Roger Horrocks is an academic and writer who has mentored many figures in the New Zealand screen industry. Horrocks began teaching film studies at Auckland University in the 1970s, at a time when film was looked down on by academics. He helped launch the Auckland Film Festival (the precursor to the New Zealand International Film Festival), and was a founding board member of funding body NZ On Air.
Lindsay Shelton's career testifies to his love of communicating, and his love of film. After working in newspapers he began a decade programming the Wellington Film Festival, while working in television news. In 1979 he joined the New Zealand Film Commission: over the next 22 years he was an enthusiastic promoter and salesman for New Zealand film around the globe.
Film producer Don “Scrubbs” Blakeney came from a background in finance. Returning from working overseas in the 1970s, he met pioneering filmmakers Grahame McLean and John Barnett. Blakeney had become disillusioned with the corporate world, and ended up drifting into the film industry as unit caterer on Sleeping Dogs. In 1979, his background in both finance and film made Blakeney the ideal first Executive Director of the newly-established New Zealand Film Commission. He later produced Geoff Murphy’s classic Māori western Utu. Veteran producer and industry colleague John Barnett is Blakeney's guest interviewer.
Tom Hern is a film producer who began his screen career as a junior reporter on children’s television show What Now?. He went on to star in The Tribe, where he met his future business partner James Napier Robertson. Hern acted in a number of other TV shows such as Shortland Street and Power Rangers, before producing his first feature film I’m Not Harry Jenson. Since then Hern has produced features Everything We Loved and The Dark Horse.
Since the 1970s, producer John Barnett has been instrumental in bringing a host of uniquely Kiwi stories to local and international screens, from Fred Dagg to Footrot Flats, from Whale Rider to Sione’s Wedding and What Becomes Of The Broken Hearted?, from iconic soap Shortland Street to the wildly successful Westie family drama Outrageous Fortune.
After 10 and a half years as CEO of the NZ Film Commission, Ruth Harley stepped down to head across the ditch to helm Screen Australia. Doctor Harley quickly moved into management in the film and television sector, initially at TVNZ in the 1980s, then as the first Executive Director of newly formed funding body NZ On Air. In 1997 she was appointed CEO of the Film Commission.
The late Barry Barclay [Ngāti Apa] was one of New Zealand's most respected filmmakers. He directed such landmark titles as TV series Tangata Whenua, award-winning film Ngati, and The Feathers of Peace. Barclay was also a longtime campaigner for the right of indigenous people to tell their own stories to their own people.
Director Tony Hiles began making commercials and documentaries in the mid 1960s; from helming staples like Country Calendar, to independent docos and art films. In 1996 he won an NZ Film Best Director award for his debut feature film Jack Brown Genius.
Catherine Fitzgerald cut her teeth producing high profile short films. She collaborated with Taika Waititi on his Oscar-nominated short Two Cars, One Night and with Vincent Ward on his feature Rain of the Children. More recently Fitzgerald produced two features with director Tusi Tamasese.
Prolific producer Trevor Haysom has collaborated with some notable emerging filmmakers including Gregor Nicholas and the late Brad McGann. His feature film credits include In My Father’s Den, After the Waterfall, Tracker, and User Friendly. Haysom has also produced several documentaries for television, including Pacific 3 2 1 Zero, and Peter Peryer: Portrait of a Photographer.