Over nearly two decades and almost 9000 hours of TV time, Good Morning was a TVNZ light entertainment mainstay, airing on weekdays from 9am on TV One. Filmed at Wellington’s Avalon Studios for most of its run, the magazine show ranged from advertorials for recipes and home appliances to news, film reviews, aerobics, interviews, and … hypnotism. Presenters included inaugural host Liz Gunn, Mary Lambie (with her cat Lou), Sarah Bradley, Brendon Pongia, Steve Gray, Hadyn Jones, Lisa Manning, Rod Cheeseman, Jeanette Thomas, Matai Smith, and Astar.

Kōrero Mai ('speak to me') used a soap opera (Ākina) as a vehicle to teach conversational Māori, aided by te reo tutorials. Special segments taught song and tikanga. Multiple seasons were made for for Māori Television by Cinco Cine Productions. Cast and crew with credits on the series include presenters Matai Smith and Gabrielle Paringata; actors Calvin Tutaeo, Vanessa Rare, Jaime Passier-Armstrong, and Ben Mitchell; and directors Rawiri Paratene, Rachel House and Simon Raby. Kōrero Mai won Best Māori Programme at the 2005 Qantas TV Awards.

The Hothouse centres on five flatmates. Three are in the police force, the fourth is a lawyer, and the fifth is the wildcard: "ultimate hedonist" Levi (Kip Chapman). Series creator David Brechin-Smith explores what happens when outwardly good people "either break the law, or their morality is compromised in some way". The Hothouse was nominated for a run of 2007 Qantas TV Awards for acting; director Nathan Price and cinematographer Simon Baumfield won gongs. The cast includes Ryan O'Kane, Tania Nolan and Hannah Gould. The series ran for one season on TV One in 2007.

With its mix of quirky characters, lush scenery, and medical drama, Mercy Peak proved to be a winning formula. Produced by John Laing for South Pacific Pictures, and starring a host of NZ acting talent (Tim Balme, Jeffrey Thomas, Renato Bartolomei, et al), Mercy Peak follows the highs and lows of Dr Nicky Somerville (Sara Wiseman), who leaves the big city after discovering her partner’s infidelity. Taking up her new role at the hospital in the tiny town of Bassett, Nicky soon learns that life is full of complexities no matter the population.

Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.

The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.

Weddings was a real life romance series from Julie Christie’s reality TV powerhouse Touchdown Productions. It followed couples on their way to the altar — from abstinent Christians, nudists and cross-dressers, to a Days of Our Lives devotee. Among the challenges faced were obstinate mother-in-laws, and finding the cash to pay for the function. Presented by Jayne Kiely, Weddings proved a ratings success for TV2. Follow-up series Weddings: Happily ever after? (2001) caught up with couples to see if married life was wedded bliss, or something else. 

The Country Touch was a widely popular country and western music show from the 60s, that screened on Saturday nights. Produced by Bryan Easte for NZBC the show was filmed on an Auckland hay barn set and featured musical numbers, from folk, fiddles, and banjos to bluegrass, introduced by the legendary Tex Morton. Regulars included The Hamilton County Bluegrass Band, Brian Hirst’s Country Touch Singers (with a team of 20 square dancers), and Kay and Shane. Has Auckland ever been this close to the Appalachians?

Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.

Following campaigns in the 1970s for more Māori and Polynesian broadcasting, Pacific Viewpoint marked one of New Zealand television's earliest forays into ongoing Pacific programming. It was made largely by Pākehā,  although the presenting and reporting team included John Rangihau, Pere Maitai and Katerina Mataira. The title of the weekly series signalled a focus on Pacific stories, but the show struck a balance between both Māori and Pacific topics. Screening on Sunday afternoons on South Pacific Television, the series was initially produced in Hamilton.