In late 1989 U2 played to 60,000 at Lancaster Park. Exhausted by a relentless schedule and criticism of their recent explorations of American music, the band hoped for a short, fun tour with BB King. These performances were shot for music show CV. Reaction to show opener ‘Where the Streets Have No Name’ shows it was a good idea not to give up on the song during recording. After the classic ‘I Will Follow’, Bono invites a cool as a cucumber audience member up to play guitar on ‘People Get Ready’. U2 went on to reinvent themselves in Berlin with the acclaimed Achtung Baby.
In this first feature film from writer/director Greg Page, two urban bloke best friends take off on a surfing weekend. Their prospects of finding fun go down with the sun. Instead of enjoying surf and black sand, the boys find themselves lost in a rural nightmare, battling an inescapable curse and nocturnal field bogans. Page, known for his high energy music videos, wheel-spins city limits phobia into the Waikato heartland for a Kiwi twist on thriller genre thrills. Horrorview.com called it: "different and inventive enough to stand out from the crowd."
During a stint in prison for importing drugs, Bill Payne reinvented himself and became a writer. Payne went on to write Staunch (an acclaimed non-fiction book about gangs), short stories, a play, and two short films. Bella was the first. It follows life behind bars for Bella (Mitch Thomas), a defiantly proud transsexual and part-time tattooist, whose mere presence arouses the ire of one of the prison guards. But the guard's taunts are more complicated than they appear. The guard is played by Tim Gordon, who would later play All Blacks coach Graham Henry in telemovie The Kick.
A young couple (Danielle Cormack and Erik Thomson) wander into a photographic studio, where the owner seems to have the power to bring another age to life. Chosen for many international festivals including Clermont-Ferrand, Snap marked another collaboration for filmmakers Stuart McKenzie and Neil Pardington. Inventive and sly, the film plays like a twisted episode of The Twilight Zone, one in which the lead-up to the shock finale provides at least half the fun. Peter Hambleton steals the show, as the oddball photographer with Cormack in his sights.
Writer-director Barry Prescott’s third short film might have been entitled Strictly Legless. Alge (Joe Taylor) is a double amputee with a photo of Fred Astaire above his bed, whose dreams of dancing appear unlikely until he gets some inventive help from his sister (Emma Kinane) and dance teacher (John Bach, in a nosy prosthetic). Featuring cameos from veteran actors Donna Akersten and Alice Fraser, the black comedy treads on some sensitive toes for humorous effect, while remaining warm-hearted. It won awards at festivals for the differently-abled worldwide.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
What Now? is a long-running entertainment show for primary school-aged children. Live to air on weekend mornings since 1981, it is a Kiwi kids' TV institution. This Christmas Special sees presenters Simon Barnett, Jason 'The Ace' Gunn, and Cath McPherson larking it up with guests (Cath's Scottish Uncle Bob, Constable Keith and Sniff the Dog, The Wizard of Christchurch, the NZ 'Young Guns' cricket team) and in oddball summer and Christmas tales. Eddie and Fifi do decorative DIY. Check out the stone-wash denim and Barnett's frosted tips and lycra shorts.
Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...
Toss is an 11-year old girl living on a remote hill country farm. While out with her father herding sheep, he falls and is killed. Ethan, a bearded stranger appears, carrying his body, and plants himself on the farm. Toss fears he’s Lucifer and is confused when he and her mother become lovers. It is through Ethan, however, that Toss comes to terms with her father’s death and the first stirrings of womanhood. Vincent Ward’s debut feature was the first NZ film selected for competition at Cannes; LA Times’ critic Kevin Thomas lauded it as “a work of awesome beauty”.
Illustrious Energy sees Chan and his older mate Kim prospecting for gold in 1890s Otago. Marooned until they can pay off their debts and return to China; they’ve been fruitlessly working their claim for 12 and 27 years respectively. Chan faces racism, isolation, extreme weather, threatening surveyors, opium dens and a circus romance. The renowned feature-directing debut of cinematographer Leon Narbey provides a poetic evocation of the Chinese settler experience; especially vivid are Central’s natural details — desolate schist and tussock lands, rasping crickets.