Festival), and was a founding board member of funding body NZ On Air.
Catherine Fitzgerald's producing credits include the Oscar-nominated short film Two Cars, One Night.
For more than two decades, Shirley Horrocks has been creating documentaries focussing on key figures from the New Zealand arts scene. Among her works are docos about photographer Marti Friedlander, artist Len Lye and playwright Roger Hall. She has also directed two science related films – Venus: A Quest and Paul Callaghan: Dancing with Atoms.
Lindsay Shelton's career testifies to his love of communicating, and his love of film. After working in newspapers he began a decade programming the Wellington Film Festival, while working in television news. In 1979 he joined the New Zealand Film Commission: over the next 22 years he was an enthusiastic promoter and salesman for New Zealand film around the globe.
Michael Heath's imagination has spawned movies bursting with murder and mayhem, as well as lyrical tales of childhood and unheralded artists. Heath's work ranges widely – some of his films are lyrical, comical and murderous all at the same time. His scripts include two contenders for New Zealand's first horror film (Death Warmed Up and Next of Kin), plus an affectionate adaptation of Ronald Hugh Morrieson classic The Scarecrow, which was the first Kiwi movie invited to the Cannes Film Festival. In recent years Heath has blossomed from writer into director.
Director, photographer and Axemen drummer Stuart Page is a prolific filmmaker, who has made over 40 music videos. Page has directed clips for Superette, The Clean, and The Skeptics’ infamous AFFCO. In 2009 he won Best Feature Documentary and Best Emerging filmmaker at the DocNZ International Film Festival for his film Shustak, a portrait of American photographer Laurence Shustak. Page also compiled alternative music compilation Noisyland.
Vincent Ward has won an international reputation as one of New Zealand's most original and visionary filmmakers. Vigil and The Navigator played in competition at the Cannes Film Festival (the first Kiwi films to do so). In Hollywood, Ward made Robin Williams afterlife drama What Dreams May Come. Urewera-set docu-drama Rain of the Children in 2008 revisited characters from Ward's 1980 documentary In Spring One Plants Alone.
Director Niki Caro has made movies in East Coast townships, French vineyards, and Minnesota coal mines. Although feature films Memory and Desire and the breakthrough hit Whale Rider made Caro’s international name, her early career was also rich, and much of it can be sampled on NZ On Screen.
Catherine Fitzgerald cut her teeth producing high profile short films. She collaborated with Taika Waititi on his Oscar-nominated short Two Cars, One Night and with Vincent Ward on his feature Rain of the Children. More recently Fitzgerald produced two features with director Tusi Tamasese.
Sam Pillsbury is a self-described American-Kiwi who has made films in both New Zealand and the US. He began his prolific career at the National Film Unit directing the notable documentaries Ralph Hotere and Men and Supermen. Pillsbury’s first feature film was The Scarecrow, starring John Carradine, which was the first New Zealand film to be invited to the Cannes Film Festival. Pillsbury co-wrote the script for The Quiet Earth, but 'fired himself' from the director role on the movie. His next major film was Starlight Hotel.