This documentary travels to nine Pacific nations, including New Zealand, to chronicle the long struggle to create a regional nuclear arms free zone. Interviews with politicians, activists, radiation victims and American and French admirals are counterpointed. When hopes of a treaty are dashed at a South Pacific Forum meet, it is pointed out that the David Lange-trumpeted independence of NZ's nuclear-free policy is evidently "not for export". Local music scores the doco, including Australia's Midnight Oil, whose lead singer (future MP Peter Garrett) is interviewed.
In the 1950s thousands of Pacific Islanders came to Aotearoa to meet a labour shortage. They faced racism, and in the 1970s, notorious dawn raids by police. In 1971 a group of young gang members and students set up the Polynesian Panthers to stand up for the rights of the Pasifika community. They ran food co-ops, homework centres, and lobbied for support services. In this Dan Salmon-directed documentary, presenter Nevak Rogers explores the inspirations, events (Bastion Point, Springbok Tour) and legacy of the movement co-founded by her uncle Will 'llolahia.
Tony Fomison, one of NZ’s leading painters, is profiled in this 1981 episode of a series about notable artists, made for TVNZ. Interviewed by Hamish Keith, Fomison is an engaging but diffident subject — describing his often dark, brooding works as “illustrations of dreams”, but also ascribing human emotions to them. His powerful attraction to Pacific cultures is explored; it culminated in this Pākehā son of a working-class Christchurch family getting a pe’a (the traditional Samoan body tattoo). Tony Fomison died in 1990.
For 80 million years, Moa's Ark was mammal free. Then, in the last 1000 years, humans arrived from Polynesia and Europe, and as presenter David Bellamy discovers, changed these islands at a rate unparalleled in the peopling of this planet. Bellamy channels Indiana Jones and hangs from old man's beard vines to assess the impact. The episode features footage of a beautiful dawn chorus, of the kiwi and the nocturnal kakapo (the world's largest, rarest parrot), cave drawings of the moa-hunters, plus Māori harakeke weaving and a hangi with Tipene O'Regan.
“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two Kiwi features made in the 1960s. Moving from Sydney to a Rotorua music festival, it follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. That's only an excuse for a melange of madcap musical fun. Made by John O’Shea for Pacific Films, the movie featured performers Howard Morrison (who sings in this excerpt), Lew Pryme and Kiri Te Kanawa, plus distinctive graphics by artist Pat Hanly.
A homage to Dusky Maiden images as well as a playful take on the low art of velvet painting, Sima Urale’s Velvet Dreams provides a tongue-in-cheek exploration of Pacific Island stereotypes. Part detective story, part documentary, an unseen narrator goes in search of a painting of a Polynesian princess that he has fallen in love with. Along the way he meets artists, fans and critics of the kitsch art genre, as well as the mysterious Gauguin-like figure of Charlie McPhee. Made for TVNZ's Work of Art series, Velvet Dreams played in multiple international film festivals.